fusco gianna (13 resultados)

Condición: NEW.

Brossura. Condición: new. Milano, 2015; br., pp. 120, ill., cm 15,5x22.(Studi e Ricerche). Libro.

Condición: BUONO USATO. ITALIANO Numerosi gli autori che hanno contribuito alal stesura dei testi. Brossura illustrata in buono stato conservativo, leggermente stanca alle estremità del dorso. Pagine salde alla cerniera, con ampio margine. Numero pagine 319.

Condición: Very Good. First Edition. ~ 104 work reproductions, 58 in color. Numerous b&w illustrations in text ~ Publishers' cloth in dust jacket ~ 292+[2]p ~ 30x23x3cm. ~ A very good copy ~ Heavy item, circa 1.5 Kg. Extra postage costs may apply (please ask for quotation before ordering, clicking on the "Contact seller" button to be found above) ~ LANGUAGE: English // We accept PayPal & EU bank transfer in EUROS //.

Condición: New.

Hardback. Condición: New. This volume offers a critical exploration of the many ways in which transcodification acts at the intersection of literature, art, history, and social and cultural artifacts to foster instances of recognition in the US. Recognition covers a wealth of meanings: from the mere acknowledgement of existence, validity or legality, or appreciation of something as valuable, to the identification of something as known or familiar. Accordingly, this volume deals with different struggles for recognition. One focus of the volume is the assessment of artistic achievement in relation to a so-called original, with essays concerned with cultural codes and with the role that translation, adaptation, and cross-cultural encounters have played in US artistic and literary productions. A second, parallel, strand focuses on the fight for political and social inclusion, or on the dynamics beneath the recognition of group and gender identities, to explore how activism and artistic/literary productions challenge received identity boundaries and accepted social and cultural hierarchies. Bringing together recognition and transcodification/transculturality, the book deconstructs crystalized and codified categories and celebrates the crossing of boundaries.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: Sehr gut. Zustand: Sehr gut | Seiten: 270 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condición: New. Enrico Botta Gianna Fusco Pilar Martinez Benedi Anna Scannavini. This volume offers a critical exploration of the many ways in which transcodification acts at the intersection of literature, art, history, and social and cultural artifacts.

Hardback. Condición: New. This volume offers a critical exploration of the many ways in which transcodification acts at the intersection of literature, art, history, and social and cultural artifacts to foster instances of recognition in the US. Recognition covers a wealth of meanings: from the mere acknowledgement of existence, validity or legality, or appreciation of something as valuable, to the identification of something as known or familiar. Accordingly, this volume deals with different struggles for recognition. One focus of the volume is the assessment of artistic achievement in relation to a so-called original, with essays concerned with cultural codes and with the role that translation, adaptation, and cross-cultural encounters have played in US artistic and literary productions. A second, parallel, strand focuses on the fight for political and social inclusion, or on the dynamics beneath the recognition of group and gender identities, to explore how activism and artistic/literary productions challenge received identity boundaries and accepted social and cultural hierarchies. Bringing together recognition and transcodification/transculturality, the book deconstructs crystalized and codified categories and celebrates the crossing of boundaries.

Buch. Condición: Neu. Neuware - This volume offers a critical exploration of the many ways in which transcodification acts at the intersection of literature, art, history, and social and cultural artifacts to foster instances of recognition in the US. Recognition covers a wealth of meanings: from the mere acknowledgement of existence, validity or legality, or appreciation of something as valuable, to the identification of something as known or familiar. Accordingly, this volume deals with different struggles for recognition. One focus of the volume is the assessment of artistic achievement in relation to a so-called original, with essays concerned with cultural codes and with the role that translation, adaptation, and cross-cultural encounters have played in US artistic and literary productions. A second, parallel, strand focuses on the fight for political and social inclusion, or on the dynamics beneath the recognition of group and gender identities, to explore how activism and artistic/literary productions challenge received identity boundaries and accepted social and cultural hierarchies. Bringing together recognition and transcodification/transculturality, the book deconstructs crystalized and codified categories and celebrates the crossing of boundaries.