Feinstein rachel (62 resultados)

paperback. Condición: Good. Clean pages with no markings. Some wear on edges and corners.The image in this listing is stock photo for reference. Actual item may differ. Any queries, just ask for photos. Your satisfaction matters.

Paperback. Condición: Fine. 76 p.

Softcover, staple-bound, 30 pages; very good condition; clean and crisp; no internal marks.

Soft cover. Condición: Very Good. this is a booklet (softcovers) that cover beautiful images of some of Gagosian artist and most are double pages: 1) Tom Wesselmann "Standing Still Lifes"; 2) Glenn Brown "Come to Dust"j; 3) Rachel Feinstein "Secrets"; 4) Giuseppe Penone "Selected Works"; 5) Andreas Gursky "Bangkok"; 6) Damien Hirst "Visual Candy and Natural History"; and more artist include; approx 34 pages, stapled softcover binding; folded size: 10-1/2 x 8-1/4 inches; in VERY GOOD COND.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Very good, tight, clean condition. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.

Exhibition invite,6 x 8 inches; very good condition; an unmailed copy.

Hardcover. Condición: As New. Near Fine in Near Fine dust jacket. Nice shape overall.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Condición: New. 2019. Hardcover. . . . . .

hardcover. Condición: Very Good. A very good hardcover in a very good dust jacket. No markings to text. In great reading condition.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. Hardcover with dust jacket, 240 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: New. pp. 108.

Paperback. Condición: New. When Rape was Legal is the first book to solely focus on the widespread rape perpetrated against enslaved black women by white men in the United States. The routine practice of sexual violence against enslaved black women by white men, the motivations for this rape, and the legal context that enabled this violence are all explored and scrutinized. Enlightening analysis found that rape was not merely a result of sexual desire and opportunity, or simply a form of punishment and racial domination, but instead encompassed all of these dimensions as part of the identity of white masculinity. This provocative text highlights the significant role that white women played in enabling sexual violence against enslaved black women through a variety of responses and, at times, through their lack of response to the actions of the white men in their lives. Significantly, this book finds that sexual violence against enslaved black women was a widespread form of oppression used to perform white masculinity and reinforce an intersectional hierarchy. Additionally, white women played a vital role by enabling this sexual violence and perpetuating the subordination of themselves and those subordinate to them.…

Oversized Hardcover. Condición: Good.

Condición: New.

Hardcover with dustjacket, 240 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

Condición: New. pp. 240.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condición: New.

Hardcover. Condición: new. Hardcover. Straddling pop culture, installation art, and contemporary culture, Rachel Feinstein's paintings, multipart installations, and additive sculptures reveal her singular flair for synthesising myriad cultural fascinations religion, myth, beauty, mortality, decadence into lush vignettes of the marvelous. As an artist, she explores issues of taste and desire, fusing intellectual opposites like romance and pornography, elegance and kitsch, to create visually stunning tableaux that have intrigued and astonished art fans and critics alike. Rachel Feinstein is the artist's first major volume a comprehensive look at her oeuvre, sculpture, paintings, pastels, and drawings and the definitive monograph surveying the work of this important female American artist. Beautifully designed and packaged, this volume provides a provoking and enlightening tour of this influential artist's body of work The first monograph from an art-world star whose work influences cultural luminaries from the worlds of fashion, film, and beyond. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condición: New. In English.

Hardcover. Condición: As New. No Jacket. 1st Edition. As new, large format hardcover 'double' book (58 & 92 pp). This item is being sold under the Retail Gift Aid scheme to support Amnesty International UK Section Charitable Trust.

Taxter, Kelly et al. RACHEL FEINSTEIN. 240 pages, including 300 color plates. 4to, boards. New York, Rizzoli Electa, 2019.

Hardcover. Condición: Brand New. 239 pages. 13.00x10.00x1.25 inches. In Stock.

Paperback. Condición: Brand New. 89 pages. 9.00x6.00x0.50 inches. In Stock.

Condición: New. pp. 240.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…