Gilboa raquel (21 resultados)
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Librería: Powell's Bookstores Chicago, ABAA, Chicago, IL, Estados Unidos de AmericaPowell's Bookstores Chicago, ABAA
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EUR 14,01
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Paperback. Condición: Used-Like New. Clean copy. May have remainder mark.
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Librería: Powell's Bookstores Chicago, ABAA, Chicago, IL, Estados Unidos de AmericaPowell's Bookstores Chicago, ABAA
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EUR 14,01
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Paperback. Condición: Used-Very Good. Pbk. 4to. Some shelf-wear. Profusely illus. Else bright, clean copy.
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Librería: HPB-Emerald, Dallas, TX, Estados Unidos de AmericaHPB-Emerald
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EUR 15,90
Envío por EUR 3,29Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.
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- Primera edición
Librería: Arundel Books, Seattle, WA, Estados Unidos de AmericaArundel Books
Contactar con el vendedorVendedor de 5 estrellasMiembro de asociación: CBA
Condición: Usado - Excelente
EUR 14,45
Envío por EUR 5,04Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Trade Paperback. Condición: Fine. First Edition. A fine copy of the first edition paperback.
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Librería: Better World Books Ltd, Dunfermline, Reino UnidoBetter World Books Ltd
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EUR 14,14
Envío por EUR 5,87Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Librería: WeBuyBooks, Rossendale, LANCS, Reino UnidoWeBuyBooks
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EUR 15,03
Envío por EUR 12,65Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.
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- Primera edición
Librería: Lost Horizon Bookstore, Santa Barbara, CA, Estados Unidos de AmericaLost Horizon Bookstore
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EUR 22,58
Envío por EUR 6,14Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Softcover. Condición: Good. First edition. 11'' X 9 1/2''. 208pp. Illustrated. General wear to covers.
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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EUR 26,38
Envío por EUR 7,63Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 3 disponibles
Condición: New. pp. 220 200 Illus.
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 25,80
Envío por EUR 8,95Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 15 disponibles
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 24,14
Envío por EUR 9,50Se envía de Irlanda a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New. Num Pages: 252 pages, black & white illustrations, figures. BIC Classification: AFKB. Category: (G) General (US: Trade). Dimension: 282 x 243 x 22. Weight in Grams: 1224. . 2014. Paperback. . . . .
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 29,02
Envío por EUR 9,21Se envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New. Num Pages: 252 pages, black & white illustrations, figures. BIC Classification: AFKB. Category: (G) General (US: Trade). Dimension: 282 x 243 x 22. Weight in Grams: 1224. . 2014. Paperback. . . . . Books ship from the US and Ireland.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 38,87
Gastos de envío gratisSe envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 19 disponibles
Paperback. Condición: New. As an American living in England, a conscious Jew who utilized Christian symbols, a skillful modeler who introduced direct carving into England, and a modernist who eventually came to dislike abstraction for its own sake, Epstein did not fit neatly into the artistic categories of his time. Apart from h…is still widely admired naturalistic bronze portraits, Epstein's oeuvre remains poorly understood and his reputation is dominated by his famous Rock Drill from before World War I. As this book shows, Epstein remained an avant-garde artist throughout his life, even if he ignored modernist dogma as well as man-in-the-street prudery. Gilboa's text reveals the man in all his genius, interpreting many works in the light of Epstein's personal circumstances. In an atmosphere of polarized attitudes to art and polite anti-Semitism at the end of the 1920s growing rather less polite thereafter, the outsider Jew Epstein deliberately became estranged from London's art world. He responded to society's attitude towards him in a series of bold projects - the monumental Genesis (1930) and Primeval Gods (1931-32); the smaller carvings Chimera and Elemental (1932); Behold the Man (1934-35); Consummatum Est (1938-39); Adam (1938) and Jacob and the Angel (1940); the bronze Lucifer (1944-45) and again a carving, Lazarus (1947). One cannot ignore the symbolic names of these sculptures. The discussion in this book will reveal that in each case the name has a definite relation to the sculpture's theme and essence, as well as to the personal concerns of the sculptor. Almost all of these sculptures that Epstein produced from the 1930s aroused a public outcry, causing one critic to state that "a new carving by Mr. Epstein - good, bad or indifferent - can still steal the headlines when criminal assault, private or political, is out of season". It was only during the 1950s, following the trauma and emotional shock of World War II, that new requirements for the expression of ideas and emotions rather than for mere forms with which to play renewed the demand for 'an Epstein' and his kind of 'content' sculpture, mainly in public commissions. Epstein, by then in his seventies, was flooded with work, and his sculpture - which employed Christian imagery to convey universal ideas of consolation and hope to a war-weary England - became newly relevant, gaining him the status of grand old master of English sculpture.
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 40,97
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: new. Paperback. As an American living in England, a conscious Jew who utilized Christian symbols, a skillful modeler who introduced direct carving into England, and a modernist who eventually came to dislike abstraction for its own sake, Epstein did not fit neatly into the artistic categories of his time. A…part from his still widely admired naturalistic bronze portraits, Epstein's oeuvre remains poorly understood and his reputation is dominated by his famous Rock Drill from before World War I. As this book shows, Epstein remained an avant-garde artist throughout his life, even if he ignored modernist dogma as well as man-in-the-street prudery. Gilboa's text reveals the man in all his genius, interpreting many works in the light of Epstein's personal circumstances. In an atmosphere of polarized attitudes to art and polite anti-Semitism at the end of the 1920s growing rather less polite thereafter, the outsider Jew Epstein deliberately became estranged from London's art world. He responded to society's attitude towards him in a series of bold projects - the monumental Genesis (1930) and Primeval Gods (1931-32); the smaller carvings Chimera and Elemental (1932); Behold the Man (1934-35); Consummatum Est (1938-39); Adam (1938) and Jacob and the Angel (1940); the bronze Lucifer (1944-45) and again a carving, Lazarus (1947). One cannot ignore the symbolic names of these sculptures. The discussion in this book will reveal that in each case the name has a definite relation to the sculpture's theme and essence, as well as to the personal concerns of the sculptor. Almost all of these sculptures that Epstein produced from the 1930s aroused a public outcry, causing one critic to state that "a new carving by Mr. Epstein - good, bad or indifferent - can still steal the headlines when criminal assault, private or political, is out of season". It was only during the 1950s, following the trauma and emotional shock of World War II, that new requirements for the expression of ideas and emotions rather than for mere forms with which to play renewed the demand for 'an Epstein' and his kind of 'content' sculpture, mainly in public commissions. Epstein, by then in his seventies, was flooded with work, and his sculpture - which employed Christian imagery to convey universal ideas of consolation and hope to a war-weary England - became newly relevant, gaining him the status of grand old master of English sculpture. As an American living in England, a conscious Jew who utilized Christian symbols, a skillful modeler who introduced direct carving into England, Epstein did not fit neatly into the artistic categories of his time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 26,38
Envío por EUR 17,60Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Paperback. Condición: Brand New. 252 pages. 11.25x9.55x0.80 inches. In Stock.
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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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EUR 46,21
Envío por EUR 3,50Se envía dentro de Estados Unidos de AmericaCantidad disponible: 3 disponibles
Condición: New. pp. 220.
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 28,54
Envío por EUR 27,22Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.
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Librería: Marcus Campbell Art Books, London, Reino UnidoMarcus Campbell Art Books
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado
EUR 48,34
Envío por EUR 22,29Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: Good in wraps. 24 x 29cm 208pp good paperback. Sir Jacob Epstein KBE was an American and British sculptor who helped pioneer modern sculpture. He was born in the United States, and moved to Europe in 1902, becoming a British subject in 1910. Works shown in black and white reproduction.
Idioma: Inglés
Editorial: Paul Holberton Publishing Ltd, 2009
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Librería: The Private Library, London, Reino UnidoThe Private Library
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 58,01
Envío por EUR 23,47Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carritoSoft cover. Condición: Very Good. This detailed catalogue explores the early artistic years of Jacob Epstein, highlighting his development and influences from 1880 to 1930. It provides insights into his formative experiences that shaped his revolutionary approach to sculpture, emphasizing his impact on modern art movements. From… the library of John Russell Taylor.
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 67,60
Envío por EUR 32,45Se envía de Australia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: new. Paperback. As an American living in England, a conscious Jew who utilized Christian symbols, a skillful modeler who introduced direct carving into England, and a modernist who eventually came to dislike abstraction for its own sake, Epstein did not fit neatly into the artistic categories of his time. A…part from his still widely admired naturalistic bronze portraits, Epstein's oeuvre remains poorly understood and his reputation is dominated by his famous Rock Drill from before World War I. As this book shows, Epstein remained an avant-garde artist throughout his life, even if he ignored modernist dogma as well as man-in-the-street prudery. Gilboa's text reveals the man in all his genius, interpreting many works in the light of Epstein's personal circumstances. In an atmosphere of polarized attitudes to art and polite anti-Semitism at the end of the 1920s growing rather less polite thereafter, the outsider Jew Epstein deliberately became estranged from London's art world. He responded to society's attitude towards him in a series of bold projects - the monumental Genesis (1930) and Primeval Gods (1931-32); the smaller carvings Chimera and Elemental (1932); Behold the Man (1934-35); Consummatum Est (1938-39); Adam (1938) and Jacob and the Angel (1940); the bronze Lucifer (1944-45) and again a carving, Lazarus (1947). One cannot ignore the symbolic names of these sculptures. The discussion in this book will reveal that in each case the name has a definite relation to the sculpture's theme and essence, as well as to the personal concerns of the sculptor. Almost all of these sculptures that Epstein produced from the 1930s aroused a public outcry, causing one critic to state that "a new carving by Mr. Epstein - good, bad or indifferent - can still steal the headlines when criminal assault, private or political, is out of season". It was only during the 1950s, following the trauma and emotional shock of World War II, that new requirements for the expression of ideas and emotions rather than for mere forms with which to play renewed the demand for 'an Epstein' and his kind of 'content' sculpture, mainly in public commissions. Epstein, by then in his seventies, was flooded with work, and his sculpture - which employed Christian imagery to convey universal ideas of consolation and hope to a war-weary England - became newly relevant, gaining him the status of grand old master of English sculpture. As an American living in England, a conscious Jew who utilized Christian symbols, a skillful modeler who introduced direct carving into England, Epstein did not fit neatly into the artistic categories of his time. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 35,29
Envío por EUR 76,27Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 19 disponibles
Paperback. Condición: New. As an American living in England, a conscious Jew who utilized Christian symbols, a skillful modeler who introduced direct carving into England, and a modernist who eventually came to dislike abstraction for its own sake, Epstein did not fit neatly into the artistic categories of his time. Apart from h…is still widely admired naturalistic bronze portraits, Epstein's oeuvre remains poorly understood and his reputation is dominated by his famous Rock Drill from before World War I. As this book shows, Epstein remained an avant-garde artist throughout his life, even if he ignored modernist dogma as well as man-in-the-street prudery. Gilboa's text reveals the man in all his genius, interpreting many works in the light of Epstein's personal circumstances. In an atmosphere of polarized attitudes to art and polite anti-Semitism at the end of the 1920s growing rather less polite thereafter, the outsider Jew Epstein deliberately became estranged from London's art world. He responded to society's attitude towards him in a series of bold projects - the monumental Genesis (1930) and Primeval Gods (1931-32); the smaller carvings Chimera and Elemental (1932); Behold the Man (1934-35); Consummatum Est (1938-39); Adam (1938) and Jacob and the Angel (1940); the bronze Lucifer (1944-45) and again a carving, Lazarus (1947). One cannot ignore the symbolic names of these sculptures. The discussion in this book will reveal that in each case the name has a definite relation to the sculpture's theme and essence, as well as to the personal concerns of the sculptor. Almost all of these sculptures that Epstein produced from the 1930s aroused a public outcry, causing one critic to state that "a new carving by Mr. Epstein - good, bad or indifferent - can still steal the headlines when criminal assault, private or political, is out of season". It was only during the 1950s, following the trauma and emotional shock of World War II, that new requirements for the expression of ideas and emotions rather than for mere forms with which to play renewed the demand for 'an Epstein' and his kind of 'content' sculpture, mainly in public commissions. Epstein, by then in his seventies, was flooded with work, and his sculpture - which employed Christian imagery to convey universal ideas of consolation and hope to a war-weary England - became newly relevant, gaining him the status of grand old master of English sculpture.
Editorial: -Paul Holberton Publishing -, 2013
Librería: Paul Brown, Ramsgate, Reino UnidoPaul Brown
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado
EUR 19,34
Envío por EUR 28,39Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carritoFirst edition first printing 2013. 252 pages. Illustrated in black and white throughout. Paperback. Fine. As an American living in England, a conscious Jew who utilized Christian symbols, a skillful modeler who introduced direct carving into England, and a modernist who eventually came to dislike abstraction for its own sake, Ep…stein did not fit neatly into the artistic categories of his time. Apart from his still widely admired naturalistic bronze portraits, Epstein's oeuvre remains poorly understood and his reputation is dominated by his famous Rock Drill from before World War I. As this book shows, Epstein remained an avant-garde artist throughout his life, even if he ignored modernist dogma as well as man-in-the-street prudery. Gilboa's text reveals the man in all his genius, interpreting many works in the light of Epstein's personal circumstances. In an atmosphere of polarized attitudes to art and polite anti-Semitism at the end of the 1920s growing rather less polite thereafter, the outsider Jew Epstein deliberately became estranged from London's art world. He responded to society's attitude towards him in a series of bold projects- the monumental Genesis (1930) and Primeval Gods (1931-32); the smaller carvings Chimera and Elemental (1932); Behold the Man (1934-35); Consummatum Est (1938-39); Adam (1938) and Jacob and the Angel (1940); the bronze Lucifer (1944-45) and again a carving, Lazarus (1947). One cannot ignore the symbolic names of these sculptures. The discussion in this book will reveal that in each case the name has a definite relation to the sculpture's theme and essence, as well as to the personal concerns of the sculptor. Almost all of these sculptures that Epstein produced from the 1930s aroused a public outcry, causing one critic to state that"a new carving by Mr. Epstein - good, bad or indifferent - can still steal the headlines when criminal assault, private or political, is out of season". It was only during the 1950s, following the trauma and emotional shock of World War II, that new requirements for the expression of ideas and emotions rather than for mere forms with which to play renewed the demand for `an Epstein' and his kind of `content' sculpture, mainly in public commissions. Epstein, by then in his seventies, was flooded with work, and his sculpture - which employed Christian imagery to convey universal ideas of consolation and hope to a war-weary England - became newly relevant, gaining him the status of grand old master of English sculpture. We are specialists in Artists Monographs, Catalogues and Illustrated items. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 38 years experience, you may order with confidence. Other titles by this artist maybe in stock, please ask for our list or link.
