Eric akers douglas (30 resultados)

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: As New. Unread book in perfect condition.

hardcover. Condición: As New. Hardback--no flaws.

First Edition. Near fine cloth copy in a near-fine, slightly edge-bumped and dust-dulled dust-wrapper. Remains well-preserved overall. Physical description; 370 p. Notes; Includes bibliography. Subjects; Chilston, Aretas Akers-Douglas 1st viscount 1851-1926. Great Britain Politics and government 1837-1901. 1 Kg.…

Condición: New. 2019. Hardcover. . . . . .

Hardcover. Octavo. Hardcover. Bound in red cloth with illustrated jacket. 288 pages : illustrations ; 24 cm. Ambrose McEvoy was one of the most modern and daring English society portrait painters of the early 20th century. His quick, confident style of painting drew the attention of many leading society figures, from Winston Churchill to Lady Diana Cooper, and in particular subjects who craved something beyond a simple "likeness" in paint. Despite his success, when McEvoy died unexpectedly at the peak of his career in 1927, his name was soon forgotten. 'Divine People' is the first major written study of McEvoy's life and work and aims to firmly place this long-neglected artist back into the canon of 20th-century British art. Many of McEvoy's friends and contemporaries including Augustus and Gwen John, William Rothenstein and William Orpen have become familiar names to British art enthusiasts, but McEvoy has remained on the side-lines. This is partly due to the fact that many of his most accomplished works have remained tucked away in private collections or left languishing in museum stores, however, it is also due to the absence of any reliable literature on his life and work. This publication hopes to restore him to his rightful place. Exhibition: Philip Mould & Co., London, UK (26.11.2019-24.01.2020). VG. Light bumping around top edge of jacket, otherwise clean and unmarked.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: New.

First Edition. Near fine cloth copy in a near-fine, slightly edge-bumped and dust-dulled dust-wrapper. Remains well-preserved overall. Physical description; 370 p. Notes; Includes bibliography. Subjects; Chilston, Aretas Akers-Douglas 1st viscount 1851-1926. Great Britain Politics and government 1837-1901. 1 Kg.…

Hardback. Condición: New. Ambrose McEvoy was one of the most modern and daring English society portrait painters of the early 20th century. His quick, confident style of painting drew the attention of many leading society figures, from Winston Churchill to Lady Diana Cooper, and in particular subjects who craved something beyond a simple 'likeness' in paint. Despite his success, when McEvoy died unexpectedly at the peak of his career in 1927, his name was soon forgotten. Divine People is the first major written study of McEvoy's life and work and aims to firmly place this long-neglected artist back into the canon of 20th-century British art. Ambrose McEvoy (1877-1927) was a household name by 1915, with prominent socialites and debutantes vying for sittings in his Grosvenor Road studio. His patrons - typically young, well-known beauties - were dazzled not only by his remarkable ability to capture their character, but also his working methods, which one spectator described as an 'awe-inspiring sight'. McEvoy would illuminate his subject using electric lights, switching between different coloured bulbs until he reached the level and colour of light he desired. This 'Hollywood' look, with his glamourous subjects lit from below as if caught mid-speech on stage, is what he soon became best known for.McEvoy had studied at the Slade School of Fine Art on the recommendation of James Abbott McNeill Whistler, and soon after established himself as a talented painter of portraits and interior scenes. He exhibited his first work at the New English Art Club in 1901 and subsequently attracted the attention of wealthy patrons and collectors. His first major commission came in 1906, for two large religious pictures for the Long Tower Church in Londonderry, where they remain to this day. After a period spent in Dieppe with Walter Sickert in 1909 McEvoy's style began to change and his handling became looser and more confident with bolder use of colour.In 1915 he firmly established his position as a portrait painter following the exhibition of his work Madame at the National Portrait Society. '[Madame] holds you spellbound from the moment you enter the gallery,' wrote one critic. Two of his earliest admirers were Consuelo, Duchess of Marlborough and Lady Diana Cooper, who sat for their portraits in 1917 and 1918 respectively. In the early 1920s McEvoy also made several trips to New York, where the famous art dealer and tastemaker Joseph Duveen was busy promoting his work. It was during these years he painted some of his best-known works including remarkable watercolours of 'wild-child' Lois Sturt and a portrait of James Ramsay MacDonald. In 1927, at the very peak of his career, McEvoy was tragically struck down with pneumonia and died on 4 January. Many of McEvoy's friends and contemporaries including Augustus and Gwen John, William Rothenstein and William Orpen have become familiar names to British art enthusiasts, but McEvoy has remained on the side-lines. This is partly due to the fact tha.…

Hardcover. Condición: Near Fine. Dust Jacket Included. 1st Edition. Nice copy in dustwrapper.

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: new. Hardcover. Ambrose McEvoy (1877-1927) was one of the most modern and daring English society portrait painters of the early twentieth century. He had a quick and confident style of painting and the rare ability to create a portrait that not only reflected the likeness of the subject but captured and reflected their character. By 1915 he was a household name. His work drew the attention of leading society figures like Winston Churchill and Lady Diana Cooper, and prominent socialites and debutantes were soon vying for sittings in his Grosvenor Road studio. Despite his success, McEvoy's name was quickly forgotten after he died unexpectedly at the peak of his career in 1927. This is due, in part, to the fact that many of his most accomplished works remain tucked away in private collections, and, in part, to the absence of any reliable literature on his life and work. Divine People, the first major written study of McEvoy's life and work, aims to return this long-neglected artist to the canon of twentieth-century British art. Divine People is the first major written study of McEvoys life and work and aims to firmly place this long-neglected artist back into the canon of 20th-century British art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condición: New. Ambrose McEvoy (1877-1927) was one of the most modern and daring English society portrait painters of the early twentieth century. He had a quick and confident style of painting and the rare ability to create a portrait that not only reflected the likeness of the subject but captured and reflected their character. By 1915 he was a household name. His work drew the attention of leading society figures like Winston Churchill and Lady Diana Cooper, and prominent socialites and debutantes were soon vying for sittings in his Grosvenor Road studio.   Despite his success, McEvoy's name was quickly forgotten after he died unexpectedly at the peak of his career in 1927. This is due, in part, to the fact that many of his most accomplished works remain tucked away in private collections, and, in part, to the absence of any reliable literature on his life and work. Divine People, the first major written study of McEvoy's life and work, aims to return this long-neglected artist to the canon of twentieth-century British art.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. In English.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condición: Very Good. FIRST EDITION with dust jacket + owners name - Rare and Collectable - will send out 1st class post within 12 hours of receipt of order.

Condición: NEW.

Buch. Condición: Neu. Neuware - Ambrose McEvoy (1877-1927) was one of the most modern and daring English society portrait painters of the early twentieth century. He had a quick and confident style of painting and the rare ability to create a portrait that not only reflected the likeness of the subject but captured and reflected their character. By 1915 he was a household name. His work drew the attention of leading society figures like Winston Churchill and Lady Diana Cooper, and prominent socialites and debutantes were soon vying for sittings in his Grosvenor Road studio. Despite his success, McEvoy's name was quickly forgotten after he died unexpectedly at the peak of his career in 1927. This is due, in part, to the fact that many of his most accomplished works remain tucked away in private collections, and, in part, to the absence of any reliable literature on his life and work. Divine People, the first major written study of McEvoy's life and work, aims to return this long-neglected artist to the canon of twentieth-century British art.…

Hardback. Condición: New. Ambrose McEvoy was one of the most modern and daring English society portrait painters of the early 20th century. His quick, confident style of painting drew the attention of many leading society figures, from Winston Churchill to Lady Diana Cooper, and in particular subjects who craved something beyond a simple 'likeness' in paint. Despite his success, when McEvoy died unexpectedly at the peak of his career in 1927, his name was soon forgotten. Divine People is the first major written study of McEvoy's life and work and aims to firmly place this long-neglected artist back into the canon of 20th-century British art. Ambrose McEvoy (1877-1927) was a household name by 1915, with prominent socialites and debutantes vying for sittings in his Grosvenor Road studio. His patrons - typically young, well-known beauties - were dazzled not only by his remarkable ability to capture their character, but also his working methods, which one spectator described as an 'awe-inspiring sight'. McEvoy would illuminate his subject using electric lights, switching between different coloured bulbs until he reached the level and colour of light he desired. This 'Hollywood' look, with his glamourous subjects lit from below as if caught mid-speech on stage, is what he soon became best known for.McEvoy had studied at the Slade School of Fine Art on the recommendation of James Abbott McNeill Whistler, and soon after established himself as a talented painter of portraits and interior scenes. He exhibited his first work at the New English Art Club in 1901 and subsequently attracted the attention of wealthy patrons and collectors. His first major commission came in 1906, for two large religious pictures for the Long Tower Church in Londonderry, where they remain to this day. After a period spent in Dieppe with Walter Sickert in 1909 McEvoy's style began to change and his handling became looser and more confident with bolder use of colour.In 1915 he firmly established his position as a portrait painter following the exhibition of his work Madame at the National Portrait Society. '[Madame] holds you spellbound from the moment you enter the gallery,' wrote one critic. Two of his earliest admirers were Consuelo, Duchess of Marlborough and Lady Diana Cooper, who sat for their portraits in 1917 and 1918 respectively. In the early 1920s McEvoy also made several trips to New York, where the famous art dealer and tastemaker Joseph Duveen was busy promoting his work. It was during these years he painted some of his best-known works including remarkable watercolours of 'wild-child' Lois Sturt and a portrait of James Ramsay MacDonald. In 1927, at the very peak of his career, McEvoy was tragically struck down with pneumonia and died on 4 January. Many of McEvoy's friends and contemporaries including Augustus and Gwen John, William Rothenstein and William Orpen have become familiar names to British art enthusiasts, but McEvoy has remained on the side-lines. This is partly due to the fact tha.…

Condición: New. &Uumlber den AutorEric Alexander Akers-Douglas (1910-1982), 3rd Viscount Chilston, was employed at the Royal Institute of International Affairs (Chatham House) during the period 1948-1952, where under the editorship .

Hardcover. Condición: new. Hardcover. Ambrose McEvoy (1877-1927) was one of the most modern and daring English society portrait painters of the early twentieth century. He had a quick and confident style of painting and the rare ability to create a portrait that not only reflected the likeness of the subject but captured and reflected their character. By 1915 he was a household name. His work drew the attention of leading society figures like Winston Churchill and Lady Diana Cooper, and prominent socialites and debutantes were soon vying for sittings in his Grosvenor Road studio. Despite his success, McEvoy's name was quickly forgotten after he died unexpectedly at the peak of his career in 1927. This is due, in part, to the fact that many of his most accomplished works remain tucked away in private collections, and, in part, to the absence of any reliable literature on his life and work. Divine People, the first major written study of McEvoy's life and work, aims to return this long-neglected artist to the canon of twentieth-century British art. Divine People is the first major written study of McEvoys life and work and aims to firmly place this long-neglected artist back into the canon of 20th-century British art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condición: New. Ambrose McEvoy (1877-1927) was one of the most modern and daring English society portrait painters of the early twentieth century. He had a quick and confident style of painting and the rare ability to create a portrait that not only reflected the likeness of the subject but captured and reflected their character. By 1915 he was a household name. His work drew the attention of leading society figures like Winston Churchill and Lady Diana Cooper, and prominent socialites and debutantes were soon vying for sittings in his Grosvenor Road studio.   Despite his success, McEvoy's name was quickly forgotten after he died unexpectedly at the peak of his career in 1927. This is due, in part, to the fact that many of his most accomplished works remain tucked away in private collections, and, in part, to the absence of any reliable literature on his life and work. Divine People, the first major written study of McEvoy's life and work, aims to return this long-neglected artist to the canon of twentieth-century British art.…

Buch. Condición: Neu. Divine People | The Art of Life of Ambrose McEvoy (1877-1927) | Eric Akers-Douglas | Buch | Einband - fest (Hardcover) | Englisch | 2019 | Paul Holberton Publishing Ltd | EAN 9781911300793 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1965 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 511 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 511 Chilston, Eric Alexander Akers-Douglas, 3d viscount, 1910-.…