ferdinand eckhardt (110 resultados)

Soft cover. Condición: Very Good. Book Club Edition. Book Of The Month Club, Stapled Binding Booklet, Filled With Stamps Of Various Artworks Along With Essays And Discriptions Of Each Piece Of Art. Light Soiling On The Covers, Pages Are Clean.

Paperback. Condición: Very Good. Color Illustrations Ilustrador. First Edition. In white wraps, folio, 59pp. Illustrated in color. Size: Folio - between 12" - 15" Tall. Book.

Paperback. Condición: Very Good. VG+, Softbound folio, clean & square, faint thumbcrease on front & rear cover- otherwise closer to like new, no markings, Priority & International shipping not available due to size.

Hardcover. First Edition; First Printing. Book condition is Very Good; with a Very Good dust jacket. Creasing to jacket crown at spine. Text is clean and unmarked. ; Signed and inscribed by the author, Ferdinand Eckhardt, on the title page. ; 10.20 X 8 X 0.80 inches; 207 pages; Signed by Author.

Paperback. Condición: Fair. Covers have been taped back on along spine. Also wear and tears along edges. Interior is in better shape, all plates are very clean with no creases or tears. Stapled booklet of 30 pages. All 18 plates present and in good condition.

Hardcover. black-and-white photographs Ilustrador. 1st edition. pp. 207.,4to,Light shelf wear; else vg/nf in sl. soiled & shelf-worn g/vg dj. ISBN 088755136X.

colour, b&w photographs Ilustrador. 1st edition. pp. 108.,4to,Card covers edge-worn & scuffed, spine sl. pulled; else gd+ cond, The catalogue of an exhibition in honour of Dr. Eckhardt, retiring director of the Winnipeg Art Gallery.

Paperback. Condición: Good. Minimal library marks, wear and rubbing to covers, paper discoloring slightly around the edges, otherwise text clean and solid; includes 3 color and 27 b&w plates ; Ex-Library; 8vo 8" - 9" tall.

Hardcover. Condición: Good+. Estado de la sobrecubierta: Very Good. First Edition. Tight clean book with puckering to top right hand corner of later pages; in rubbed dust jacket. Inscribed and signed by Eckhardt on the title page. ; 207 pages; Signed by Author.

Paper bound, square 8vo, 32pp. An unmarked, very good or better copy. 80 grams. All books in stock and available for immediate shipment from Winnipeg, Manitoba.

1957, Art, The Winnipeg Art Gallery, 24 p., very good paperback pamphlet.

Stapled Wraps. Thin, square 8vo. Black & white photographs. Near fine. (8 pages).

Softcover staple-bound, 4 pages, good condition; museum library stamp to cover; no other internal marks.

Paperback. Condición: Very Good. First Edition. Contents clean and complete in original tan printed wrappers; wrappers darkened at edges. OCLC 29837800 From the foreword by Mark W. Clark, Commander in Chief of U.S. Armed Forces in Austria: "In the last days prior to the collapse of the German armies a fanatical Nazi group carried off several hundred of the most precious art works stored in one of the depositories. Through the intervention of the American armies these were recovered, returned to safety, and the majority of them are on display here. Included in this group are paintings by Breugel, Velasquez, Titian, Rembrandt and Durer. This exhibition has been arranged by the Monuments and Fine Arts Branch of this Headquarters in cooperation with officials of the Museum of Art History in Vienna.".

Saddle-stitched. Condición: Good. First. 45pp., ill., map. Very light wear. Size: 8vo - over 7¾" - 9¾" tall. Book.

Hardcover. black-and-white photographs Ilustrador. 1st edition. 207 pp.,4to,Near fine cond. in sl. torn, else very good dust jacket, Signed and inscribed by author on title page. ISBN 088755136X.

Hardcover/Großformat. Condición: Gut. 127 Seiten; Das Buch befindet sich in einem gut erhaltenen Zustand. Original-Schutzumschlag vorhanden (siehe Foto). Namensvermerk des Vorbesitzers im Vorsatz. Sprache: Deutsch Gewicht in Gramm: 840.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition; First Printing. First Edition (1985) unstated. Very Near Fine in a Near Fine DJ: The Book's binding is ever so slightly cocked; else flawless; the binding is secure; the text is clean. Free of creased or dog-eared pages in the text. Free of any underlining, hi-lighting or marginalia or marks in the text. Free of ownership names, dates, addresses, notations, inscriptions, stamps, or labels. A handsome, nearly-new copy, structurally sound and tightly bound, showing a minor, unobtrusive imperfection only. Bright and clean. Corners sharp. The DJ shows just a hint of wear to the extremities and very mild rubbing to the panels; else flawless; unclipped. Remains attractive and intact. NOT a Remainder, Book-Club, or Ex-Library. Small 4to (10.3 x 8.35 x 0.85 Inches). Liberally illustrated with duotone photographs and images. Cover and frontispiece portrait of the Composer by Walter Gramatté. Edited by Gerald Bowler. Language: English. Weight: 33.2 ounces. Black cloth over boards with white titles at the backstrip; maroon endpapers. Hardback with DJ. Sophie Carmen Eckhardt-Gramatté (1898 in Moscow, Russia 1974 in Stuttgart, Germany) was a Russian-born Canadian composer and virtuoso pianist and violinist. As a composer Eckhardt-Gramatté was largely self-taught. She composed more than 175 works. She learned a great deal from the virtuoso music she performed on both the piano and the violin, and her compositions especially from the 1920s reflect this. By the late 1930s her contrapuntal idiom had reached full maturity, and in the following decade her style moved towards neo-classicism and bitonality with some use of jazz idioms. In 1950, with the Piano Sonata no.5, she began to adopt serialism, and by 1955 her use of metric manipulation showed similarities to that of Olivier Messiaen and Boris Blacher. She retained a lifelong admiration for the music of Johann Sebastian Bach the ending of her 1955 Concerto for Orchestra reworks the prelude from his Partita in E major and, like Bela Bartók, she frequently used the interval of a fourth as a structural device. Her music is dark, dense and dramatic, with forward drive. She admired the First Viennese School, but her brand of counterpoint is individual and its dissonance owes much to the post-Romantics. ; Small 4to 9" - 11" tall; 207 pages.

70pp. Prof. illus. 4to. Wraps. Published in conjunction with an exhibition at the Brücke-Museum, Berlin, April-June 1968.

Paperback. Condición: Fine. 1st. 18 pages, 39 pages of plates, illustrations (some colour); 25 cm. Exhibition held 17 October to 28 November, 1982. AS NEW/WIE NEU. *** Walter Gramatte, 1897-1929: 71 x selbst: Aquarelle, Zeichnungen, Druckgraphik = Walter Gramatte, 1897-1929: 71 x himself: watercolors, drawings, prints. Size: 4to. Collectible.

Soft cover. Condición: Good. Clean, unmarked; age tanning; wear to edges and spine; light general wear; Exhibition catalogue - Winnipeg Art Gallery - 11 January to 3 May, 1987; An exhibition of the life and collections of Ferdinand Eckhardt and S.C. Eckhardt-Gramatte and the contributions they made to the Winnipeg art scene during Ferdinand Eckhardt's term as director of the Winnipeg Art Gallery.

Soft cover. Condición: Very Good. No Jacket. 81 pages with B/W and full-colour illustrations. Text in English and French. Library book sale stamp on first page but no other ex-library markings. Otherwise in fine condition. The exhibition catalogue includes a chronology and letter excerpts. "This life, which came to an untimely end at 32, had yet been fully lived because it had borne the sign of death at an early stage. His was the work of a young expressionist of the post-war years, with all its anguish and all its moments of redeeming rapture. We still have two of Grammate's great idols and early promoters among us, who have kept his youthful message alive: Erich Heckel and Karl Schmidt- Rottluff. And, miraculously enough, I still possess the first issue of the album, Group of Graphic Artists and Collectors, which I published anonymously in 1921 together with another student. In addition to works of the artists of the Brucke, it contains Grammate's lithograph Listeners. How much of Grammate's work has, however, become dim in our memory and has been forgotten! It is the purpose of the present exhibitions in Canada and Germany to revive his image and to communicate it to a new generation." - foreword by Leopold Reidemeister.

Soft cover. Condición: Good. No Jacket. 8 pp. with B/W illlustrations. Saddle-stitched catalogue of an exhibition at l'Ecole es beaux-arts in Montreal, the Norman Mackenzie Art Gallery in Regina, the Winnipeg Art Gallery and the Art Gallery of Toronto from 1958 to 1959. Exhibition featured twenty-three sculptures from 1916 to 1958, and nine gouaches and drawings from 1939 to 1950. Handwriting on inside of both front and back covers. Scarring on back and esp. front cover as if tape had been torn off and removed the paper's laminate. Damage may not be visible in the photo, but the damaged sections are rough to the touch instead of smooth.

Soft cover. Condición: Near Fine. No Jacket. 24 pp. with full-colour and B/W illustrations. Saddle-stitched exhibition catalogue with introduction by Ferdinand Eckhardt. 1/16" scar at upper front cover, and minor wear at corners.

Soft cover. Condición: Fine. 1st Edition. FINE First Edition. Appears unhandled and unread - book never fully opened, no wear, no markings, superb copy. 6" by 9", 192 pages. Great overview of the WAG collection, includes traditional and contemporary art, and works of North American Indians & Inuit, and African arts. Oil paintings, bronzes, sculptures, abstract and impressionist art, fine china, furniture. Includes works of Leo Mol, A.Y. Jackson, Emily Carr and many more.

Soft cover. Condición: Very Good. No Jacket. Cook-Endres, Barbara Ilustrador. 6 pp. with 4 B/W illustrations. Saddle-stitched. Usual ex-library markings. Catalogue for an exhibition at the Winnipeg Art Gallery in 1964. Curator Ferdinand Eckhardt gives a brief summary of this Canadian artist's education and career, and explains why this painter of portraits and landscapes deserves our attention.

Soft cover. Condición: Very Good. No Jacket. 16 pp. with 9 B/W illustrations. Saddle-stitched catalogue of an exhibition at the Winnipeg Art Gallery from September 30 to October 28, 1956. Includes portraits by Pierre Michel alix, Francois Baillarge, Francesco Bartolozzi, Barthel Beham, Ambrosius Benson, Dominic Bimann, Adolphe William Bougeureau, Bartolomaeus Bruyn the Younger, Newton Brett, Girolamo Da Carpi, John Singleton Copley, Thomas Couture, Lucas Cranach the elder, Honore Daumier, John Downman, Francois Hubert Drouais, Albrecht Duerer [Durer], Anthony Van Dyck, Charles Loring Elliott, William Faithorne the Elder, Francesco di Cristofano Franciabigio, Arent De Gelder, Frans Hals, Theophile Hamel, Prudence Heward, Joseph Highmore, William Hogarth, Wenzel Hollar, Daniel Hopfer, Jack Weldon Humphrey, William Holman Hunt, Augustus John Wilhelm Kaufmann, Franz Klein, Oskar Kokoschka, Sir Thomas LAwrence, William Lee-Hankey, Sir Peter Lely, Max Liebermann, John Linnell, Jacques Lipchitz, Carlo Maratta, Jack Markett, David Martin, Henry Matisse, Michiel Van Miereveldt, Amadeo Modigliani, James Wilson Morrice, Jean Morin, Robert Nanteuil, Jean Marc Nattier, Matthys Neveu [Naiveu], John Opie, Pablo Picasso, Sir Henry Raeburn, Allan Ramsay, RembrandtVan Rijn, Auguste Renoir, Sir Joshua Reynolds, Cecil Richards, George Richmond, Hyacinthe, Rigaud, George Romney, Dante Gabriel Rossetti, John Singer Sargent, Josef Scharl, Egon Schiele, Stanley Spencer, George Swinton, James Tassie, Louis Tocque, Frederick Horsman Varley, Jan Cornelisz Verspronck, Robin Watt, Sir David Wilkie, and Johann Zoffani.

Soft cover. Condición: Good. No Jacket. Richards, Cecil Ilustrador. 10 pp. with B/W illustrations. Saddle-stitched. Usual ex-library markings. Also four holes punched near spine for use in a binder. Catalogue for the Winnipeg Art Gallery's 1964 exhibition. Of Richards' national importance, curator Ferdinand Eckhardt writes: "I do not hesitate to say that his monumental group 'Day and Night' in front of the new building of the Faculty of Architecture of the University of Manitoba is one of the most powerful, impressive and perhaps best samples of monumental sculpture in this country.".

27 x 21 cm ; kart. ; Condición: Gut. 60 S. ; 1. Folge. Kunstwerk-Schriften Band 42, Sonderausgabe der Zeitschrift "Das Kunstwerk". Großformatige Paperbackausgabe, 60 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. hw1629.

25 x 20 cm ; kart. ; Condición: Gut. 70 S. ; Paperbackausgabe, 70 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. hw859.