fairchild charles (334 resultados)

Condición: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Condición: acceptable. Item has staining and water damage. Cover is worn. Paperback.

Soft cover. Condición: Near Fine. 1st Edition. Pictorial wraps with trace edgewear. Binding sound, spine not creased, interior clean. No prev owner names, stickers or stamps. Not ex-library. 147 pp.

Condición: New.

Condición: New.

Paperback. Condición: New. This book marks the tenth anniversary of The Grey Album. The online release and circulation of what Danger Mouse called his 'art project' was an unexpected watershed in the turn-of-the-century brawls over digital creative practice. The album's suppression inspired widespread digital civil disobedience and brought a series of contests and conflicts over creative autonomy in the online world to mainstream awareness. The Grey Album highlighted, by its very form, the profound changes wrought by the new technology and represented the struggle over the tectonic shifts in the production, distribution and consumption of music. But this is not why it matters. The Grey Album matters because it is more than just a clever, if legally ambiguous, amalgam. It is an important and compelling case study about the status of the album as a cultural form in an era when the album appears to be losing its coherence and power. Perhaps most importantly, The Grey Album matters because it changes how we think about the traditions of musical practice of which it is a part. Danger Mouse created a broad, inventive commentary on forms of musical creativity that have defined all kinds of music for centuries: borrowing, appropriation, homage, derivation, allusion and quotation. The struggle over this album wasn't just about who gets to use new technology and how. The battle over The Grey Album struck at the heart of the very legitimacy of a long recognised and valued form of musical expression: the interpretation of the work of one artist by another.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. This book marks the tenth anniversary of The Grey Album. The online release and circulation of what Danger Mouse called his 'art project' was an unexpected watershed in the turn-of-the-century brawls over digital creative practice. The album's suppression inspired widespread digital civil disobedience and brought a series of contests and conflicts over creative autonomy in the online world to mainstream awareness. The Grey Album highlighted, by its very form, the profound changes wrought by the new technology and represented the struggle over the tectonic shifts in the production, distribution and consumption of music. But this is not why it matters. The Grey Album matters because it is more than just a clever, if legally ambiguous, amalgam. It is an important and compelling case study about the status of the album as a cultural form in an era when the album appears to be losing its coherence and power. Perhaps most importantly, The Grey Album matters because it changes how we think about the traditions of musical practice of which it is a part. Danger Mouse created a broad, inventive commentary on forms of musical creativity that have defined all kinds of music for centuries: borrowing, appropriation, homage, derivation, allusion and quotation. The struggle over this album wasn't just about who gets to use new technology and how. The battle over The Grey Album struck at the heart of the very legitimacy of a long recognised and valued form of musical expression: the interpretation of the work of one artist by another.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: new. Paperback. This book marks the tenth anniversary of The Grey Album. The online release and circulation of what Danger Mouse called his art project' was an unexpected watershed in the turn-of-the-century brawls over digital creative practice. The album's suppression inspired widespread digital civil disobedience and brought a series of contests and conflicts over creative autonomy in the online world to mainstream awareness. The Grey Album highlighted, by its very form, the profound changes wrought by the new technology and represented the struggle over the tectonic shifts in the production, distribution and consumption of music. But this is not why it matters. The Grey Album matters because it is more than just a clever, if legally ambiguous, amalgam. It is an important and compelling case study about the status of the album as a cultural form in an era when the album appears to be losing its coherence and power. Perhaps most importantly, The Grey Album matters because it changes how we think about the traditions of musical practice of which it is a part. Danger Mouse created a broad, inventive commentary on forms of musical creativity that have defined all kinds of music for centuries: borrowing, appropriation, homage, derivation, allusion and quotation. The struggle over this album wasn't just about who gets to use new technology and how. The battle over The Grey Album struck at the heart of the very legitimacy of a long recognised and valued form of musical expression: the interpretation of the work of one artist by another. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Condición: Good. 1st Edition. Good softcover, stiff covers chipped, early Fairchild item, uncommon , 9pps, illustrated, 1st edn.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780754663836.

Condición: new.

Paperback. Condición: new. Paperback. Capturing the fraught moment in popular music history as reflected in and anticipated by Since I Left You (2000), the debut studio album from electronic music group The Avalanches.Since I Left You has a reputation amongst its advocates that exceeds those of nearly all of its closest peers. Yet despite the inordinate amount of attention this album has received, it has never been thoroughly examined in context. While repeatedly celebrated for its artistry, technical skill, and emotional resonance - in particular its sample-based material and then-cutting edge technological feats within the electronic music genre - it has never been definitively placed in the world that produced it. Charles Fairchild studies this album in a way no one else has. Since I Left You is placed in its historical, technological, and cultural contexts and is examined for the social and aesthetic attributes it was said to possess at the time of its release. There is a focus on the clear set of aesthetic aspirations that guided the album's creators and how those creators pasted together the fragments of many sound worlds. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: New.

Hardcover. Condición: Very Good -. Estado de la sobrecubierta: Good +. DJ has scuffs and soils, with edge fading and some chipping, as well as ink marks on cover; worn edges on books. "How American Protestant families live, think and respond to their church. its implications for the ministry and Christian education." 302 pages. Book.

Condición: New. pp. 160.

Condición: New.

Paperback. Condición: New. Capturing the fraught moment in popular music history as reflected in and anticipated by Since I Left You (2000), the debut studio album from electronic music group The Avalanches.Since I Left You has a reputation amongst its advocates that exceeds those of nearly all of its closest peers. Yet despite the inordinate amount of attention this album has received, it has never been thoroughly examined in context. While repeatedly celebrated for its artistry, technical skill, and emotional resonance - in particular its sample-based material and then-cutting edge technological feats within the electronic music genre - it has never been definitively placed in the world that produced it. Charles Fairchild studies this album in a way no one else has. Since I Left You is placed in its historical, technological, and cultural contexts and is examined for the social and aesthetic attributes it was said to possess at the time of its release. There is a focus on the clear set of aesthetic aspirations that guided the album's creators and how those creators pasted together the fragments of many sound worlds.

Hardcover. Condición: Good for Age. No Jacket. This copy has some corner bumping, wear of the edges and rubbing of the covers. Interior text has yellowed slightly with age, clean and tight in binding.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Brand New. 147 pages. 6.50x4.75x0.25 inches. In Stock.

Condición: New. Series: 33 1/3. Num Pages: 160 pages. BIC Classification: AVGP; AVGR; AVH. Category: (G) General (US: Trade). Dimension: 166 x 121 x 10. Weight in Grams: 156. . 2014. Paperback. . . . .

Condición: New. Series: 33 1/3. Num Pages: 160 pages. BIC Classification: AVGP; AVGR; AVH. Category: (G) General (US: Trade). Dimension: 166 x 121 x 10. Weight in Grams: 156. . 2014. Paperback. . . . . Books ship from the US and Ireland.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Capturing the fraught moment in popular music history as reflected in and anticipated by Since I Left You (2000), the debut studio album from electronic music group The Avalanches.Since I Left You has a reputation amongst its advocates that exceeds those of nearly all of its closest peers. Yet despite the inordinate amount of attention this album has received, it has never been thoroughly examined in context. While repeatedly celebrated for its artistry, technical skill, and emotional resonance - in particular its sample-based material and then-cutting edge technological feats within the electronic music genre - it has never been definitively placed in the world that produced it. Charles Fairchild studies this album in a way no one else has. Since I Left You is placed in its historical, technological, and cultural contexts and is examined for the social and aesthetic attributes it was said to possess at the time of its release. There is a focus on the clear set of aesthetic aspirations that guided the album's creators and how those creators pasted together the fragments of many sound worlds.