Foreword by david rockefeller (12 resultados)

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover, DEcorated Cover. Condición: Fine. First Edition. Copyright Date: 1999 Quarto, , PP.208, Gardening In New York City; Hardcover, DEcorated Cover. Color Photography By Betsy Pinover Schiff (ilustrador).

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st. xiii, 141 pages, illustrations; 25 cm. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket, toned, protected in a mylar cover. Size: 8vo. Collectible.

Quality Hardback : hard cover edition in Very Good condition in Good Dust Jacket, some slight wear to edges, as normal for age of book and dj. Excellent read. A good book to enjoy and keep on hand. Or would make a great GIFT IDEA for the fan / reader in your life. Book Description : A concise yet comprehensive resource for the entire fund raising process. Shows why board members must take the lead in fund raising efforts, and show how this role can be personally satisfying. Please send us a note if you have any questions. Thank you. Book.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, 335 pages, illustrations (some colour), portraits; 32 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** CONTENTS: Foreword, by William B. Harrison, Jr.; Taking stock, a conversation: David Rockefeller with Robert Rosenblum and Manuel E. Gonza lez; JPMorgan Chase and the visual arts: a selective chronology. Size: Folio. Collectible.…

First edition with a 1 in the number line; Square 4to.; paper covered boards with gilt lettering on spine, hardcover; 223 pages; black and white and color photographic illustrations; bottom corners are bumped else very good in a very good unclipped dust jacket.

Hardcover. Condición: Very Good. Dust Jacket Included. 1st Edition. English text; Hardcover (two hardcover volumes in buckram bound with dust jackets in splicase. Gilted upper side of the text block on both volumes); 25.6 x 35 cm; 5.3 Kg; 704 pages with 103 colour plates and 100 monochrome illustrations; Used books with signs of wear, namely on the dust jackets that show minor wear marks throughout and edge wear on both volumes. Interior in very good condition with minor signs of wear, some pages at the bottom right side on volume 2 show signs of have been bent in the past. The slipcase has signs of wear throughout, namely a few wear marks on the bottom, a bumped corner also at the bottom and two small pen marks in one of the sides. Very good condition overall.; This century has brought a growing awareness of the vast scale of Chinese export of decorative arts from the seventeenth century onwards. Until very recently however this subject had been very little studied, overshadowed as it was by the ever-widening perspectives of China's ancient past. It was nevertheless through this trade, and especially its ceramic wares, that the unique artistic creativity of the Chinese first became widely known and appreciated. This book aims to provide the most detailed and penetrating analysis yet made of the porcelains produced for Western markets during these centuries examining in its seven hundred pages and as many illustrations (one hundred of them in colour) all their many-sided attractions. The often unusual forms of the porcelain, their decorative styles and traditions, the endlessly varying subjects that they portray - and above all the continuous interchange in such themes between the Chinese manufacturers and decorators and their distant clients in the West, by means of the historic trading companies - all these are studied and interpreted more fully, and tabulated more practically for reference than ever before. The work also examines other export goods - painted enamels, carvings in ivory or soapstone, and reverse paintings on glass, to name only a few - which are represented by notable pieces. The material illustrated here is from one of the greatest collections of expert porcelain: assembled with care over nearly fifty years, it contains much that is rare or unique. Mr. and Ms. Motteheded have collected with clear-sighted purpose from the start, in a way no museum can hope to do so, so that today the wealth of rarities in their collection is matched only by its comprehensiveness, providing an ideal foundation for such a study. The authors are well equipped to write a major work on this subject, John Ayers, Keeper of the Far Eastern Section at the Victoria and Albert Museum, London, is a noted authority on Chinese and Japanese ceramics whose numerous writings include four volumes on the Baur Collection (Geneva, 1968-74). David Howard's book Chinese Armorial Porcelain (London, 1974) has given an entirely new emphasis in the study of export porcelain, its design and dating, as well as the social history behind the great East India Companies. With its superb illustrations and analytical, yet highly readable text, this book offers an indispensable new source of information for the student and the collector.…