farzin media (22 resultados)

Condición: New.

Condición: Very Good. 152 pages. Softcover. Very clean, like new in publishers shrink-wrap. This volume brings expert opinion and first-hand testimony to bear upon the events surrounding the creation and destruction of Andy Warhol's Thirteen Most Wanted Men at the 1964 New York World's Fair. The complex constellation of art, politics and gay life surrounding Warhol's mural and its painting-over comes alive in 13 interviews?with historian Hilary Ballon, critic Douglas Crimp, poet Diane di Prima, 1964 World's Fair head of television Albert Fisher, poet John Giorno, art historian Anthony Grudin, civil rights historian Felicia Kornbluh, former Warhol assistant and poet Gerard Malanga, filmmaker Jonas Mekas, art historian Richard Meyer, former Warhol assistant and photographer Billy Name, Rockefeller biographer Richard Norton Smith and architect and critic Mark Wigley. The interviews are introduced by the show's co-curator Larissa Harris, and accompanied by reproductions of all of the Thirteen Most Wanted Men; photographs of Warhol and the Fair by Factory regulars and photojournalists; and rarely seen archival documents from Warhol's Time Capsules. Record # 353267.

Condición: Very Good. 152 pages. Softcover. Very clean, like new in publishers shrink-wrap. This volume brings expert opinion and first-hand testimony to bear upon the events surrounding the creation and destruction of Andy Warhol's Thirteen Most Wanted Men at the 1964 New York World's Fair. The complex constellation of art, politics and gay life surrounding Warhol's mural and its painting-over comes alive in 13 interviews?with historian Hilary Ballon, critic Douglas Crimp, poet Diane di Prima, 1964 World's Fair head of television Albert Fisher, poet John Giorno, art historian Anthony Grudin, civil rights historian Felicia Kornbluh, former Warhol assistant and poet Gerard Malanga, filmmaker Jonas Mekas, art historian Richard Meyer, former Warhol assistant and photographer Billy Name, Rockefeller biographer Richard Norton Smith and architect and critic Mark Wigley. The interviews are introduced by the show's co-curator Larissa Harris, and accompanied by reproductions of all of the Thirteen Most Wanted Men; photographs of Warhol and the Fair by Factory regulars and photojournalists; and rarely seen archival documents from Warhol's Time Capsules. Record # 353268.

Hardcover without dustjacket as issued; 80 pages; as new condition, clean and crisp, no internal marks. Foreign shipping may be extra.

Condición: As New. Unread book in perfect condition.

Condición: New.

Harris, Larissa (ed). 13 Most Wanted Men: ANDY WARHOL and the 1964 World's Fair. 152 pages, including 13 color and 84 b&w plates. 4to, wraps. Pittsburgh, Andy Warhol Museum, 2015.

Paperback. Condición: New.

Brossura. Condición: quasi ottimo. prima edizione. Brossura, catalogo della mostra, 151 pagine, copia usata ma ben conservata.

Hardcover without dustjacket as issued, 696 pages; very good condition, light scuffs to spine; no internal marks. Foreign shipping may be extra.

VG. near fine. softcovers. no dj. no inscriptions or marginalia. delightful clean copy. From the personal collection of a dealer/collector. Fifty paintings, reproduced in color, by an international array of contemporary artists, show the aptness and relevance of painting in an era of uncertainty.In an age of global instability, the threat of chaos looms. Or is the threat more spectral than real? The fear of chaos may simply be our response to living in a world controlled by powerful forces beyond our understanding. Chaos and Awe demonstrates the aptness and relevance of painting as a medium for expressing the uncertainty of our era. It presents more than fifty paintings, by an international array of contemporary artists, that induce sensations of disturbance, curiosity, and expansiveness-the new sublime, derived not from the unfathomable mystery of nature but from the hidden and often insidious forces of culture. Essays by art historians and "painters who write" offer context and illumination.Chaos and Awe, which accompanies a major exhibition at the Frist Art Museum in Nashville, shows that painting's capacity to represent the liminal space between the real and the virtual allows it to portray the shifting ground of today's social imaginary. With suggestions of fragmentation, instability, and murkiness, these paintings enclose what seems to be (as Simon Morley writes in his essay) "wholly unenclosable." The paintings presented offer visions of interconnected forces invisibly shaping contemporary global experience; portray theintractability of veiled racial animus and the phantoms of the past that continue to haunt the present; suggest, through semi-abstract languages, long-term conflicts played out through nationalism and extremism; depict the conjunction of cultures not as flashpoints but in terms of cross-fertilization and a new hybridity; convey the role of digital technology in intertwining knowledge and doubt; express the elusive nature of perception through floating forms, liquid, gas, flame, and light; and cast instability and chaos as opportunities to expand our perceptions of the connectedness of knowledge, intuition, and spirituality.PaintersFranz Ackermann, Ahmed Alsoudani, Ghada Amer, Korakrit Arunanondchai, Radcliffe Bailey, Ali Banisadr, Pedro Barbeito, Jeremy Blake, Matti Braun, Dean Byington, Hamlett Dobbins, Nogah Engler, Anoka Faruqee, Barnaby Furnas, Ellen Gallagher, Adrian Ghenie, Wayne Gonzales, Wade Guyton, Rokni Haerizadeh, Peter Halley, Eddy Kamuanga Ilunga, Rashid Johnson, Guillermo Kuitca, Heather Gwen Martin, Julie Mehretu, Jiha Moon, Wangechi Mutu, James Perrin, Neo Rauch, Matthew Ritchie, Rachel Rossin, Pat Steir, Barbara Takenaga, Dannielle Tegeder, Kazuki Umezawa, Charline von Heyl, Sarah Walker, Corinne Wasmuht, Sue WilliamsContributorsMedia Farzin Media Farzin is a writer, editor, and educator. Her writings have appeared in Bidoun, Artforum, Afterimage, and Art-Agenda online. She is a faculty member at the School of Visual Arts and the Sotheby's Institute of Art, New York.Simon Morley is an artist and Professor at Dankook University in Korea. He is the author of Writing on the Wall: Word and Image in Modern Art and editor of The Sublime (MIT Press/Whitechapel Gallery).Matthew Ritchie's work is regularly exhibited worldwide and is in the collections of the Museum of Modern Art (New York), the San Francisco Museum of Modern Art, the Guggenheim, the Whitney Museum of American Art. He has written for Artforum, Flash Art, Art & Text, October, and the Contemporary Arts Journal. He lectures widely and is currently a Mentor Professor in the Graduate Visual Arts Program at Columbia University.Copublished with the Frist Art Museum.

Paperback. Condición: Brand New. 1st edition. 228 pages. Dutch language. 11.42x8.70x0.39 inches. In Stock.

Hardcover. Condición: Brand New. 80 pages. 12.50x9.75x0.50 inches. In Stock.

Kartoniert / Broschiert. Condición: New. Mark W. Scala is Chief Curator at the Frist Center for the Visual Arts in Nashville.Media Farzin is a writer, editor, and educator. Her writings have appeared in Bidoun, Artforum, Afterimage,&#160&#160and Art-Agenda onl.

Condición: New. Interdisciplinary work Survey of the last 15 years Contemporary Iranian Art Interdisciplinary work Survey of the last 15 years Contemporary Iranian ArtIn her work, Nazgol Ansarinia examines the systems and networks that underpin her daily .

gebundene Ausgabe. Condición: Sehr gut. 192 Seiten Text englisch - Einband und Schnitt leicht berieben/verstaubt - Buch sonst in Topzustand, wie neu und ungelesen - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Englisch Gewicht in Gramm: 790.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 199 pp. with full-colour and B/W illustrations. Includes errata page tucked into the title page gutter. Usual ex-library markings. Dust jacket in mylar. "Published on the occasion of the first museum survey of mirror works and drawings by Iranian artist Monir Shahroudy Farmanfarmaian (Qazvin, 1924), this book officer a critical and art historical view on a singular body of work produced over a career of more than 40 years. Essays by curators Suzanne Cotter, cultural historian Shiva Balaghi and art historian and critic Media Farzin examine Monir's oeuvre and its development from the 1970s to the present in relation to the decorative and architectural traditions of Islamic art and the cosmopolitan contemporary art world of which she has always been a part." - jacket copy. Oversized book may require additional shipping.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New.

Hardcover. Condición: New.

Paperback. Condición: New.

Paperback. Condición: New.