Foote sandra (41 resultados)

Paperback. Condición: Brand New. 51 pages. 9.00x6.00x0.13 inches. In Stock.

Paperback. Condición: Very Good. Unread. No markings in book. Binding is tight. Scuffed covers with light shelf wear to cover edges.

Paperback. Condición: Brand New. 47 pages. 8.25x6.00x0.12 inches. In Stock. Andrew, Dixie (ilustrador).

Condición: New.

Paperback. Condición: New. Bright, new oversize softcover salesroom catalogue to 2014 sale of medieval French literature. No marks or flaws. Price list, in US dollars, and illustrated bookmark laid in at front of book, as issued.

Paperback. Condición: New. 1st.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover.

Paperback. Condición: New. Although the earliest records of written French date from the 9th century, it was not until the 13th century, when there was an explosion of texts in the 'mother tongue', that French became widespread as a written language. And only in 1539, by King Francis I, was French deemed the official language of the kingdom.This beautifully illustrated catalogue explores the rise, affirmation, and triumph of the French vernacular, focusing on a group of sixteen manuscripts all written in the French language between about 1300 and 1525. Because many of these manucscripts are virtually unknowna nd previously unpublished, first-hand study of them offers a unique opportunity to reassess certain approaches to later medieval French literature. Mostly illuminated, the manuscripts are widely diverse. They are written in verse and in prose. Some are translations from the Latin, others new compositions entirely in French. They treat a wide variety of subjects ranging from literature and science, to philosohpy and theology, and to history and goverment. There are some unique texts that exist only in the manuscripts included here. A significant nuber of the volumes boast royal provenance. There are signed and dated works by newly identified scribes, as well as works by famous calligraphers. Some of the manuscripts still have their original bindings.PRefaced with an introductory essay by Sandra Hindman, the catalogue divides the manuscripts into five sections: I) Literature and Science: The Rise and Affirmaton of the Vernaular; II) Philosophy and Theology: Translations and Adaptations of the Classics; III) History and Genealogy: the Nation and the Individual; IV) Women Writers and Women Bibliophiles: Memory and Self-Assertion; V) From Manuscript to Print: The Circulation of Texts and the Triumph of the French Vernacular.Published to accompany a travelling exhibition at Les Enluminures gallery in New York and in Paris as well as a colloquium at the Institut national d'histoire de l'art (INHA), this publication will shed new light on many of these themes and, it is hoped, contribute to the ongoing re-evaluation of medieval literary history and medieval art history. Each work will be catalogued with detailed scholarly descriptions and comparative material.…

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Although the earliest records of written French date from the 9th century, it was not until the 13th century, when there was an explosion of texts in the 'mother tongue', that French became widespread as a written language. And only in 1539, by King Francis I, was French deemed the official language of the kingdom.This beautifully illustrated catalogue explores the rise, affirmation, and triumph of the French vernacular, focusing on a group of sixteen manuscripts all written in the French language between about 1300 and 1525. Because many of these manucscripts are virtually unknowna nd previously unpublished, first-hand study of them offers a unique opportunity to reassess certain approaches to later medieval French literature. Mostly illuminated, the manuscripts are widely diverse. They are written in verse and in prose. Some are translations from the Latin, others new compositions entirely in French. They treat a wide variety of subjects ranging from literature and science, to philosohpy and theology, and to history and goverment. There are some unique texts that exist only in the manuscripts included here. A significant nuber of the volumes boast royal provenance. There are signed and dated works by newly identified scribes, as well as works by famous calligraphers. Some of the manuscripts still have their original bindings.PRefaced with an introductory essay by Sandra Hindman, the catalogue divides the manuscripts into five sections: I) Literature and Science: The Rise and Affirmaton of the Vernaular; II) Philosophy and Theology: Translations and Adaptations of the Classics; III) History and Genealogy: the Nation and the Individual; IV) Women Writers and Women Bibliophiles: Memory and Self-Assertion; V) From Manuscript to Print: The Circulation of Texts and the Triumph of the French Vernacular.Published to accompany a travelling exhibition at Les Enluminures gallery in New York and in Paris as well as a colloquium at the Institut national d'histoire de l'art (INHA), this publication will shed new light on many of these themes and, it is hoped, contribute to the ongoing re-evaluation of medieval literary history and medieval art history. Each work will be catalogued with detailed scholarly descriptions and comparative material.…

Condición: New.

Condición: New. pp. 207.

Paperback. Condición: New. Books of Hours are probably the most famous of all medieval illuminated manuscripts. Presented here are 12 Books of Hours that date from the origins of the genre in the 13th century to its eclipse in the 16th century. Examples come from France, Italy and the Southern and Northern Netherlands and are by many notable artists, including Pietro da Pavia, Belbello da Pavia, the Masters of Zweder van Culenburg, the Masters of the Gold Scrolls, Willem Vrelant, Guillaume tile Roy and Jean Poyer. Some are richly illustrated; others are more modest. Each manuscript is wholly unique, offering a captivating glimpse into the lives and preoccupations of their owners, the concerns and contributions of their illuminators.The introduction by Christopher de Hamel, Donnelley Fellow Librarian at Corpus Christi College, Cambridge, underscores the intimacy'of Books of Hours as a genre. A team of distinguished scholars have contributed to the essays, bringing up-to-date research to the project that helps situate each manuscript in the most recent scholarship. Comparative photographs of manuscripts in institutions place these twelve Horae in their broader artistic and cultural contexts.Accompanying an exhibition held at Les Enluminures, New York, 2-25 May 2012.…

Paperback. Condición: Brand New. 255 pages. 12.00x7.75x1.00 inches. In Stock.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Very good condition. Estado de la sobrecubierta: Very good. 158 pp.

Condición: New. Illustrated edition NO-PA29JULT2014-KAP.

Tall softback (30cm x 19.5cm) in colour pictorial card covers; 207pp, with colour illustrations throughout. Previous owner's bookplate to inside of front cover. Very Good copy overall. (SHELF 110) ISBN: 9780983854630 PLEASE NOTE: Heavy Book (1.1 kg+) Postage rates vary according to destination, weight and speed. For an accurate overseas quote PLEASE either call or email us before ordering. [AbeBooks shipping quote is based on items weighing up to 1 kilo only]. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct. …

Condición: New. pp. 207.

Condición: New. pp. 207.

Condición: New. Print on Demand.

Condición: New.

Paperback. Condición: New. Although the earliest records of written French date from the 9th century, it was not until the 13th century, when there was an explosion of texts in the 'mother tongue', that French became widespread as a written language. And only in 1539, by King Francis I, was French deemed the official language of the kingdom.This beautifully illustrated catalogue explores the rise, affirmation, and triumph of the French vernacular, focusing on a group of sixteen manuscripts all written in the French language between about 1300 and 1525. Because many of these manucscripts are virtually unknowna nd previously unpublished, first-hand study of them offers a unique opportunity to reassess certain approaches to later medieval French literature. Mostly illuminated, the manuscripts are widely diverse. They are written in verse and in prose. Some are translations from the Latin, others new compositions entirely in French. They treat a wide variety of subjects ranging from literature and science, to philosohpy and theology, and to history and goverment. There are some unique texts that exist only in the manuscripts included here. A significant nuber of the volumes boast royal provenance. There are signed and dated works by newly identified scribes, as well as works by famous calligraphers. Some of the manuscripts still have their original bindings.PRefaced with an introductory essay by Sandra Hindman, the catalogue divides the manuscripts into five sections: I) Literature and Science: The Rise and Affirmaton of the Vernaular; II) Philosophy and Theology: Translations and Adaptations of the Classics; III) History and Genealogy: the Nation and the Individual; IV) Women Writers and Women Bibliophiles: Memory and Self-Assertion; V) From Manuscript to Print: The Circulation of Texts and the Triumph of the French Vernacular.Published to accompany a travelling exhibition at Les Enluminures gallery in New York and in Paris as well as a colloquium at the Institut national d'histoire de l'art (INHA), this publication will shed new light on many of these themes and, it is hoped, contribute to the ongoing re-evaluation of medieval literary history and medieval art history. Each work will be catalogued with detailed scholarly descriptions and comparative material.…

Paperback. Condición: New. Although the earliest records of written French date from the 9th century, it was not until the 13th century, when there was an explosion of texts in the 'mother tongue', that French became widespread as a written language. And only in 1539, by King Francis I, was French deemed the official language of the kingdom.This beautifully illustrated catalogue explores the rise, affirmation, and triumph of the French vernacular, focusing on a group of sixteen manuscripts all written in the French language between about 1300 and 1525. Because many of these manucscripts are virtually unknowna nd previously unpublished, first-hand study of them offers a unique opportunity to reassess certain approaches to later medieval French literature. Mostly illuminated, the manuscripts are widely diverse. They are written in verse and in prose. Some are translations from the Latin, others new compositions entirely in French. They treat a wide variety of subjects ranging from literature and science, to philosohpy and theology, and to history and goverment. There are some unique texts that exist only in the manuscripts included here. A significant nuber of the volumes boast royal provenance. There are signed and dated works by newly identified scribes, as well as works by famous calligraphers. Some of the manuscripts still have their original bindings.PRefaced with an introductory essay by Sandra Hindman, the catalogue divides the manuscripts into five sections: I) Literature and Science: The Rise and Affirmaton of the Vernaular; II) Philosophy and Theology: Translations and Adaptations of the Classics; III) History and Genealogy: the Nation and the Individual; IV) Women Writers and Women Bibliophiles: Memory and Self-Assertion; V) From Manuscript to Print: The Circulation of Texts and the Triumph of the French Vernacular.Published to accompany a travelling exhibition at Les Enluminures gallery in New York and in Paris as well as a colloquium at the Institut national d'histoire de l'art (INHA), this publication will shed new light on many of these themes and, it is hoped, contribute to the ongoing re-evaluation of medieval literary history and medieval art history. Each work will be catalogued with detailed scholarly descriptions and comparative material.…