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EUR 53,27
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Añadir al carritoPaperback. Condición: New. In 1958, Gary Graver moved from his hometown of Portland, Oregon to Los Angeles, California with dreams of an acting career in Hollywood. Soon after his arrival, he caught a double bill in a small theater on Hollywood Boulevard, the lower half of which was the recently released Touch of Evil. Upon viewing the B classic, Graver decided he wanted to be a director and spent many years honing his craft, as both a cinematographer and a director, not to mention writer, actor, and producer-much like his idol, Orson Welles.In 1970, when Graver learned that Welles was in town, he impulsively called up the director and offered him his services as a cameraman. It was only the second time in Welles's career that he had received such an offer from a cinematographer, the other being from Gregg Toland, who worked on one of the greatest films ever, Citizen Kane.In Making Movies with Orson Welles, Graver recounts the highs and lows of the moviemaking business as he and one of the most important and influential directors of all time struggled to get films produced. The two men collaborated on more than a dozen projects, including F for Fake, Filming Othello, and the still-unreleased The Other Side of the Wind. Their close friendship and creative filmmaking partnership would endure for 15 years, until Welles' death in 1985. Also including a filmography of works and 20 photos from Graver's personal collection, this fascinating memoir recalls what it was like to work with the legendary Welles and offers advice and tales of caution for future filmmakers.
EUR 52,03
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Añadir al carritoCondición: As New. Unread book in perfect condition.
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EUR 49,45
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Añadir al carritoCondición: New.
Librería: Basi6 International, Irving, TX, Estados Unidos de America
EUR 66,85
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Añadir al carritoCondición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.
EUR 55,38
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Añadir al carritoCondición: As New. Unread book in perfect condition.
EUR 49,46
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Añadir al carritoPaperback. Condición: New. In 1958, Gary Graver moved from his hometown of Portland, Oregon to Los Angeles, California with dreams of an acting career in Hollywood. Soon after his arrival, he caught a double bill in a small theater on Hollywood Boulevard, the lower half of which was the recently released Touch of Evil. Upon viewing the B classic, Graver decided he wanted to be a director and spent many years honing his craft, as both a cinematographer and a director, not to mention writer, actor, and producer-much like his idol, Orson Welles.In 1970, when Graver learned that Welles was in town, he impulsively called up the director and offered him his services as a cameraman. It was only the second time in Welles's career that he had received such an offer from a cinematographer, the other being from Gregg Toland, who worked on one of the greatest films ever, Citizen Kane.In Making Movies with Orson Welles, Graver recounts the highs and lows of the moviemaking business as he and one of the most important and influential directors of all time struggled to get films produced. The two men collaborated on more than a dozen projects, including F for Fake, Filming Othello, and the still-unreleased The Other Side of the Wind. Their close friendship and creative filmmaking partnership would endure for 15 years, until Welles' death in 1985. Also including a filmography of works and 20 photos from Graver's personal collection, this fascinating memoir recalls what it was like to work with the legendary Welles and offers advice and tales of caution for future filmmakers.
Año de publicación: 1981
Librería: Rendezvous Cinema, Chichester, Reino Unido
Arte / Grabado / Póster
EUR 16,11
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: Fair. Grade: Fair+. Est. Dimension: (27" x 41" or 27" x 40" (inches) if printed after 1980's) Year Printed: 1981 Printed: Single Sided Director: Gary Graver Original: Yes Shipped: Flat Product & Description Synopsis: A rough and tough macho truck driver decides to make his soft son more of a man by taking him hunting. They go on a holiday and go to a honky-tonk bar where the younger man falls in love with a burned out waitress. (Action) Condition Specifics: Poster folded in fair+ condition. There may be small scuffs to edges and fold, scuffing more damage than would be expected in specific areas, chipping to edges of the poster not affecting the image of the poster, see photos, but overall the poster is in good condition for age. Please carefully inspect images before purchasing whilst remembering all posters are original and therefore used. Shipping: All items are professionally packaged to ensure zero damage, in the unlikely case that your items arrive damaged please do get in touch so we can help resolve the matter.
Idioma: Inglés
Publicado por Bloomsbury Publishing (UK), 2011
ISBN 10: 0810882299 ISBN 13: 9780810882294
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
EUR 53,16
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Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Idioma: Inglés
Publicado por Bloomsbury Publishing (UK), 2011
ISBN 10: 0810882299 ISBN 13: 9780810882294
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
EUR 50,59
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Añadir al carritoPAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 57,49
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Añadir al carritoPaperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Librería: moluna, Greven, Alemania
EUR 50,50
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Añadir al carritoKartoniert / Broschiert. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. KlappentextIn 1958, Gary Graver moved from his hometown of Portland, Oregon to Los Angeles, California with dreams of an acting career in Hollywood. Soon after his arrival, he caught a double bill in a small theater on Hollywood Boulevar.
Librería: preigu, Osnabrück, Alemania
EUR 61,00
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Añadir al carritoTaschenbuch. Condición: Neu. Making Movies with Orson Welles | A Memoir | Gary Graver | Taschenbuch | Kartoniert / Broschiert | Englisch | 2011 | Scarecrow Press | EAN 9780810882294 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 71,25
Cantidad disponible: 1 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In 1958, Gary Graver moved from his hometown of Portland, Oregon to Los Angeles, California with dreams of an acting career in Hollywood. Soon after his arrival, he caught a double bill in a small theater on Hollywood Boulevard, the lower half of which was the recently released Touch of Evil. Upon viewing the B classic, Graver decided he wanted to be a director and spent many years honing his craft, as both a cinematographer and a director, not to mention writer, actor, and producer-much like his idol, Orson Welles.In 1970, when Graver learned that Welles was in town, he impulsively called up the director and offered him his services as a cameraman. It was only the second time in Welles's career that he had received such an offer from a cinematographer, the other being from Gregg Toland, who worked on one of the greatest films ever, Citizen Kane.In Making Movies with Orson Welles, Graver recounts the highs and lows of the moviemaking business as he and one of the most important and influential directors of all time struggled to get films produced. The two men collaborated on more than a dozen projects, including F for Fake, Filming Othello, and the still-unreleased The Other Side of the Wind. Their close friendship and creative filmmaking partnership would endure for 15 years, until Welles' death in 1985. Also including a filmography of works and 20 photos from Graver's personal collection, this fascinating memoir recalls what it was like to work with the legendary Welles and offers advice and tales of caution for future filmmakers.