Ettore vio (81 resultados)

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Good.

paperback. Condición: Acceptable.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: New.

Soft cover. Condición: Very Good. No Jacket.

Soft cover. Condición: Good. paperback, 4to, 174pp, numerous colour illustrations, clean and sound, no inscriptions, slight crease on front cover corner, Good condition. ISBN: 0500282110.

4to. 174pp. Colour illustrations. Paperback in original pictorial navy wrapps. with white lettering to lightly creased spine. ISBN 8881172763 US$10.

Softcover. Condición: sehr gut. fast neuwertig, ohne SU, broschiert, 174, Format: 4°. Buch.

hardcover. Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: New. 2000. 1st Edition. paperback. . . . . .

hardcover. Condición: New.

Condición: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.…

Softcover, 174 pages; in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra for this book.

Condición: acceptable.

Condición: New. A tight, clean, and unmarked copy.-The history and art as well as a complete tour of The Basilica of St. Mark in Venice. Beautifully illustrated in color on glossy paper.

Condición: New. 2000. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condición: Brand New. 1st edition. 174 pages. 10.75x8.25x0.75 inches. In Stock.

Couverture rigide. Condición: Bon état. Livre en anglais. In-4 relié 28 cm sur 21. 174 pages. Bon état d'occasion. La basilique Saint-Marc à Venise.

Condición: Very Good. Light scuffs & scratches to the softcover, shelf wear. Content is in very good, clean condition.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Large hardcover in fine condition with fine dust jacket.

Hardcover. Condición: New. Estado de la sobrecubierta: New. 223 pp. Serious and detailed study of the tapestry holdings of the Basilica of San Marco in Venice. Excellent color plates and 8 four-page foldouts. Text in Italian. An unusual book.

Original publisher's sewn paperback, pictorial front- & backcover, 4to: pictorial title-pages, 174pp., 133 page-large plates & text-illustrations, notes & references, general bibliography. Very fine copy - as new.

Brossura. Condición: new. Venezia, 2020; br., pp. 160, 90 ill. col., cm 17x24. Il cinquecentesimo anniversario della nascita di Jacopo Robusti, il «Tintoretto», è un evento che nel mondo della cultura, particolarmente a Venezia, non poteva non suscitare un acceso interesse e una viva curiosità perché Venezia e Tintoretto sono un binomio che si tiene insieme. Tintoretto, infatti, certamente assieme a Tiziano, Veronese e altri, ma lui in modo particolare, ha illuminato il volto della Venezia cinquecentesca. Com'è noto, dal Rinascimento i mosaici ammalorati della basilica di San Marco furono ricostruiti anziché restaurati. La Repubblica saggiamente aveva disposto che pur rifacendo completamente le figure si dovesse mantenere il soggetto ivi rappresentato. Furono allora invitati i migliori pittori del tempo a predisporre i «cartoni» in grandezza naturale da cui i mosaicisti rifecero il mosaico, certamente con finissima cura, che però mutava il loro ruolo di artista in quello di artigiano. Nel 1568 Tintoretto fu chiamato a realizzare i «cartoni» per l'arco trionfale della basilica di San Marco tra la prima e la seconda cupola e per alcune pareti del transetto settentrionale. Si tratta di ampie superfici di grade prestigio. L'architetto Ettore Vio, per oltre trentacinque anni Proto della basilica, ha potuto accumulare una profonda conoscenza dell'arte e della tecnica del mosaico e un appassionato interesse che gli consente di evidenziare i valori sia formali che strutturali dell'apparato musivo. Con questo saggio è reso omaggio a Tintoretto. Libro.…