Emily mcvarish (30 resultados)

Saddle-stitched booklet offset on uncoated stock, 5 1/4 x 8 1/4 in.Type specimen booklet, with an essay by poet and book artist Emily McVarish. The text is set in fonts from the Emigre Type Library and the booklet was designed by Rudy VanderLans. Fine.

Paperback. Condición: Fair. 2. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

paperback. Condición: Acceptable. The cover shows heavy wear. Fast shipping and order satisfaction guaranteed. A portion of your purchase benefits Non-Profit Organizations, First Aid and Fire Stations.

Paperback. Condición: Very Good. 2. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condición: Good. Exact ISBN match. Immediate shipping. No funny business.

Condición: like_new.

Paperback. Condición: Very Good. Gently used, no markings.

Condición: New.

Wrappers. Condición: New. 104 pages with 140 illustrations 38 in color. Illustrated wraps. Still in the publisher's original shrinkwrap, so the binding is tight, the spine uncreased, and interior presumed clean and free of markings. Edited and with interview by Jon Sueda. Foreword by Claire Fitzsimmons. Published on the occasion of the exhibition from the Logan Galleries on the San Francisco campus of California College of the Arts January 20-February 5, 2011. Book.…

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condición: Good. 8vo. 24 pp. Soft Cover. Near Fine. Illustrated paper wraps. Staple binding. B&W plates throughout. Extremely Scarce.

Paperback. Condición: new. New Copy. Customer Service Guaranteed.

Condición: New.

paperback. Condición: New.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Wear commensurate with age and use. Clean unmarked copy. Light bumping visible to corners of covers and ends of spine strip. Light scuffing and smudging across covers and spine strip. Secure packaging for safe delivery.…

Condición: New. A Fresh Look at the History of Graphic Design Graphic Design History, 2nd edition is a critical approach to the history of graphic design. Organized chronologically, the book demonstrates the .

Paperback. Condición: Brand New. 1st edition. 480 pages. 11.00x8.50x0.75 inches. In Stock.

Hardcover. Condición: New. Lichtenstein, Jacqueline (translated By McVarish, Emily) The Eloquence of Color Rhetoric And Painting In The French Classical Age.

Condición: Good. Signed Postcard. Printed both sides. Very Good+. Scarce.

Softcover. Condición: Fine. First edition. Octavo. [22]pp. Colored circular illustrations tipped in. Fine in stitched unprinted wrappers in fine die-cut printed dust jacket. Fine. Copy number 47 of 50 numbered copies (of a total edition of 62). A very uncommon artist's book. *OCLC* locates three copies.…

9 3/16 x 11 3/16 in., 56 pp., cloth over boards."Lessons of Darkness is inspired by the French baroque musical genre, leçons de ténèbres. These settings of the Lamentations were performed during Holy Week on the days separating the commemoration of Christ's death from the celebration of his resurrection. During tenebrae services, candles were progressively extinguished, leaving the church and its attendants in darkness."The book's themes stem from a sense of antithesis between the contemplative quality and function of this music on the one hand and the habits of contemporary interactivity on the other. A reflective experience of darkness (incalculable loss, unknowable death, unknowing, in general) is more or less what we avoid when we check our phones."The book recasts darkness as devicelessness and stages an attempt to face what an absence of interactivity might reveal. The text's composition is based on syllabic schemes and typographic settings derived from the phrasing of extended melismas on the letters of the Hebrew alphabet that introduce sections of François Couperin's Leçons de Ténèbres."Couperin's three lessons and their 14 parts structure the book. Pitch positions and bar lines combine with grained blocks to score its pages. Fragments of a city map and urban imagery punctuate and at times submerge the spaces created by these overlapping grids. Distinctions in typographic color mark Couperin's doubling and intertwining of voices in the third section. The entire text runs in a single line along the bottom of the book's pages as a subtitle to its musical settings."-Emily McVarishWritten, designed, handset, and printed letterpress by Emily McVarish in San Francisco. Bound in cloth over boards by John DeMerritt. This is from an edition of 45 copies, of which 10 are hors commerce and 35 are for sale. As new.…

One of an edition limited to 50 copies, signed and numbered by the artist Folio Fine copy The striking black-and-white photographs of street scenes and individuals are interrupted by scarlet ticker-tape lines of text or punctuated by small bullet points. Designed and printed letterpress on Mohawk Superfine Canvas covered boards, printed with silhouette of standing figure and with title in red.…

Broadside, 21 1/2 x 14 1/2 in., produced for Emily McVarish's first solo show at de Vera in San Francisco in 1993. The edition comprises 50 copies, each numbered and signed. This is no. 46. Fine.

Broadside, 21 1/2 x 14 1/2 in., produced for Emily McVarish's first solo show at de Vera in San Francisco in 1993. The edition comprises 50 copies, each numbered and signed. This is no. 22. Fine.

Suite of three linked broadsides, written, designed, and printed letterpress in several colors by Emily McVarish at her studio in San Francisco. Each is 24 x 12 in. This is from an edition of 50 copies, and is signed by the artist on the first sheet. Fine.