Elizabeth mangini (33 resultados)

Hardcover without dustjacket as issued, 156 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

paperback. Condición: Fine.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. First edition, first printing. Fine with a tiny bump to one tip resulting in a small light crease to the corner of most of the pages. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Photographs by Oliver Boberg; essays by Renate Puvogel and Elizabeth Mangini. 48 pages; 23 full-page/spread color plates + 4 text illustrations; 11 x 8.25 inches. Biographical data. Text in English and German. The catalogue for an exhibition of work by Boberg, held at the Internationale Zeitschrift fur Photographie & Medienkunst, Wien, Austria. Boberg photographs his artificial models created with wood, paper, plastic, paint, and other materials. The resulting works are 'architectonic fantasies' of buildings or spaces that don't exist. Eikon Sonderdruck #4.…

Condición: new.

Paperback. Condición: New. Can a work of art help us know our world differently? In this first scholarly study of Giuseppe Penone, art historian Elizabeth Mangini argues that the Italian artist's engagement of the body's multiple senses constitutes a new theory of sculpture as a means to connect with and know the phenomenal world. Through close readings of signal works across Penone's five-decade career - from his emergence in the context of 1960s Arte povera to his position as a pre-eminent contemporary artist today - Mangini demonstrates how Penone refuses modernist opticality, recasts artistic labour, and emphasizes a non-anthropocentric concept of time. Penone's approach challenges viewers to broaden their sensory and temporal perceptions, creating structurally significant new ways to understand human experience. Giuseppe Penone is best known for his engagement with trees, which he employs as raw material, imagery, and an active force in the creative process. Seeing Through Closed Eyelids suggests that such works materialize the perceptible tensions between any organism and its environment. By locating Penone's art in its social context and connecting it to broader discourses about art's status, theories of phenomenology, and the anthropocene, this book offers an original reading of Penone's work, as well as a wider view of the artistic generation for whom sculpture was a means to probe the nature of experience itself at the dawn of postmodernism.…

Paperback or Softback. Condición: New. Seeing Through Closed Eyelids: Giuseppe Penone and the Nature of Sculpture. Book.

Condición: New. 2023. paperback. . . . . .

Condición: New.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Second edition. Oblong softcover. 48 pages. Text in English and German with contributions by Renate Puvogel and Elizabeth Mangini. Includes numerous color illustrations, list of previous exhibitions, grants, bibliography, and collections. A very good copy in wrappers with some minor wear.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. 2023. paperback. . . . . . Books ship from the US and Ireland.

Condición: New.

Condición: As New. Unread book in perfect condition.

341 pages. Large paperback: H 30.5cm x L 21cm. Silver paper covers lightly rubbed, slight scuffing at spine ends, light crease at front cover's top fore-edge corner. Several leaves are slightly nicked at their bottom edges with a few having shallow short streaks of soiling at bottom margins; interior pages overall remain bright and clean. Binding retains some crispness. Still a very good+ copy. Laid-in between pages 106-107 is the original brochure for the MoMA exhibit although with a handwritten ink not at the top margin of its rear panel. Published as the accompanying catalog for an exhibition held at The Museum of Modern Art, New York from October 15, 1992 to February 16, 1993. Contributions by Mirella Bentivoglio, Luciano Caruso, Lucia Chimirri, Gabriella di Cagno, Vincenzo Filacavai, Stefania Gori, Lucia Tonini. Please note that this large book has an approximate shipping weight of 4.5 pounds (2 kg) and will require additional postage for any postal class other than domestic Media Mail. ISBN 8842203858. …

Condición: New. In English.

Cloth. Condición: Fine Condition. Estado de la sobrecubierta: Fine Condition. A small blemish to the tight edge otherwise the book is as new. Foreword by Mimi Gardner Gates. Edited by Michael Darling. Illustrated boards. Published on the occasion of the exhibition from th e Seattle Art Museum, Seattle, WA June 25-September 7, 2009. List of Works in Exhibition. Selected Bibliography. . …

Paperback. Condición: Brand New. 238 pages. 9.00x6.00x0.80 inches. In Stock.

Hardcover. Condición: New.

Condición: New. &Uumlber den AutorElizabeth Mangini is an art historian and professor at California College of the Arts, San Francisco.KlappentextThis book provides a material and social history of the art of G.

Hardcover. Condición: Brand New. 156 pages. 12.50x10.50x1.00 inches. In Stock.

Taschenbuch. Condición: Neu. Seeing Through Closed Eyelids | Giuseppe Penone and the Nature of Sculpture | Elizabeth Mangini | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2023 | University of Toronto Press | EAN 9781487556969 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Paperback. Condición: New. Can a work of art help us know our world differently? In this first scholarly study of Giuseppe Penone, art historian Elizabeth Mangini argues that the Italian artist's engagement of the body's multiple senses constitutes a new theory of sculpture as a means to connect with and know the phenomenal world. Through close readings of signal works across Penone's five-decade career - from his emergence in the context of 1960s Arte povera to his position as a pre-eminent contemporary artist today - Mangini demonstrates how Penone refuses modernist opticality, recasts artistic labour, and emphasizes a non-anthropocentric concept of time. Penone's approach challenges viewers to broaden their sensory and temporal perceptions, creating structurally significant new ways to understand human experience. Giuseppe Penone is best known for his engagement with trees, which he employs as raw material, imagery, and an active force in the creative process. Seeing Through Closed Eyelids suggests that such works materialize the perceptible tensions between any organism and its environment. By locating Penone's art in its social context and connecting it to broader discourses about art's status, theories of phenomenology, and the anthropocene, this book offers an original reading of Penone's work, as well as a wider view of the artistic generation for whom sculpture was a means to probe the nature of experience itself at the dawn of postmodernism.…

Soft cover. Condición: New. Estado de la sobrecubierta: No dust jacket as issued. 1st Edition. 1999/2000. Second (updated) edition. Soft cover. Photographically illustrated stiff wrappers (published only in wraps). Photographs by Oliver Boberg. Essays (in English and German) by Renate Puvogel and Elizabeth Mangini. Includes biographical data. 48 pp. with 25 four-color plates. 8-1/4 x 11 inches. Out of print. Scarce. New. Published on the occasion of the 2000 exhibition Oliver Boberg: Arbeiten/Works 1997-1999 at the Internationale Zeitschrift für Photographie & Medienkunst, Wien, Austria. The works of German artist Oliver Boberg are photographs of his artificial models, created with wood, paper, plastic, paint, and other materials. The resulting works are 'architectonic fantasies'. the buildings or spaces don't exist.…

Hardcover. Condición: VG. Light bumping to corners. Octavo. Hardcover. Green paper boards in illustrated jacket. xiii, 223 pages : illustrations (some color) ; 24 cm. "Can a work of art help us know our world differently? In this first scholarly study of Giuseppe Penone, art historian Elizabeth Mangini argues that the Italian artist's engagement of the body's multiple senses constitutes a new theory of sculpture as a means to connect with and know the phenomenal world. Through close readings of signal works across Penone's five-decade career--from his emergence in the context of 1960s Arte Povera to his position as a preeminent contemporary artist today--Mangini demonstrates that Penone refuses modernist opticality, recasts artistic labour, and emphasizes a non-anthropocentric concept of time. This approach challenges viewers to broaden their sensory and temporal perceptions, creating structurally significant new ways to understand human experience. Giuseppe Penone is best known for his engagement with trees, which he employs as raw material, imagery, and an active force in the creative process. Seeing Through Closed Eyelids suggests that such works materialize the perceptible tensions between any organism and its environment. By locating Penone's art in its social context and connecting it to broader discourses about art's status, theories of phenomenology, and the anthropocene, this book offers an original reading of Penone's work, as well as a wider view to the artistic generation for whom sculpture was a means to probe the nature of experience itself at the dawn of postmodernism."--.…