Gerard hoet (89 resultados)

Loose Leaf. Condición: New. Reproduction. Original title: Aminta and Thestylis German: Aminta und Thestylis French: Aminta et Thestylis Spanish: Aminta y Thestylis High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1658). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condición: New. Reproduction. Original title: Pastoral scene with Dameet, Galate and Amaril German: Pastoralszene mit Dameet, Galate und Amaril French: Scène pastorale avec Dameet, Galate et Amaril Spanish: Escena pastoral con Dameet, Galate y Amaril High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1658). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condición: New. Reproduction. Original title: Mercury recommends Bacchus' care to the nymphs of Nysa German: Merkur empfiehlt Bacchus' Pflege für die Nymphen von Nysa French: Mercure recommande le soin de Bacchus aux nymphes de Nysa Spanish: Mercurio recomienda el cuidado de Baco a las ninfas de Nysa High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1658). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condición: New. Reproduction. Original title: Hoofsmith German: Hoofsmith French: Fabrication à partir de matières de toute position Spanish: Hoofsmith High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1658). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condición: New. Reproduction. Original title: Landscape with walking couple German: Landschaft mit Wanderpaar French: Paysage avec couple à pied Spanish: Paisaje con pareja a pie High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1664). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condición: New. Reproduction. Original title: Musical company German: Musikunternehmen French: Société musicale Spanish: Empresa musical High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1658). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condición: New. Reproduction. Original title: Paris and Oenone German: Paris und Oenone French: Paris et Oenone Spanish: París y Oenone High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1658). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condición: New. Reproduction. Original title: Hoofsmith German: Hoofsmith French: Fabrication à partir de matières de toute position Spanish: Hoofsmith High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1658). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condición: New. Reproduction. Original title: Joseph declares the Pharaoh's dreams German: Joseph erklärt die Träume des Pharao French: Joseph déclare les rêves du Pharaon Spanish: José declara los sueños del Faraón High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1664). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condición: New. Reproduction. Original title: Landscape with four figures German: Landschaft mit vier Figuren French: Paysage à quatre chiffres Spanish: Paisaje con cuatro figuras High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1664). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Condición: New. pp. 777.

Condición: New. pp. 777.

Condición: New.

Condición: New. pp. 777.

Condición: New. pp. 666.

Condición: New. pp. 666.

Condición: New. pp. 666.

Condición: New.

PF. Condición: New.

Condición: New. In English.

Original Kupferstich-Portrait aus dem 18. Jahrhundert. -- Blattmaße: ca. 34,5 x 25,5 cm. -- An den Ecken auf Karton montiert. -- knapp beschnitten, an den Ecken etwas leimschattig und teils leicht beschädigt, sonst gut erhalten. || Original copper engraved portrait from the 18th century. -- Mounted on cardboard. -- closely trimmed, with minor stains of glue on the corners, partially slightly damaged, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 1550.…

Condición: New. In English.

Condición: New.

Condición: New.

Hardcover. Condición: Ausreichend. Die 4 Bände auf Papier Roial gedruckt, alle Titelblätter in Rot-Schwarz-Druck mit Titelkupfer, rot gesprenkelte Rundum-Schnitte, grüne Lesebändchen aus Seide. Tome premier: 1728. [5] Bl., 558 S., [39] Bl., 36 ganzseitige, 2 doppelseitige Kupfertafeln, alle Kupferstiche und Kupferinitialen im Text vollständig. S. I-VIII: Preface und Division fehlen. Frontispiz ganzseiter Kupferstich von B. Picart., Einriss rechts mit kleiner Fehlstelle, an den Rändern etwas angeschmutzt, Titelbl. mit kleiner Läsur rechts, S. 218, 219 angeschmutzt mit Knickspuren, 2 Kupfertafeln nach S. 220, nach 228, S. 225-236 mit Knickspuren rechts unten, S. 415-418 Knickspuren rechts oben, S. 464 u. Kupfertafel danach mit kleinem Einriss am Rand oben, S. 465-468 fleckig, S. 528 als S. 524 falsch paginiert, letztes Bl. mit Knickspuren uns leicht angeschmutzt, Buchblock auf 7 Bünden fest gebunden, Papier überwiegend sauber. Einband fehlt ganz, fliegende, teils marmorierte Vorsätze vorn mit Einriss rechts, hinten fehlen sie. Tome second: 1728. [4] Bl., 579 S., [34] ganzseitige, [4] doppelseitige Kupfertafeln, alle Kupferstiche und Kupferinitialen im Text vollständig. Bl. [2] ganzseitige Kupfer-Kartusche mit anschließenden Widmungen und einer Epitre vom Verleger de Hondt an Prinz Wilhelm IV. von Oranien (nicht im Exemplar der BNF). S. 463 u. 464 nicht gezählt, danach wieder korrekt. Original-Maroquin-Einband, beide Deckel nur noch locker verbunden, Lederbezüge vollständig entfernt, Rücken mit reichen Goldprägungen, Rückentitel und Bandbezeichnung, unterhalb des letzten Bundes Leder entfernt, Kapitale beschädigt, marmorierter Spiegel und fliegende Vorsätze vorn entfernt, hinten vorhanden. Buchblock auf 7 Bünden fest gebunden, Papier durchgängig sauber Tome troisieme: 1735. [5] Bl., 590 S. (i.e. 594 S.), [3] doppelseitige, [13] ganzseitige Kupfertafeln, Tafel nach S. 46 herausgetrennt, S. 46-54 mit Einrissen ohne Textverlust, alle Kupferstiche und Kupferinitialen im Text vollständig. Papier durchgängig sauber, Falsche Paginierung nach S. 292. Original-Maroquin-Einband, Vorderdeckel lose, Lederbezug teilweise abgetrennt, Rücken mit reicher Goldprägung, Rückentitel und Bandbezeichnung, Kapitale gut, marmorierte Spiegel und fliegende Vorsätze, vorn eins mit Einriss mittig, Buchblock auf 7 Bünden fest gebunden. Tome quatrieme: 1736. [2] Bl., 632, 58, 50 S., [4] doppelseitige, [11] ganzseitige Kupfertafeln, alle Kupferstiche und Kupferinitialen im Text vollständig. Papier durchgängig sauber. Original-Maroquin-Einband, am hinteren Deckel Gelenk gebrochen, oben eingerissen, Lederbezug hinten ganz, vorn größtenteils, am Rücken teilweise abgetrennt, Rücken sonst reich goldgeprägt mit Rückentitel und Bandbezeichnung. Kapitale in Ordnung, Marmorierte Spiegel und Vorsätze, Buchblock auf 7 Bünden fest gebunden. Hoet, Gerard; Houbraken, Jacobus; Picart, Bernard; Le Sueur, Eustache; Chigium, Card.; Marot, Daniel; Pool, Matthys; van Leiden, Aantte u.a. (ilustrador).…

Hardcover. Brown leather boards; 725 pp. Text in Dutch. This is Volume One only of a two-volume set. Poor (Covers are detached and spine strip is heavily worn; textblock edges are toned/scuffed/smudged; first and last few pages are detached from the textblock with the covers; interior has marginalia, some toninig and some foxing).…

Hardcover. Condición: g to vg. Second edition. Octavo (7 3/4 x 6 1/4"). [58], 859, [49]pp. Original full blind-stamped parchment, with handwritten lettering to spine. Raised bands. Additional engraved title by Dutch Golden Age painter and engraver Gerard Hoet. Title page in red and black lettering. Title vignette. Decorative head-, tailpieces and initials. Originally published in 1692, this work is the second edition of Hermann Witsius' compendium of religious works. It includes eight full-page engravings by Jan van den Aveelen, including four double-page. Six of these appear in the text on Jewish law and ritual ("de Tabernaculi Levitici mysteriis"), and one includes an overflap showing the Ark of the Covenant. At the end of the Preface has been added a large engraved portrait of the author by Pieter van Gunst after a painting by Gerard Hoet. The portrait is dated 1700 and comes from a later edition of Witsius' "Miscellaneorum Sacrorum" published in Amsterdam and Utrecht in 1700 by Francisci Halmae (François Halma). Also includes an extensive Index at rear. Minor foxing and darkening to binding. Ex-library bookplate on inside of front cover. Minor and sporadic clear water-staining at upper, lower or outer margin of pages (never affecting lettering). Slight rippling to pages due to damp exposure. Otherwise pages are extremely clean and white. Text in Latin, with some Hebrew and Greek. Binding in overall good+ to very good, interior in good to very good condition. About the author: Hermann Witsius (1636-1708) was "Professor of Divinity in the Universities of Franeker, Utrecht, and Leyden. A brilliant and devout student, he was fluent in Latin, Greek, and Hebrew by the age of 15, when he entered the University of Utrecht. He was ordained at 21 and served in several pastorates, filling both the pulpit and the academic chair over the course of his life" (Encyclopedia Britannica). …

Condición: FINE. First Edition. One of the most beautiful collections of illustrated scenes from the Bible published in the 1700s. This masterful suite of drawings was initiated by the renowned artist Bernard Picart in 1720, with the assistance of the Dutch painter Gérard Hoet and his protege Arnold Houbraken, for what would undoubtedly become the pinnacle of the Figures of the Bible genre. Figures of the Bible engravings represent or signify scripture through cycles of prints covering the entire Bible, and was first popularized in the 1500s. Condition: FINE interior for a nearly 300-year-old folio, FINE to VERY FINE PLATES. Complete. An exemplary copy. BOOK INFO Translated Title: Figures of the Bible. Scenes of the Principal Histories of the Old and New Testament, And Other Books, Added to the Holy Scripture, Drawn by the Renowned Artists Hoet, Houbraken, and Picart, and Engraved by the Best Masters in Copper, and Fully Described. Three volumes bound together. Published in 1728 by Pieter de Hondt in The Hague, Netherlands. First edition. Descriptive text of the plates/Bible scenes in Dutch by Jacques Saurin. Second engraved title pages in French. Polyglot plate captions in six languages, Dutch, English, French, German, Latin and either Hebrew (Old Testament and Apocrypha) or Greek (New Testament). Vignette titles pages in red and black. Bound in contemporary, fine, mottled, full calf: spine with seven gilded raised bands separating compartments richly ruled and tooled in gilt and a gilt-lettered red morocco spine label in compartment two. All board edges with a gilt roll. All page edges speckled. Heavy crown folio, 16.5" x 11" x 3.5" thick. Collated and complete: 3 blanks, [4], 148 i.e. really 150 as 10-11 page numbers repeated twice) pp.; [2], 149-280 (i.e. 151-282 for aforementioned reason) 14 pp., [4], 160 pp., 3 blanks; 214 copper engraved plates (including 2 frontispieces, 2 engraved dedication pages and 29 double page); 3 vignette title pages; 2 additional engraved title pages; Hundreds of historiated and decorated engraved initials; hundreds of engraved vignette head- and tail-pieces or exquisite engraved cul-de-lampe chapter ends. Thick, high-quality wide-margined paper, particularly the stunningly white paper used for the plates. A monumental publication of the highest quality and one of the finest books of engravings of the 18th century. CONDITION REPORT FINE INTERNALLY for a large nearly 300-year-old folio. Exterior and binding: Firm binding, hinges and joints. Spine and its gilt work remarkably well preserved (heavy volumes such as this are often rebacked or with significant binding strain/issues). Board edge gilt work remarkably well preserved, more worn on bottom edge from shelf rubbing. Leather is colorful and supple. Rubbing to boards with some scratches, scuffing, a few spots of dried white paint on rear board and some splotches of leather darkening. Lightly rubbed edges and corners (quite scarce given the size and age). Amazingly, the top edge is not darkened (caused by layers of dust accumulation over many years in nearly all antiquarian books). This book has clearly been safely stored away from the sun and dust for hundreds of years. Quite beautiful with stunning shelf appeal. (Recommend storing book on its side to reduce strain on the binding.) Interior: FINE. Very light dust to endpapers (quite scarce), some toning to endpapers. Pages are white and bright and mostly quite clean, aside from some light marginal finger soiling on occasion. Plates are well struck, vivid and clean. Nearly all plates are beautifully FINE to VERY FINE (VF when the pages are impressively as white as the day they were cut, chiefly toward the latter half of the book). Only a few leaves with some toning/modest foxing. No foxing to an infrequent spot of foxing otherwise. A few leaves with small nicks/areas of very small loss to margin, not affecting text. A cluster of bent page corner tips in the third part. A hole affecting the page numbers in an Apocrypha relate. Gerard Hoet, Arnold Houbraken, Bernard Picart (ilustrador).…

Taferelen der Voornaamste Geschiedenissen van het Oude en Nieuwe Testament, en andere boeken, bij de Heilige Schrift gevoegt, door de vermaarde Kunstenaars Hoet, Houbraken, en Picart Getekent, en van de beste meesters in koper gesneden, en met beschrijvingen uitgebreid. 3 delen, (titelprent, 2, gegraveerde opdracht) 148 + 72 (2), (2) 149-280 14 + 71, (titelprent, 2, gegraveerde opdracht) 160 + 70 p. Origineel Leer met ribben, rijkelijk met goud bestempeld en goud op snede, gebonden door de Van Damme Binderij in Amsterdam, Folio H. 45 x L. 33 x B. 4,5-5 cm. Prentbijbel van Pieter de Hondt, bestaande uit 212 gravures door Gerard Hoet, Arnold Houbraken en Bernard Picart met bijgevoegde tekst van Jacques Saurin. 19 van de gravures zijn avant-la-lettre gedrukt, dat wil zeggen dat het om de eerste proefdrukken gaat van de kopere platen, op de rugschilden staat dan ook 'eerste drukken' boven de deelaanduiding. De randen om deze 19 prenten zijn op maat gemaakt voor het werk. Het geheel is gedrukt op super royaal papier en is ingebonden door de Van Damme Binderij in drie zeer fraaie stempelbanden. De Van Damme Binderij was werkzaam tussen 1750 en 1786 in de stad Amsterdam. De binderij heeft zijn naam te danken aan het feit dat zij werkzaam waren voor de bekende boekhandelaar Pieter van Damme. De banden die afkomstig zijn uit deze binderij behoren tot het beste dat in Amsterdam in de achttiende eeuw werd gemaakt. De stempels die gebruikt zijn voor deze banden zijn divers, op het midden van de platten een zwart schild met een afbeelding van een engel, gekroond met twee zegenende handen. Dit wordt omringd door een triomfboog met op de bovenste hoeken twee engelen die in spiegelbeeld van elkaar zijn gestempeld, dit alles wordt omlijst door een brede decoratieve rand. De ruggen van de banden zijn bestempeld met op elk van de vlakken een engel omringd door een motief van ranken, waarbij een vak is opengelaten voor de titel en de deelaanduiding. De Van Damme binderij stond er om bekend kleine en soms verborgen verwijzingen aan te brengen in de bestempeling die verwijzen naar de inhoud van het boek. De stempels die voor deze set zijn gebruikt zijn hier een voorbeeld van. Zo verwijzen de engelen en de zegenende handen naar de geestelijke inhoud van dit werk. De onder- en bovenkanten van de ruggen zijn plaatselijk wat ingescheurd. Zeer fraaie set van een zeldzame editie. 3 volumes, (frontispiece, 2, engraved dedication) 148 + 72 (2), (2) 149-280 14 + 71, (frontispiece, 2, engraved dedication) 160 + 70 p. Contemporary blind-stamped Leather with 8 raised bands, richly decorated with gilt and gilt-edged text blocks, bound by the Van Damme Bindery in Amsterdam, Folio H. 45 x L. 33 x W. 4,5-5 cm. Print Bible of Pieter de Hondt, containing 212 engravings by Gerard Hoet, Arnold Houbraken, and Bernard Picart with accompanying text by Jacques Saurin. 19 of the engravings are printed avant la lettre, which means that they are the first test pressure of the copper plates; above the volume indication on the spine is gilded 'eerste drukken', which means first prints in English. The borders of these 19 engravings are custom-made to match the size of the other pages. The entire work is printed on extra-large paper and is bound by the Van Damme Bindery in three very beautiful, blind-stamped bindings. The Van Damme Bindery was active from 1750 to 1786 in the city of Amsterdam. The bindery is so called because they worked for the well-known bookseller Pieter van Damme. The bindings made in this bindery belong to the best that was made in Amsterdam during the eighteenth century. The gilding used on the bindings is very diverse. In the middle of the covers, a black central shield with the image of an angel, crowned by blessing hands. Surrounded by a triumphal arch with a pair of angels stamped in each other's mirror image on top of it, altogether framed by a broad ornamental border. The spines are decorated with an angel surrounded by tendrils between each raised band, leaving some space for the title and volume indication. The Van Damme Bindery was known to place minor and sometimes almost hidden references in the gilding that point to the content of the book. The tooling used for this set is an example of this. The angels and the blessing hands refer to the religious content of this work. (The spine ends are slightly split at some places.) An excellent set of this rare edition. Literature: Poortman, W.C. (1986). Bijbel en Prent. Deel II: Boekzaal van de Nederlandse Prentbijbels, p. 137-145 / Storm van Leeuwen, J. (1977). Enige ontwikkelingen in de stijl van platbestempeling bij Nederlandse boekbanden uit de achttiende eeuw. In Documentatieblad werkgroep Achttiende eeuw. Jaargang 1977, p. 16-19 / Storm van Leeuwen, J. (2006). Dutch Decorated Bookbinding in the Eighteenth Century Volume I, p. 460-496. …

Couverture rigide. Condición: Très bon. Edition originale. Plein veau de l'époque dos à six nerfs ornés et dorés. Plats décorés d'un double encadrement de dentelles. Petits fers aux glands dorés. Trois volumes in folio (402x256 mm), frontispice et (2)-148 pages et 72 planches (dont 6 planches doubles) / (2)-[149-280]-14 pages et 71 planches (dont 11 planches doubles) / frontispice et (2)-160 pages et 71 planches (dont 12 planches doubles). Coins émoussés. Mouillure angulaire au tome III. Edition originale. L'un des plus beaux livres illustrés du début du XVIIIe siècle. Cette remarquable iconographie de la Bible à laquelle ont principalement participé Gérard Hoet et Bernard Picart comprend 214 planches à pleine page (29 en double page), dont la légende est écrite en hébreu, anglais, allemand, latin, français et néerlandais. Titres en français sur les deux frontispices : Figures de la Bible et Figures qui représentent les évènements les plus mémorables du Nouveau Testament. Le texte est écrit en néerlandais. Chaque chapitre se finit par un beau cul-de-lampe gravé. Cet ensemble d'estampes fut d'abord commencé par Picart en 1720 avec le concours du peintre néerlandais Gérard Hoet, pour ce qui deviendra sans nul doute l'apogée des "Figures de la Bible". Les Figures de la Bible sont des recueils de gravures, qui représentent ou signifient l'Ecriture à travers des cycles d'estampes couvrant toute la Bible, un seul Testament, voire un seul livre biblique. C'est un genre qui se popularise avec l'imprimerie au seizième siècle. Pierre de Hondt récupère les gravures de Picart, qui avec ses légendes multilingues avait déjà une volonté de diffusion européenne, pour accompagner des textes de Pierre Saurin (cf. Brunet). Le tout est nouvellement décoré d'ornements typographiques. Bel exemplaire de Talleyrand au Chateau de Valençay avec son ex libris à chaque volume. Provenance : Ex libris de Talleyrand, Charles-Maurice de Talleyrand-Périgord (1754-1838) est l'un des plus célèbres diplomate de l'Empire et de la Restauration. References : Brunet [V, 150]. ___________________________________________________________________________________ ______________________________ENGLISH_DESCRIPTION : Contemporary full calf, gilt spine in seven compartments. Gilt covers. Three volumes Folio (402x256 mm), frontispiece and (2)-148 pages and 72 plates (including 6 double plates) / (2)-[149-280]-14 pages and 71 plates (including 11 double plates) / frontispiece and (2)-160 pages and 71 plates (including 12 double plates). Corners bumped. Waterstain in a corner of volume III. First edition. One of the most beautiful illustrations of the Bible in the eighteenth century. This remarkable iconograph of the Bible in which Gérard Hoet and Bernard Picart mainly participated includes 214 full-page plates (29 double-page), the legend of which is written in Hebrew, English, German, Latin, French and Dutch. The two frontispieces are captioned in French, the rest of the text is written in Dutch. Each chapter ends with a beautiful engraved cul-de-lampe. This set of prints was first started by Picart in 1720 with the assistance of the Dutch painter Gérard Hoet, for what would undoubtedly become the pinnacle of the "Figures of the Bible". The Figures of the Bible are collections of engravings, which represent or signify Scripture through cycles of prints covering the entire Bible, a single Testament, or even a single biblical book. It is a genre that became popular with printing in the sixteenth century. Pierre de Hondt, recovers the engravings of Picart, who with his multilingual legends already had a desire for European distribution, to accompany texts by Pierre Saurin (cf. Brunet). Everything is newly decorated with typographic ornaments. Beautiful copy of Talleyrand at Chateau de Valençay with his ex libris in each volume. Provenance : Ex libris de Talleyrand, Charles-Maurice de Talleyrand-Périgord (1754-1838) est l'un des plus célèbres diplomate de l'Empire et de la Restauration. References : Brunet [V, 150]. 8100g.…