Giger h p (11 resultados)

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condición: New. Idioma/Language: Español. Descubra el universo inimitable de H. R. Giger en este título imprescindible sobre el maestro que plasmó virtuosamente las fantasías y los temores colectivos de nuestra época. Desde sus miedos de infancia hasta la película Alien, Giger nos guía personalmente por su polifacética carrera a través de íntimos ensayos autobiográficos, reproducciones. . . *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

Rústica. Condición: New. Estado de la sobrecubierta: Nuevo. LIBRO.

Condición: Nuevo.

Condición: Nuevo. COLECCIÓN: BA BA - ARTES | ARTISTAS, MONOGRAFIAS SOBRE EL ARTE | ESTILOS DE ARTE Y DISEÑO: C. 1960- | FOTOGRAFIA Y FOTOGRAFOS | HISTORIA DEL ARTE Y ESTILOS DE DISEÑO: C. 1900 | ILUSTRACION | TRATAMIENTOS Y MATERIAS ARTISTICAS.

Rústica. Condición: Nuevo. Estado de la sobrecubierta: Nuevo. AZARTE.

Macchioline alla copertina 165 p. in-8.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Large Folio (30.5 × 39 cm). Full black cloth. Cover decorated with tentacle pattern in blind; gilt titling to cover and spine. Pictorial dustjacket. Black cloth slipcase. Two silk ribbon markers (black and yellow). 400 pp. Colour and black and white illustrations throughout; numerous multi-page fold-outs, including Michael Whelan's Lovecraft Diptych, here approximately four feet wide. Profusely illustrated with over forty artists' work spanning eight decades of Lovecraftian art. Over 20,000 words of original essays. Standard slipcase edition. Published October 2008. Howard Phillips Lovecraft (1890-1937) was born in Providence, Rhode Island, published almost exclusively in pulp magazines, never achieved commercial success during his lifetime, and died at forty-six in poverty. His reputation has been assembled entirely posthumously. He is now regarded as the most influential writer of weird fiction of the twentieth century. Particularly, his central creation is that of a mythology of cosmic horror whose central proposition is that the universe is incomprehensibly vast and incomprehensible that to merely gaze upon it would cause irreparable psychic damage to the human mind, leading to madness. The Cthulhu Mythos, a loose constellation of ancient beings, forbidden books, and doomed New England communities that recurs across his fiction, has exerted an influence on horror literature, film, visual art, and popular culture that has lingered for almost a century now. The Lovecraft Retrospective draws on the full range of artistic responses to Lovecraft's work over the previous eight decades; presenting the accumulated visual imagination that Lovecraft's fiction has generated across a century of continuous creative response. The artists assembled here represent the full spectrum of that tradition: Virgil Finlay and Lee Brown Coye from the golden age of pulp illustration; H.R. Giger, whose biomechanical imagery connects the cosmic horror tradition to the mainstream of late twentieth-century visual culture; Ian Miller, John Coulthart, and J.K. Potter, whose intensely detailed graphic work has defined contemporary Lovecraftian illustration; Michael Whelan, Bob Eggleton, and John Jude Palencar from the world of science fiction and fantasy painting; Mike Mignola, whose Hellboy universe owes a clear debt to Lovecraft's mythology; and Gahan Wilson, whose cartoonish yet deeply unsettling approach to the material is entirely its own. For most of the art, Walters worked from either originals or first-generation transparencies, so most of the work is displayed with a brilliance that has never been seen in reproduction before. The framing essays are provided by three figures of exceptional authority. Harlan Ellison (1934-2018) contributed the introduction. Stuart Gordon (1947-2020), the director of Re-Animator (1985) and From Beyond (1986), who did more than any other filmmaker to bring Lovecraft's work to the screen, wrote the preface. Thomas Ligotti (b. 1953), the American horror author widely regarded as the most significant writer in the Lovecraftian tradition since Lovecraft himself, provided the afterword. Centipede Press was founded by Jerad Walters in Lakewood, Colorado, initially as Cocytus Press in 2001 and renamed in 2004. It has established itself as the foremost specialty publisher of fine limited editions in the horror, science fiction, and weird fiction genres, with a particular emphasis on the Lovecraft tradition. Fine. A beautifully preserved copy, free from imperfections. Slipcase shows some shelf markings. Please note: This is a large and heavy volume. Additional postage costs may apply. If so, we will contact you after purchase. H.R. Giger, Michael Whelan, Lee Brown Coye, Virgil Finlay, Gahan Wilson, John Coulthart, Ian Miller, Bob Eggleton, Mike Mignola, J.K. Potter, John Jude Palencar, and others (ilustrador). …

Hardcover. Condición: Gut bis sehr gut. Estado de la sobrecubierta: Gut bis sehr gut. 1. Auflage. Z/B : 148 Seiten. 23,5 x 30 cm. Mit zahlreichen farbigen Abbildungen. - Phantastische Wesen, Pflanzen, Fabeltiere, exotische Schönheiten, bizarre Tempelbögen: Seit über einem Vierteljahrhundert gestaltet Bruno Weber sein phantastisches Reich namens 'Weinrebenpark' in der Nähe von Zürich. Ein Skulpturenpark mit beschaubaren, begehbaren und bewohnbaren Objekten ist entstanden, der einen faszinierenden Gegenentwurf voller visionärer Ideen und Einfälle darstellt zu der immer öder werdenden Welt der Technik und des Kommerzes. Signatur des Illustrators.…

Les Humanoïdes Associés / Revue Métal Hurlant n° 21 de 1977. Revue in-4 agrafée de 100 pages au format 27 x 21 cm. Magnifiques couvertures illustrées par Hans Ruedi Giger. Plats et intérieur frais. Bandes dessinées et illustrations de Hans Ruedi Giger pour " Le Necronomicon " d'après H.P. Lovecraft, Jean Giraud dit Moebius, Alain Voss - Paul Gillon, etc. Rare édition originale surtout dans un tel état général de fraicheur. …