george boulukos (86 resultados)

Softcover. Condición: Very Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers have light handling wear. ; Contents: Berland, William Byrd's sexual lexicography. Boulukos, Maria Edgeworth's "grateful Negro" and the sentimental argument for slavery. Gelineau, Dryden's portrait of Kneller in "To Sir Godfrey Kneller." Porter, From Chinese to Goth: Walpole and teh Gothic repudiation of Chinoiserie. Shuttleton, "Pamela's Library": Samuel Richardson and Dr. Cheyne's "universal cure." Williamson, Hogarth and the Strangelove effect. Edgecombe, Habakkuk 2.2, Cowper's "Tirocinium," and Keble's "Septuagesima Sunday." Mahony, Retrieving eighteenth-century Ireland (review essay). Book reviews. ; 9.0" tall; 124 pages.

viii, 280p., b/w illus., dj.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. Some light pencil marks in the Introduction only. I found no marks in the main text. Only light wear. Nice clean used book.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. The latest groundbreaking work in eighteenth-century studies.The essays in Volume 54 of Studies in Eighteenth-Century Culture demonstrate a renewed interest in the variety of ways in which emotions interact with artistic, cultural, literary, and scholarly conventions.The volume opens with three essays that linger on the affective experiences both occluded and afforded by genre. Chloe Summers Edmondson traces the posthumous reception of Madame de Sévigné's letters and finds that they established a style of "seeming sincerity." Robert Stearn follows by uncovering the relationships between household labor and emotional experiences in the diary of the Manchester wigmaker Edmund Harrold. And Joani Etskovitz examines how the slow narrative style of Charlotte Smith's writings for young people aimed to imbue adolescent girls with a spirit of curiosity that could forestall the perils of a hasty marriage.Robert W. Jones and Fauve Vandenberghe next take up the political and affective resonances of queer performance. For Jones, cross-dressed casting in a 1786 production of Richard Coeur de Lion constituted a sexualized means of opposition to the royalist politics of its French source; for Vandenberghe, the figure of the spinster in popular periodicals offered a mode of resistance to the genre's otherwise heteronormative impulses.Wendy Wassyng Roworth's Presidential Address, "Close Encounters and Stranger Things: Angelica's Kauffman's First Years in London," documents two critical years in the painter's career, paying particular attention to the scandal caused by her secret marriage to a man pretending to be a Swedish Count. Brontë Hebdon's essay uncovers the appeals to antiquity and the beau ideal that characterized civil uniform designs in Revolutionary France. Yan Che concludes this section with a careful reading of the small accumulations of money and recognition that fail to add up in Olaudah Equiano's Interesting Narrative.Allison Y. Gibeily initiates a trio of essays on empire in the long eighteenth century. Focusing on an anonymous travelogue included in Thomas Sprat's The History of the Royal Society of London, Gibeily thinks carefully about archival silences and the Indigenous control of knowledge. Sanjay Subrahmanyam's Clifford Lecture, "The Question of I'tisam ud-Din: An Indian Traveler in Eighteenth-Century Europe," recovers the writings and experiences of Shaikh I'tisam-ud-Din, one of the earliest South Asian authors to compose a first-person account of the West. Vincent Pham's essay concludes this section with a study of the imperial conflicts registered by a late eighteenth-century musical automaton depicting a tiger in the act of devouring a European.Nan Goodman's essay concludes the volume by suggesting that the principle of neutrality in early American domestic and foreign policy helped create forms of conspiratorial thinking that continue to vex and polarize us today.Contributors: Yan Che, Chloe Summers Edmondson, Joani Etskovitz, Allison.

Condición: New.

Hardback. Condición: New. Focusing on the past, present, and future of American eighteenth-century studies.In a section commemorating the fiftieth anniversary of the American Society for Eighteenth-Century Studies, Howard D. Weinbrot, Felicity A. Nussbaum, and Heather McPherson trace the history of the Society. Logan J. Connors, Jason H. Pearl, Jessica Zimble, Adam Schoene, Rebecca Messbarger, and Morgan Vanek then assess the disciplinary divides that still stymie the field. Melissa Hyde's Presidential Address recovers the lives and careers of two female artists in Paris. Laurent Dubois's Clifford Lecture examines the centrality of theater to political action in Saint-Domingue.In the next section, "Consumption and Remediation," Alison DeSimone, Amy Dunagin, Erica Levenson, and Julia Hamilton consider the reception in England of foreign music and theater, including Italian opera, French comic troupes, and abolitionist "African" songs. These are followed by Michael Edson's investigation of marginalia in Anne Hamilton's Epics of the Ton and Anaclara Castro-Santana's rethinking of the relation between Sophia Western and the Jacobite celebrity Jenny Cameron in Tom Jones.In "Teaching Tough Texts," Anne Greenfield, Holly Faith Nelson and Sharon Alker, and W. Scott Howard offer innovative tactics for engaging students. The penultimate section, "Eighteenth-Century Bodies," features essays by Olivia Carpenter on the politics of The Woman of Colour and Meghan Kobza on masquerade costumes. The final section, "Disability in the Eighteenth Century," assembles work by Travis Chi Wing Lau, Madeline Sutherland-Meier, D. Christopher Gabbard, Jason S. Farr, Hannah Chaskin, and Declan Kavanagh that aims to push the field forward toward more historically nuanced interpretations of disability.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Hardback. Condición: New. The latest groundbreaking work in eighteenth-century studies.Showcasing exciting new research across disciplines, Volume 53 of Studies in Eighteenth-Century Culture explores the juxtaposition between the fanciful romances and historical realities of the global eighteenth century.Katarzyna Bartoszynska assembles a series of essays on the work of the late seventeenth-century Japanese writer Ihara Saikaku. Susan Spencer evaluates Saikaku's status as a celebrity author, David A. Brewer considers the uses of woodcuts in Saikaku's texts, and Scott Black reflects on Saikaku's relationship to modernity and realism. In other essays, new perspectives are offered on the ideological functions of literary texts and visual art produced in Britain, France, and Anglophone North America. Ziona Kocher examines the queer pleasures of cross-dressing in William Wycherley's The Country Wife, and Anaclara Castro-Santana reads Benjamin Hoadly's The Suspicious Husband as a political production. Ann Campbell assesses Moll Flanders's creative use of legal contracts, while Aphra Behn's Oroonoko leads Jeremy Chow to posit the existence of an "interspecies imaginary" in the context of the period's colonialisms. Yasemin Altun argues that Élisabeth-Sophie Chéron's controversial design for a print functioned as a feminist statement. Lilith Todd uses Sianne Ngai's concept of "stuplimity" to explain the feverish style of natural histories like Hans Sloane's Voyage, and Emma Pearce documents the subversive implications of global fashion. Michael Monescalchi's essay draws out the political theory of evangelical republicanism in the sermons of Lemuel Haynes and Timothy Dwight.A focused section on "Venice, Real and Imagined" follows, introduced by Irene Zanini-Cordi and featuring two essays: one by John Hunt on Venetian women and magic, and another by Susan Dalton on Giustina Renier Michiel's deft handling of patriotism, popular taste, and regime change. Volume 53 of SECC concludes with essays that reflect new research on fairy tales, music, and popular entertainment. Contributors: Yasemin Altun, Katarzyna Bartoszynska, Scott Black, David A. Brewer, Ann Campbell, Anaclara Castro-Santana, Jeremy Chow, Susan Dalton, Kirby Haugland, John Hunt, Timothy Jenks, Diane Kelley, Ziona Kocher, Michael Monescalchi, Sharon Diane Nell, Joseph V. Nelson, Emma Pearce, Susan Spencer, Allison Stedman, Lilith Todd, Aurora Wolfgang, Irene Zanini-Cordi.

Hardback. Condición: New. The latest work in eighteenth-century studies.Showcasing exciting new research across disciplines, Volume 52 of Studies in Eighteenth-Century Culture explores how history's dominant narratives have been challenged and reframed.Anne Lafont shows how early writings about Black art questioned the cultural negation of enslaved peoples' humanity. A cluster of essays on "Decolonizing Eighteenth-Century Studies" connects the current conditions under which we produce scholarship to the forms of exploitation that defined the eighteenth century. Erica Johnson Edwards chronicles how self-liberated people in colonial Haiti resisted their recapture by using advertisements for unclaimed runaways, while Allison Cardon argues that Ottobah Cugoano's critiques of abolitionist discourse were more radical than we have recognized. Another cluster recenters Native epistemologies in the interactions between Indigenous Peoples and settlers in the American South.Alison DeSimone compares love songs to didactic and erotic literature. Carolina Blutrach recovers the contributions that diplomats' spouses made to cultural life, while Jolene Zigarovich unearths evidence of women who transmitted property to other women. Two clusters focus on the "Female Wunderkind in the Eighteenth Century" and "Biography and the Woman Writer Revisited."Jeffrey Ravel investigates the use of playing cards in the French Revolution, while Christopher Hendricks recovers the history of the jumbal, a proto-cookie. A collaboratively written essay explores the movements of four commodities through the global supply chain. Mattie Burkert focuses on the invisible labor of women. Andrew Black considers Alexander Pope's use of the oral. Volume 52 concludes with a cluster on Oliver Goldsmith's "The Deserted Village" that studies the poem's acoustics, history of illustration, and intertextual resonance.CONTRIBUTORS: Kathleen Tamayo Alves, Nicole Balzer, Andrew Black, Carolina Blutrach, Mónica Bolufer, Mattie Burkert, Allison Cardon, Emily Casey, Tita Chico, Sarah R. Cohen, Rebecca Crisafulli, Pichaya Damrongpiwat, Alison DeSimone, Alejandra Dubcovsky, Erica Johnson Edwards, Robbie Ethridge, Timothy Erwin, Lise Gaston, Michael Griffin, Christopher E. Hendricks, Elizabeth Hutchinson, Cynthia Kok, Anne Lafont, Brittany Luberda, Waltraud Maierhofer, Patrícia Martins Marcos, Jennifer Monroe McCutchen, Elizabeth Neiman, David O'Shaughnessy, Jürgen Overhoff, Jeffrey S. Ravel, Bryan C. Rindfleisch, Robbie Richardson, Yael Shapira, Kaitlin Tonti, Sophie Tunney, Denys Van Renen, Andrew O. Winckles, Joshua Wright, Chi-Ming Yang, Jolene Zigarovich, Tim Zumhof.

Soft cover. Condición: Very Good. Maria Edgeworth's "Grateful Negro" and the Sentimental Argument for Slavery, by George E. Boulukos. pp. 12-29 29 pp.

Condición: NEW.

Hardcover. Condición: new. Hardcover. Focusing on the past, present, and future of American eighteenth-century studies.In a section commemorating the fiftieth anniversary of the American Society for Eighteenth-Century Studies, Howard D. Weinbrot, Felicity A. Nussbaum, and Heather McPherson trace the history of the Society. Logan J. Connors, Jason H. Pearl, Jessica Zimble, Adam Schoene, Rebecca Messbarger, and Morgan Vanek then assess the disciplinary divides that still stymie the field. Melissa Hyde's Presidential Address recovers the lives and careers of two female artists in Paris. Laurent Dubois's Clifford Lecture examines the centrality of theater to political action in Saint-Domingue.In the next section, "Consumption and Remediation," Alison DeSimone, Amy Dunagin, Erica Levenson, and Julia Hamilton consider the reception in England of foreign music and theater, including Italian opera, French comic troupes, and abolitionist "African" songs. These are followed by Michael Edson's investigation of marginalia in Anne Hamilton's Epics of the Ton and Anaclara Castro-Santana's rethinking of the relation between Sophia Western and the Jacobite celebrity Jenny Cameron in Tom Jones.In "Teaching Tough Texts," Anne Greenfield, Holly Faith Nelson and Sharon Alker, and W. Scott Howard offer innovative tactics for engaging students. The penultimate section, "Eighteenth-Century Bodies," features essays by Olivia Carpenter on the politics of The Woman of Colour and Meghan Kobza on masquerade costumes. The final section, "Disability in the Eighteenth Century," assembles work by Travis Chi Wing Lau, Madeline Sutherland-Meier, D. Christopher Gabbard, Jason S. Farr, Hannah Chaskin, and Declan Kavanagh that aims to push the field forward toward more historically nuanced interpretations of disability. Farr, Hannah Chaskin, and Declan Kavanagh that aims to push the field forward toward more historically nuanced interpretations of disability. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Condición: New.

Hardcover. Condición: new. Hardcover. The latest groundbreaking work in eighteenth-century studies.The essays in Volume 54 of Studies in Eighteenth-Century Culture demonstrate a renewed interest in the variety of ways in which emotions interact with artistic, cultural, literary, and scholarly conventions.The volume opens with three essays that linger on the affective experiences both occluded and afforded by genre. Chloe Summers Edmondson traces the posthumous reception of Madame de Sevigne's letters and finds that they established a style of "seeming sincerity." Robert Stearn follows by uncovering the relationships between household labor and emotional experiences in the diary of the Manchester wigmaker Edmund Harrold. And Joani Etskovitz examines how the slow narrative style of Charlotte Smith's writings for young people aimed to imbue adolescent girls with a spirit of curiosity that could forestall the perils of a hasty marriage.Robert W. Jones and Fauve Vandenberghe next take up the political and affective resonances of queer performance. For Jones, cross-dressed casting in a 1786 production of Richard Coeur de Lion constituted a sexualized means of opposition to the royalist politics of its French source; for Vandenberghe, the figure of the spinster in popular periodicals offered a mode of resistance to the genre's otherwise heteronormative impulses.Wendy Wassyng Roworth's Presidential Address, "Close Encounters and Stranger Things: Angelica's Kauffman's First Years in London," documents two critical years in the painter's career, paying particular attention to the scandal caused by her secret marriage to a man pretending to be a Swedish Count. Bronte Hebdon's essay uncovers the appeals to antiquity and the beau ideal that characterized civil uniform designs in Revolutionary France. Yan Che concludes this section with a careful reading of the small accumulations of money and recognition that fail to add up in Olaudah Equiano's Interesting Narrative.Allison Y. Gibeily initiates a trio of essays on empire in the long eighteenth century. Focusing on an anonymous travelogue included in Thomas Sprat's The History of the Royal Society of London, Gibeily thinks carefully about archival silences and the Indigenous control of knowledge. Sanjay Subrahmanyam's Clifford Lecture, "The Question of I'tisam ud-Din: An Indian Traveler in Eighteenth-Century Europe," recovers the writings and experiences of Shaikh I'tisam-ud-Din, one of the earliest South Asian authors to compose a first-person account of the West. Vincent Pham's essay concludes this section with a study of the imperial conflicts registered by a late eighteenth-century musical automaton depicting a tiger in the act of devouring a European.Nan Goodman's essay concludes the volume by suggesting that the principle of neutrality in early American domestic and foreign policy helped create forms of conspiratorial thinking that continue to vex and polarize us today.Contributors: Yan Che, Chloe Summers Edmondson, Joani Etskovitz, Allison Y. Gibeily, Nan Goodman, Bronte Hebdon, Robert W. Jones, Vincent Pham, Wendy Wassyng Roworth, Robert Stearn, Sanjay Subrahmanyam, Fauve Vandenberghe Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Hardcover. Condición: new. Hardcover. The latest groundbreaking work in eighteenth-century studies.Showcasing exciting new research across disciplines, Volume 53 of Studies in Eighteenth-Century Culture explores the juxtaposition between the fanciful romances and historical realities of the global eighteenth century.Katarzyna Bartoszynska assembles a series of essays on the work of the late seventeenth-century Japanese writer Ihara Saikaku. Susan Spencer evaluates Saikaku's status as a celebrity author, David A. Brewer considers the uses of woodcuts in Saikaku's texts, and Scott Black reflects on Saikaku's relationship to modernity and realism. In other essays, new perspectives are offered on the ideological functions of literary texts and visual art produced in Britain, France, and Anglophone North America. Ziona Kocher examines the queer pleasures of cross-dressing in William Wycherley's The Country Wife, and Anaclara Castro-Santana reads Benjamin Hoadly's The Suspicious Husband as a political production. Ann Campbell assesses Moll Flanders's creative use of legal contracts, while Aphra Behn's Oroonoko leads Jeremy Chow to posit the existence of an "interspecies imaginary" in the context of the period's colonialisms. Yasemin Altun argues that Elisabeth-Sophie Cheron's controversial design for a print functioned as a feminist statement. Lilith Todd uses Sianne Ngai's concept of "stuplimity" to explain the feverish style of natural histories like Hans Sloane's Voyage, and Emma Pearce documents the subversive implications of global fashion. Michael Monescalchi's essay draws out the political theory of evangelical republicanism in the sermons of Lemuel Haynes and Timothy Dwight.A focused section on "Venice, Real and Imagined" follows, introduced by Irene Zanini-Cordi and featuring two essays: one by John Hunt on Venetian women and magic, and another by Susan Dalton on Giustina Renier Michiel's deft handling of patriotism, popular taste, and regime change. Volume 53 of SECC concludes with essays that reflect new research on fairy tales, music, and popular entertainment. Contributors: Yasemin Altun, Katarzyna Bartoszynska, Scott Black, David A. Brewer, Ann Campbell, Anaclara Castro-Santana, Jeremy Chow, Susan Dalton, Kirby Haugland, John Hunt, Timothy Jenks, Diane Kelley, Ziona Kocher, Michael Monescalchi, Sharon Diane Nell, Joseph V. Nelson, Emma Pearce, Susan Spencer, Allison Stedman, Lilith Todd, Aurora Wolfgang, Irene Zanini-Cordi Brewer, Ann Campbell, Anaclara Castro-Santana, Jeremy Chow, Susan Dalton, Kirby Haugland, John Hunt, Timothy Jenks, Diane Kelley, Ziona Kocher, Michael Monescalchi, Sharon Diane Nell, Joseph V. Nelson, Emma Pearce, Susan Spencer, Allison Stedman, Lilith Todd, Aurora Wolfgang, Irene Zanini-Cordi Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: new. Hardcover. The latest work in eighteenth-century studies.Showcasing exciting new research across disciplines, Volume 52 of Studies in Eighteenth-Century Culture explores how history's dominant narratives have been challenged and reframed.Anne Lafont shows how early writings about Black art questioned the cultural negation of enslaved peoples' humanity. A cluster of essays on "Decolonizing Eighteenth-Century Studies" connects the current conditions under which we produce scholarship to the forms of exploitation that defined the eighteenth century. Erica Johnson Edwards chronicles how self-liberated people in colonial Haiti resisted their recapture by using advertisements for unclaimed runaways, while Allison Cardon argues that Ottobah Cugoano's critiques of abolitionist discourse were more radical than we have recognized. Another cluster recenters Native epistemologies in the interactions between Indigenous Peoples and settlers in the American South.Alison DeSimone compares love songs to didactic and erotic literature. Carolina Blutrach recovers the contributions that diplomats' spouses made to cultural life, while Jolene Zigarovich unearths evidence of women who transmitted property to other women. Two clusters focus on the "Female Wunderkind in the Eighteenth Century" and "Biography and the Woman Writer Revisited."Jeffrey Ravel investigates the use of playing cards in the French Revolution, while Christopher Hendricks recovers the history of the jumbal, a proto-cookie. A collaboratively written essay explores the movements of four commodities through the global supply chain. Mattie Burkert focuses on the invisible labor of women. Andrew Black considers Alexander Pope's use of the oral. Volume 52 concludes with a cluster on Oliver Goldsmith's "The Deserted Village" that studies the poem's acoustics, history of illustration, and intertextual resonance.CONTRIBUTORS: Kathleen Tamayo Alves, Nicole Balzer, Andrew Black, Carolina Blutrach, Monica Bolufer, Mattie Burkert, Allison Cardon, Emily Casey, Tita Chico, Sarah R. Cohen, Rebecca Crisafulli, Pichaya Damrongpiwat, Alison DeSimone, Alejandra Dubcovsky, Erica Johnson Edwards, Robbie Ethridge, Timothy Erwin, Lise Gaston, Michael Griffin, Christopher E. Hendricks, Elizabeth Hutchinson, Cynthia Kok, Anne Lafont, Brittany Luberda, Waltraud Maierhofer, Patricia Martins Marcos, Jennifer Monroe McCutchen, Elizabeth Neiman, David O'Shaughnessy, Juergen Overhoff, Jeffrey S. Ravel, Bryan C. Rindfleisch, Robbie Richardson, Yael Shapira, Kaitlin Tonti, Sophie Tunney, Denys Van Renen, Andrew O. Winckles, Joshua Wright, Chi-Ming Yang, Jolene Zigarovich, Tim Zumhof Rindfleisch, Robbie Richardson, Yael Shapira, Kaitlin Tonti, Sophie Tunney, Denys Van Renen, Andrew O. Winckles, Joshua Wright, Chi-Ming Yang, Jolene Zigarovich, Tim Zumhof Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Condición: New.

Condición: New.

Hardcover. Condición: Brand New. 269 pages. 9.25x6.25x0.75 inches. In Stock.

Condición: New. In.