Gerhard lutz (379 resultados)

paperback. Condición: Good.

Condición: very_good.

paperback. Condición: Very Good. very good to like new softcover. no marks. clean text. solid binding. very light wear. ISBN matches listing Fast service with confirmation, no international or priority orders over 4lbs.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Oversized Paperback. Condición: As New. Unworn and unmarked.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Wraps. Condición: Very Good. 107 pp., illus. In German. Light edgewear to wrappers, foxing to top edge.

Hardcover. Hardcover in brown cloth covers that show light wear; previous owner's name, date in ink on first free endpaper. Hinges sound, uncracked. Pages tight, clean. Some internal foxing, browning due to paper quality. DJ unevenly foxed but no major tears. 236 pages; text in German. .

Broschiert. Condición: Gut. 1. Auflage.. 107 Seiten; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber und kann entsprechende Merkmale aufweisen (Rückenschild, Instituts-Stempel.). Sprache: Deutsch Gewicht in Gramm: 160.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. Lechtape, Andreas (ilustrador).

Paperback. Condición: New. Said to have come from the Benedictine abbey church of Saint Peter in Erfurt, Germany, this statue by Tilman Riemenschneider (c. 1460 - 1531), dated to c. 1495, depicts the church father Saint Jerome as he removes a thorn from the paw of a lion, a legendary account of the saint's kindness. Following the common iconography of the scene, Jerome is dressed in the traditional robes of a Roman cardinal, with the cowl draped over his tonsured head and the broad-brimmed hat on his right leg. Traces of polychromy and gilding suggest that it was once brightly coloured. Drill holes in the hat further indicate that cords and tassels of fabric, typical of a cardinal's hat, would once have decorated the sculpture. Whether the statue was originally commissioned for an altar in a private chapel or for its artistic value remains unknown. Its alleged provenance from a church in Erfurt and Jerome's popularity as a patron saint of humanists and scholars make either scenario likely.Alabaster was prized for its lustre and capacity for fine details from the fourteenth to the sixteenth century. The gleaming stone was used for altarpieces and small sculptures, as well as the tombs of wealthy princes. The book unites alabaster works from the medieval collection of the Cleveland Museum of Art and selected masterpieces of alabaster sculpture from North American museums and the Louvre in Paris, which allow insight into the production of alabaster sculptures in this period. It is striking that these works are of such a particularly exquisite quality that this material was used especially for high-ranking commissions, such as the tomb of Duke Philip the Bold of Burgundy in Champmol near Dijon. The book is accompanied by several essays that examine the subject of alabaster sculpture from different perspectives.…

Condición: New.

Paperback. Condición: new. Paperback. At the center of this publication is Tilman Riemenschneider's Saint Jerome and the Lion, one of the masterpieces of the Cleveland Museum of Art. Riemenschneider's Saint Jerome is not only one of the artist's more important early masterpieces, it is also his only alabaster work in a collection in the USA. Said to have come from the Benedictine abbey church of Saint Peter in Erfurt, Germany, this sculpture by Tilman Riemenschneider (c.14601531), dated to c. 1495, depicts the church father Saint Jerome as he removes a thorn from the paw of a lion, a legendary account of the saint's kindness. Following the common iconography of the scene, Jerome is dressed in the traditional robes of a Roman cardinal, with the cowl draped over his tonsured head and the broad-brimmed hat on his right leg. Traces of polychromy and gilding suggest that it was once brightly colored. Drill holes in the hat further indicate that cords and tassels of fabric, typical of a cardinal's hat, would once have decorated the sculpture. Whether the statue was originally commissioned for an altar in a private chapel or smaller space in the monastery remains unknown. Alabaster was prized for its luster and capacity for fine details from the fourteenth to the sixteenth century. The gleaming stone was used for altarpieces and small sculptures, as well as the tombs of wealthy princes. The book unites works from the medieval collection of the Cleveland Museum of Art and selected masterworks from North American museums and the Louvre in Paris, which allows insight into the characteristics of alabaster sculptures in this period. It is striking that these works are of such a particularly exquisite quality that this material was used especially for high-ranking commissions, such as the tomb of Duke Philip the Bold of Burgundy in Champmol near Dijon. The book is accompanied by several essays that examine the subject of alabaster sculpture from different perspectives. AUTHOR: Gerhard Lutz is the Robert P. Bergman Curator of Medieval Art, the Cleveland Museum of Art. SELLING POINTS: . Sixth volume in the Cleveland Masterworks Series . Features several essays that examine the subject of alabaster sculpture from different perspectives . Features works from the Metropolitan Museum of Art, National Gallery of Art, Museum of Fine Arts Boston, Cleveland Museum of Art, the J. Paul Getty Museum, and the Musee du Louvre 100 colour illustrations At the centre of this publication is Tilman Riemenschneider's masterpiece Saint Jerome and the Lion, one of the artist's most important early sculptures. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. Said to have come from the Benedictine abbey church of Saint Peter in Erfurt, Germany, this statue by Tilman Riemenschneider (c. 1460 - 1531), dated to c. 1495, depicts the church father Saint Jerome as he removes a thorn from the paw of a lion, a legendary account of the saint's kindness. Following the common iconography of the scene, Jerome is dressed in the traditional robes of a Roman cardinal, with the cowl draped over his tonsured head and the broad-brimmed hat on his right leg. Traces of polychromy and gilding suggest that it was once brightly coloured. Drill holes in the hat further indicate that cords and tassels of fabric, typical of a cardinal's hat, would once have decorated the sculpture. Whether the statue was originally commissioned for an altar in a private chapel or for its artistic value remains unknown. Its alleged provenance from a church in Erfurt and Jerome's popularity as a patron saint of humanists and scholars make either scenario likely.Alabaster was prized for its lustre and capacity for fine details from the fourteenth to the sixteenth century. The gleaming stone was used for altarpieces and small sculptures, as well as the tombs of wealthy princes. The book unites alabaster works from the medieval collection of the Cleveland Museum of Art and selected masterpieces of alabaster sculpture from North American museums and the Louvre in Paris, which allow insight into the production of alabaster sculptures in this period. It is striking that these works are of such a particularly exquisite quality that this material was used especially for high-ranking commissions, such as the tomb of Duke Philip the Bold of Burgundy in Champmol near Dijon. The book is accompanied by several essays that examine the subject of alabaster sculpture from different perspectives.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

weicher Einband. Opb. 96 S. Mit Abb. 330 gr.

Paperback. Condición: Brand New. 6.65x0.83x9.45 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: New. 2023. Paperback. . . . . .

Hardcover. Condición: Très bon. Edition 2010. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 2010. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condición: Très bon. Edition 2015. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Edition 2015. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: new.

Softcover/Paperback. Condición: Sehr gut. 1. Aufl. 127 Seiten mit zahlreichen Illustrationen. Kaum Lese- und Lagerspuren. Ein sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 300.

Condición: New.

Condición: as new. Wie neu/Like new.

gebundene Ausgabe. Condición: Gut. X, 309 S. : graph. Darst. ; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Sprache: Deutsch Gewicht in Gramm: 550. …