Ernest harburg (34 resultados)

Hardback. Condición: Good. But no one will want to sing or play a melody that begins with an octave leap said an early critic. That melody that no one would sing or play is now probably the best known in the world. From The Wizard of Oz comes the song that has charmed millions. Warren Barker treats this scoring with care in a lush setting perfect for any concert occasion. If you have no vocalist, an optional alto or tenor saxophone solo part is included in the arrangement. It's a perfect audience-pleaser (4: 13) Medium. Parrish, Maxfield (ilustrador).…

Hardback. Condición: Good. But no one will want to sing or play a melody that begins with an octave leap said an early critic. That melody that no one would sing or play is now probably the best known in the world. From The Wizard of Oz comes the song that has charmed millions. Warren Barker treats this scoring with care in a lush setting perfect for any concert occasion. If you have no vocalist, an optional alto or tenor saxophone solo part is included in the arrangement. It's a perfect audience-pleaser (4: 13) Medium. Parrish, Maxfield (ilustrador).…

paperback. Condición: Very Good. Used - Very Good: Item may have minor cosmetic defects (marks, wears, cuts, bends, crushes) on the cover, spine, pages or dust cover. Shrink wrap, dust covers, or boxed set case may be missing. Item may contain remainder marks on the edges of the text block. Item may be missing bundled media, access codes, and/or accessories.…

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. paperback 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

paperback. Condición: Very Good. First Edition. Used - Very Good.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Fine. Fine dust. First Edition. Book is in FINE condition - bright boards and sound binding. Dust jacket is in FINE condition - bright, intact and whole. ARN W.09; 8vo - over 7¾" - 9¾" tall.

Trade Paperback. Condición: New.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Used: Like New. SIGNED & inscribed by author.

Soft cover. Condición: New. No Jacket. 1st Edition. First edition 2009, first printing. Published by Huron River Press. Trade softcover without DJ as issued. Condition new, square and tight book, no edgewear, corners not bumped, spine not creased, no names, no underlinings, no highlights, not a reminder. 8vo, 158 pages.…

Paperback. Condición: new. New Copy. Customer Service Guaranteed.

Cartonato con sovracoperta. Testo in inglese. Text in English.Con immagini in bianco e nero f.t. Numero di tavole: 0 pp.356 9780814774335 altezza 24 larghezza 16.2 Esemplare in buone condizioni. Sovraccoperta con lievi segni d'usura. Testo in inglese.Text in English. Book in good condition.

Condición: New.

Hardback. Condición: New. Three out of four Broadway-bound musicals fail to get there, and many of those that do, ultimately fail. The Broadway Musical takes an engrossing look at the industry's successes and failures in an effort to understand the phenomenon of mass collaboration that is Broadway. The authors investigate the complicated machinery of show business from its birth around the turn of the century through its survival of the cost explosions of the 1980s. Through interviews with many of Broadway's top producers, directors, designers, actors, songwriters, lyricists, librettists, musicians, and other artists, they lead us on an intimate tour of the creative process. They also explore the roles of top executives and the reactions of critics and audiences. They conclude with a fascinating look at the inherent conflicts and tensions that have resulted in some of the most seamless and best-loved productions on Broadway. Fans of the genre as well as scholars and students of American culture will delight in this revealing insider's look at the scenes behind the scenes and the history of one of America's most popular forms of entertainment. The effort that goes into making a Broadway musical is enormous, first requiring the enthusiasm of a group of initial creative artists and then the cooperation of hundreds of talented individuals and the investment of millions of dollars before each show is ready to open. Each venture is marked perhaps more by conflict than collaboration, and the continuation of the industry seems more remarkable when it is revealed that three out of four Broadway musicals fail to break even on Broadway. What goes into the making of a successful musical? No venture can be a success without good collaboration, but whether it is good or bad in any specific case cannot be known beforehand. The Broadway Musical is an investigation into this phenomenon of collaboration and its seeming unpredictability. To gather information, Bernard Rosenberg and Ernest Harburg have interviewed many of the top producers, directors, designers, players, songwriters, lyricists, librettists, and other artists that are responsible for today's Broadway musicals. Starting with the development of the industry itself, the authors investigate the complicated machinery of show business and detail how it was able to survive the rapidly rising costs of productions in the 1980s. Proceeding to the creative aspects of the show, the authors provide an intimate look at the assembling of the musical at every level, detailing the workings of the top executives, musicians, songwriters, techne, the reaction of the critics and the audience. The book concludes with a lengthy look at the phenomenon of collaboration itself, describing the inherent conflict and tension that often adds to the production of a Broadway musical. The Broadway Musical is an engrossing look at the successes and failures of this most elaborate form of live entertainment. …

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. Three out of four Broadway-bound musicals fail to get there, and many of those that do, ultimately fail. The Broadway Musical takes an engrossing look at the industry's successes and failures in an effort to understand the phenomenon of mass collaboration that is Broadway. The authors investigate the complicated machinery of show business from its birth around the turn of the century through its survival of the cost explosions of the 1980s. Through interviews with many of Broadway's top producers, directors, designers, actors, songwriters, lyricists, librettists, musicians, and other artists, they lead us on an intimate tour of the creative process. They also explore the roles of top executives and the reactions of critics and audiences. They conclude with a fascinating look at the inherent conflicts and tensions that have resulted in some of the most seamless and best-loved productions on Broadway. Fans of the genre as well as scholars and students of American culture will delight in this revealing insider's look at the scenes behind the scenes and the history of one of America's most popular forms of entertainment. The effort that goes into making a Broadway musical is enormous, first requiring the enthusiasm of a group of initial creative artists and then the cooperation of hundreds of talented individuals and the investment of millions of dollars before each show is ready to open. Each venture is marked perhaps more by conflict than collaboration, and the continuation of the industry seems more remarkable when it is revealed that three out of four Broadway musicals fail to break even on Broadway. What goes into the making of a successful musical? No venture can be a success without good collaboration, but whether it is good or bad in any specific case cannot be known beforehand. The Broadway Musical is an investigation into this phenomenon of collaboration and its seeming unpredictability. To gather information, Bernard Rosenberg and Ernest Harburg have interviewed many of the top producers, directors, designers, players, songwriters, lyricists, librettists, and other artists that are responsible for today's Broadway musicals. Starting with the development of the industry itself, the authors investigate the complicated machinery of show business and detail how it was able to survive the rapidly rising costs of productions in the 1980s. Proceeding to the creative aspects of the show, the authors provide an intimate look at the assembling of the musical at every level, detailing the workings of the top executives, musicians, songwriters, techne, the reaction of the critics and the audience. The book concludes with a lengthy look at the phenomenon of collaboration itself, describing the inherent conflict and tension that often adds to the production of a Broadway musical. The Broadway Musical is an engrossing look at the successes and failures of this most elaborate form of live entertainment. …

Condición: New. In English.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 380.

Condición: New. pp. 380 45 Illus.

Hardback. Condición: New. Three out of four Broadway-bound musicals fail to get there, and many of those that do, ultimately fail. The Broadway Musical takes an engrossing look at the industry's successes and failures in an effort to understand the phenomenon of mass collaboration that is Broadway. The authors investigate the complicated machinery of show business from its birth around the turn of the century through its survival of the cost explosions of the 1980s. Through interviews with many of Broadway's top producers, directors, designers, actors, songwriters, lyricists, librettists, musicians, and other artists, they lead us on an intimate tour of the creative process. They also explore the roles of top executives and the reactions of critics and audiences. They conclude with a fascinating look at the inherent conflicts and tensions that have resulted in some of the most seamless and best-loved productions on Broadway. Fans of the genre as well as scholars and students of American culture will delight in this revealing insider's look at the scenes behind the scenes and the history of one of America's most popular forms of entertainment. The effort that goes into making a Broadway musical is enormous, first requiring the enthusiasm of a group of initial creative artists and then the cooperation of hundreds of talented individuals and the investment of millions of dollars before each show is ready to open. Each venture is marked perhaps more by conflict than collaboration, and the continuation of the industry seems more remarkable when it is revealed that three out of four Broadway musicals fail to break even on Broadway. What goes into the making of a successful musical? No venture can be a success without good collaboration, but whether it is good or bad in any specific case cannot be known beforehand. The Broadway Musical is an investigation into this phenomenon of collaboration and its seeming unpredictability. To gather information, Bernard Rosenberg and Ernest Harburg have interviewed many of the top producers, directors, designers, players, songwriters, lyricists, librettists, and other artists that are responsible for today's Broadway musicals. Starting with the development of the industry itself, the authors investigate the complicated machinery of show business and detail how it was able to survive the rapidly rising costs of productions in the 1980s. Proceeding to the creative aspects of the show, the authors provide an intimate look at the assembling of the musical at every level, detailing the workings of the top executives, musicians, songwriters, techne, the reaction of the critics and the audience. The book concludes with a lengthy look at the phenomenon of collaboration itself, describing the inherent conflict and tension that often adds to the production of a Broadway musical. The Broadway Musical is an engrossing look at the successes and failures of this most elaborate form of live entertainment. …

Hardcover. Condición: Brand New. illustrated edition. 352 pages. 9.25x6.25x1.25 inches. In Stock.

Condición: New. Three out of four Broadway-bound musicals fail to get there, and many of those that do, ultimately fail. This title looks at the industry s successes and failures in an effort to understand the phenomenon of mass collaboration that is Broadway.Klapp.