Frohne ursula (150 resultados)

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Softcover, 340 pages; very good condition; light marks on covers; no internal marks. Foreign shipping may be extra.

4° gebunden. Condición: Sehr gut. 37 S. zahlr. Abb. das Buch ist in sehr gutem Zustand, ISBN: 385415030X Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Deutsch Gewicht in Gramm: 180.…

Hardcover with dustjacket; 340 pages; very good condition; except moderate rubbing to dj; no internal marks. Foreign shipping may be extra.

Paperback. Condición: new. Paperback. The history of innovative intermedia art practices in America. In 1965, American artist and Fluxus cofounder Dick Higgins stated that much of the best art being made at the time fell between media. He linked the dismantling of divisions among media to decompartmentalization in society and the impending dawn of a classless society. After high art, he wrote, came the deluge brought on by Marcel Duchamps ready-mades, Robert Rauschenbergs combines, and Alan Kaprows happenings. Intermedia, the term Higgins selected to describe this trend, referred to works of art that fuse different, often nontraditional, media. In intermedia, boundaries between mediums dissolve and new mediums emerge. Never a prescriptive term, intermedia remains fluid, both as an artistic practice and an art historical category. The essays in this volume consider a range of subjects from nineteenth- and twentieth-century American art and visual culture, exploring instances of intermedia within specific cultural, social, and historical contexts and in relation to theories of media, image-making, and materiality. They present a rich account of American artistic practice as an open system of medial interrelation and exchange, highlighting experimental cross-pollinations and mutations among artistic forms. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

First Edition. First edition. Hardcover. 338 pages. Text by Heinrich Klotz, Horst Bredekamp and Ursula Frohne. Includes 390 color and 37 black and white illustrations. A near fine copy in a near fine dust jacket that is lightly rubbed.

Paperback. Condición: New. New copy.

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

26 x 23 cm, 16 nn. Bll., mit zahlreichen s/w-Fotos, Orig.-Broschur, Einband mit leichten Gebrauchsspuren, vorderer Deckel etwas fleckig, sonst gut erhaltenes, innen einwandfreies Exemplar.

15 x 21 cm, 19 S., mit zahlreichen, teils farb. Abb., einleitender Text von Ursula Frohne, Broschur mit Klammerheftung, Einband minimal begriffen, insgesamt gut erhalten. Katalog zu einer Ausstellung in der " Selbsthilfegalerie Garage"; erschien in einer kleinen Auflage von nur 1000 Exemplaren.

Hardcover. Condición: Brand New. 144 pages. 8.94x6.50x0.87 inches. In Stock.

paperback. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

1. Auflage. 491 Seiten. Gr.-8°, Klappenbroschur. Einwandfreies Exemplar. Sprache: Deutsch.

Softcover. Condición: Good. Original stapled wrappers, unpaged, illustrations in colour, 8vo.

Softcover exhibition catalog, 30 pages, in English and German, very good condition, no internal marks, clean and crisp, with color reproductions.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission which have brought forth a great number of artistic practices. Up to and into the digital present radio has been and is employed and explored as an apparatus-based structure as well as an expanded model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio, and the use of radio as a means of disseminating artistic concepts. With exemplary case studies, its contributions link conceptual, recipient-response-related, and sociocultural issues to matters of relevance to radio art's mediation.…

0,0 x 0,0 x 0,0 cm, Broschiert. Condición: Gut. 1. Aufl. Alles gut erhalten. Sprache: Deutsch Gewicht in Gramm: 1328.

Softcover, 656 pages, very good condition; except crease to spine and light edgewear to covers; no internal marks. Foreign shipping may be extra.

Softcover. Condición: Fine. First Edition. SIGNED, being inscribed to the influential Lake Forest, Illinois-based architect and art critic and historian from Lake Forest College, Professor Franz Schulze, in German, by Josef Paul Kleihues himself. Glossy pictorial wraps, in gate-fold. Interviews with the German architect with Claus Baldus, Ursula Frohne, Dankwart Guratzsch, Vittorio Magnago Lampugnani, and Werner Oechslin. Introductory essay by Fritz Neumeyer. Many score fine reproductions in black-and-white, printed on high-gloss paper. [8], 9-126 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets. Signed by Author.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Broschiert. Condición: Sehr gut. 134 S. Sehr guter Zustand. Mit zahlr. Abb. und CD. Sprache: Deutsch Gewicht in Gramm: 565.

Condición: New. Editor(s): Thurmann-Jajes, Anne; Frohne, Ursula; Kim, Jee-Hae; Peters, Maria; Rauh, Franziska; Rothe, Sarah. Num Pages: 304 pages, 30 b&w, 30 colour. BIC Classification: AFKV; APW; JFD. Category: (G) General (US: Trade). Dimension: 225 x 148. . . 2019. Paperback. . . . .

Condición: Sehr gut. 338 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Altersentsprechend nachgedunkelte/saubere Seiten in fester Bindung. Sprache: Englisch Gewicht in Gramm: 2223 Gebundene Ausgabe, Maße: 24.5 cm x 0 cm x 31 cm.…

hardcover. Condición: Like New. Like New. First Edition. Publisher: Prestel Pub., 1997. FINE hardcover book in FINE mylar-protected dust-jacket. First Edition, First Printing. Text in English. The silver background shows a tiny bit of shelf rub, otherwise ss new.

Paperback. Condición: new. Paperback. The history of innovative intermedia art practices in America. In 1965, American artist and Fluxus cofounder Dick Higgins stated that much of the best art being made at the time fell between media. He linked the dismantling of divisions among media to decompartmentalization in society and the impending dawn of a classless society. After high art, he wrote, came the deluge brought on by Marcel Duchamps ready-mades, Robert Rauschenbergs combines, and Alan Kaprows happenings. Intermedia, the term Higgins selected to describe this trend, referred to works of art that fuse different, often nontraditional, media. In intermedia, boundaries between mediums dissolve and new mediums emerge. Never a prescriptive term, intermedia remains fluid, both as an artistic practice and an art historical category. The essays in this volume consider a range of subjects from nineteenth- and twentieth-century American art and visual culture, exploring instances of intermedia within specific cultural, social, and historical contexts and in relation to theories of media, image-making, and materiality. They present a rich account of American artistic practice as an open system of medial interrelation and exchange, highlighting experimental cross-pollinations and mutations among artistic forms. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

First Edition. First edition. Softcover. Text in English and German with contributions by Ursula Frohne, Peter Waterhouse, and Thomas Zaunschirm. Includes color and black and white illustrations, list of previous exhibitions, and a checklist. A very good copy in wrappers with some vertical creasing throughout and some toning to the edges.…