Gaston roberge (80 resultados)

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:0861320751. …

Condición: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:0861320751.…

Condición: New. pp. ix + 208 Illus. (Col.).

Paperback. Condición: As New. Reprint. Contents I. Preliminary 1. Why film theory. 2. The subject of film theory. II. Basic elements of film theory 3. Film language. 4. Film rhythm. 5. Film dramaturgy. 6. Film narrativity. III. The theoretical upheaval 7. Idealism in the cinema Bazin. 8. Towards a materialist film Eisenstein. 9. The ignored synthesis Mitry. 10. Cine semiotics Metz I. 11. Cine structuralism. 12. The imaginary signifier Metz II. 13. Deconstruction Broken Blossoms. IV. Old questions raised anew 14. Genre. 15. Authorship. 16. Narrativity a story about stories. 17. Adaptation. Index. In an attempt to catch up with current thinking about the film image and the subject which creates it or apprehends it Gaston Roberge defines film theory and discusses its basics before giving a lucid account of the shift from an idealist mode of thinking to a materialist one which occurred around the mid sixties as part of a larger intellectual revolution and led to a profound renewal of film theory under the joint influence of three main intellectual currents structuralism Marxism and feminism and three main disciplines semiotics psychoanalysis and linguistics. While opening up the entire area of thinking he offers a close study and explication of the ideas of Bazin Eisenstein Mitry and Metz and illustrative analyses of several film classics approached in terms of the new methodologies. 259 pp.…

Condición: New. pp. ix + 208.

paperback. Condición: Good. A used book with light to moderate shelf wear and imperfections. Photos and additional details upon request. Thank you for supporting Last Word Books and independent bookstores.

Condición: New. pp. 124 Illus.

Condición: New. pp. 124.

Condición: New. pp. 217 Illus., Map.

Condición: New. pp. 217, Map 1st Edition.

Condición: New. pp. xiv + 53 + 2.

Condición: New. pp. 217.

Condición: New. pp. xxii + 151.

Condición: New. pp. xiv + 53 + 2.

Hardcover. Condición: Near Fine. A nice copy. Shelfwear to cover and foot of spine bumped. Text clean, binding strong. [Our rating system: 1. Fine; 2. Near Fine; 3. Very Good; 4. Good; 5. Fair.]. Book.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. 1983 hardcover with jacket/minor wear on the jacket & price clipped/bumping along the cover edges & minor tanning along page edges/clean & unmarked/new clear archival cover.

Condición: New. pp. 280, Frontispiece Illus.

Condición: New. pp. 280 Index 1st Published.

Condición: New. pp. 120.

Condición: New. pp. 280 Acknowledgements.

Condición: New. pp. 128.

Hardcover. Condición: Near Fine. A nice copy. Shelfwear to cover and foot of spine bumped. Text clean, binding strong. [Our rating system: 1. Fine; 2. Near Fine; 3. Very Good; 4. Good; 5. Fair.]. Book.

Soft cover. Condición: Near Fine. Book.

Hardcover. Condición: New. ISBN:9788173041495.

Hardcover. Condición: New. ISBN:9788173047350.

Soft cover. Condición: Near Fine. Book.

Hardcover. Condición: Very Good (Book condition). A nice Presentation Copy, signed and inscribed by the artist. Shelfwear to cover and foot of spine bumped. Text clean, binding strong. [Our rating system: 1. Fine; 2. Near Fine; 3. Very Good; 4. Good; 5. Fair.]. Book.

Hardcover. Condición: New. Contents Acknowledgements. Introduction. I. Personal Recollections 1. A quiet friendship with Manikda. 2. For love of Satyajit. 3. On Manikda's 1994 Birthday. II. A. Film Discussions 4. The World of Apu 1955 1959. 5. Jalsaghar The Music Room 1958 or Bishwambhar's Portrait. 6. Aranyer Din Ratri Days and Nights in the Forest 1969. 7. Pratidwandi The Adversary 1970. 8. Jana Aranya The Human Jungle 1975. 9. Ghare Baire The Home and the World 1984. B. The Heart Trilogy 10. Gana Shatru Public Enemy 1989. 11. Shakha Proshakha The Branches and the Twigs 1990. 12. Agantuk The Stranger 1991. III. Teaching Film with Ray's Films 13. Definition of a film. 14. Editing. 15. Metz large syntagmatic category applied to three Ray Films. IV. The Cinema of Satyajit Ray 16. And then came Satyajit. 17. The discipline of art. 18. True to life image maker. 19. Humanism in Ray's cinema. 20. Satyajit Ray's Faith in Youth. V. Interview 21. Satyajit Ray on scriptwriting. VI. Satyajit Ray and the Film Societies Movement in India 22. What is wrong with the Indian Film Societies. 23. The Film Societies and the New Media. Conclusion 24. A journey to the cave of the heart Amar Pather Panchali (My Song of the Road). References. Filmography. Index. The essays offered here were written between 1970 and 2005. Teaching assignments requests for articles and the author's own evolving interests prompted them. They were not written with the view to form a book. They are now published together in the conviction that both singly and as a whole they can contribute to a better appreciation of Satyajit Ray's Legacy. The essays deal with Ray as a filmmaker. The date on which each essay was written is indicated as it situates each in the cultural context in which it was conceived. Out of the twenty nine feature films of Ray only eight plus the Apu Trilogy as a whole are discussed. Moreover this small collection is not a selection indicating preferences nor is it a classification rating the films. The discussion of Jana Aranya is the only essay that was written for this book to illuminate the evolution that took place from the first to the last film of Satyajit Ray. In order to preserve their historical value generally the essays were not updated. Given Ray's deep involvement in film education especially in the Film Societies Movement in India it was felt mandatory to include two articles on the subject one discussing the situation of the film societies today and the other inspired by Satyajit Ray and proposing a programme of media education for a new type of film society. 280 pp. …

Softcover. Condición: Near Fine. No Dust Jacket. 8vo. 9 x 6 in. Printed paper wraps with mounted illustration on front cover. Text in French. Published on the occasion of the exhibition first held at the Galerie Simon Blais from October 11 to November 25, 1995. Illustrated in black-and-white and colour. Near fine example. Light shelfwear; small scuff to fore edge of front cover.…

Hardcover. Condición: Very Good (Book condition). A nice Presentation Copy, signed and inscribed by the artist. Shelfwear to cover and foot of spine bumped. Text clean, binding strong. [Our rating system: 1. Fine; 2. Near Fine; 3. Very Good; 4. Good; 5. Fair.]. Book.