Gaut adrian (12 resultados)

Magazine. First edition. Near Fine magazine with a touch of handling. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The Fall Travel 2011 issue of the Sunday New York Times Style Magazine (September 25, 2011) with: Lara Stone returns to the Netherlands to give us a tour of her old stomping grounds, with text by Lynn Yaeger and photographs by Angelo Pennetta; a pictorial on an architectural theme park in Provence with works by Gehry, Ando, and Nouvel, photographed by Adrian Gaut; Diana Taylor spreads the gospel of microfinance in Brazil, by Abby Aguirre; Jeremy Irons reveals his Budapest; a travel diary of life on the road by Casey Spooner, of the art-rock group Fischerspooner; a piece on an Iroquois tribe's heritage corn and why it matters to agriculture, by Verlyn Klinkenborg; articles on Perry Ferrell, Gerda Taro, Ashley Fiolek, The Kills, Tokyo, Beirut, retail therapy in Jerusalem, and much more. Perfect-bound magazine; 122 pages; color and b&w reproductions throughout; 8.75 x 10.75 inches.…

Magazine. First edition. Fine magazine with light signs of handling/shelving. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The May 31, 2009, issue of the Sunday New York Times Magazine, with: The Mellowing of William Jefferson Clinton by Peter Baker with cover and inside portrait by Ruven Afanador; a work by photographer Misha de Ridder with a short profile; a profile of Zach Galifianakis by John Wray with a protrait by Andreanna Seymore; the new school of legal thought on a progressive Supreme Court by Jeffrey Rosen; an interview with Robert Wright; and much more. Also in the issue is a special furniture and industrial design section with: a series of profiles of young designers at the Milan fair with portraits by Todd Selby; a portfolio of product photos by Ilan Rubin; a Paris pied-a-terre designed by Ab Rogers, photographed by Adrian Gaut; a photo-essay on Philippe Starck entertaining, photographed by Sofia Sanchez and Mauro Mongiello; and more. Staple-bound magazine; 86 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. 180 pages. 11.50x9.00x1.00 inches. In Stock.

Hardback. Condición: New. Wilshire Boulevard is one of Los Angeles's transportation lifelines, and as close as one gets in the sprawling metropolis to a Main Street. Running east-to-west from downtown to the ocean, Wilshire is a link from late-nineteenth-century L.A. to the explosive growth of this city in the 1950s, 60s and 70s. Fascinated by its history, New York-based photographer Adrian Gaut pays tribute to L.A.'s most famous strip in his unique framing of architectural details. Gaut's photographs evoke the 100-year-plus history of L.A.'s growth through rigorous documentation of the boulevard starting with One Wilshire in downtown L.A. and ending with traffic cones that divide the Pacific Coast Highway. In between-the Art Deco details of Miracle Mile, the 1980s reflective glass facades of Century City and the midcentury modern architecture omnipresent throughout the entire strip-is captured in more than 100 color and black-and-white semi-abstract compositions. A brilliant way to mark a time and place in Southern California in the early 21st century.…

Hardcover. Condición: Brand New. 240 pages. 11.75x10.00x1.25 inches. In Stock.

Hardcover. Condición: Brand New. 240 pages. 11.75x10.00x1.25 inches. In Stock.

Hardback. Condición: New. Wilshire Boulevard is one of Los Angeles's transportation lifelines, and as close as one gets in the sprawling metropolis to a Main Street. Running east-to-west from downtown to the ocean, Wilshire is a link from late-nineteenth-century L.A. to the explosive growth of this city in the 1950s, 60s and 70s. Fascinated by its history, New York-based photographer Adrian Gaut pays tribute to L.A.'s most famous strip in his unique framing of architectural details. Gaut's photographs evoke the 100-year-plus history of L.A.'s growth through rigorous documentation of the boulevard starting with One Wilshire in downtown L.A. and ending with traffic cones that divide the Pacific Coast Highway. In between-the Art Deco details of Miracle Mile, the 1980s reflective glass facades of Century City and the midcentury modern architecture omnipresent throughout the entire strip-is captured in more than 100 color and black-and-white semi-abstract compositions. A brilliant way to mark a time and place in Southern California in the early 21st century.…