elisabeth tonnard (12 resultados)

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: No DJ. B&W Photo Illus. Ilustrador. Limited Edition. Unmarked, clean and tight copy. Light shelf wear only. Grey covers with photo of young woman on front cover.

Soft cover. Condición: Fine. B&W Photo Illus Ilustrador. 1st Edition. Signed By Author At Small World Books And Dated 1/7/2009, Otherwise Unmarked, Clean, Bright Ant Tight. Signed by Author(s).

Condición: New.

Soft cover. Condición: Very Good. Elisabeth Tonnard Ilustrador. Originally published in 2013, this is a second printing from March 2014. A collection of 'historic' photographs reproduced here in color that have been held by the Visual Studies Workshop in Rochester, New York together with an essay by the award winning artist, Elisabeth Tonnard. Developed by this Dutch artist and poet who creates artists' books, photography and literature. Here is an explanation of this "Gospel" from a 2016 catalog of Elisabeth Tonnard's works titled: "Books and editions": "What would it be like if Jesus had been a photographer? What would he have done differently and which images would he have snapped? The Gospel of the Photographer imagines this world through a rewriting of the gospel of Mark. Words from the gospel were replaced by words connected to photography, resulting in a booby trapped text in which photography appears as an agent of miracles and healing-and announces itself ultimately as the new religion. The book includes twenty-five newly discovered photographs." All photographs in color simulating autochromes. Horizontal format, measuring 8.25" x 5.75" with 60 + pages. In excellent condition. SALE PRICE.

Hardcover. Condición: Brand New. 196 pages. 8.75x6.00x0.75 inches. In Stock.

Condición: New.

Condición: , , goed exemplaar. 2025, paperback, goed exemplaar.

Condición: Very good.

Paperback, 120 pages, NL / ENG., 240 x 170 mm, Nieuw / New, illustr. in kleur / color. ISBN 9789464448191. A little promotion for Daylight, a book that was published of Truus van den Boezem?s photography work. I wrote a short essay for the book, in Dutch, but an English translation is included. It was published at the initiative of Marianne Kleijwegt by the Verbeke Foundation on the occasion of Truus? centennial birthday (age 100 ! ). The editing, design and production is by Marie Verboven. The book is presented alongside an exhibition of Truus? work at the Verbeke Foundation from May 12 to November 3, 2024.*****Een kleine promotie voor Daylight, een boek dat is verschenen over het fotografiewerk van Truus van den Boezem. Voor het boek heb ik een kort essay geschreven, in het Nederlands, maar er zit een Engelse vertaling bij. Het verscheen op initiatief van Marianne Kleijwegt door de Verbeke Foundation ter gelegenheid van Truus? honderdjarig bestaan. De redactie, vormgeving en productie is door Marie Verboven. Het boek wordt gepresenteerd naast een tentoonstelling van Truus? werk bij de Verbeke Foundation van 12 mei tot en met 3 november 2024. 500 g.

Oorspronkelijk uitgevers omslag, 14 PP. Genummerde oplage van 126 ex. gesigneerd 0 g.

paperback. Condición: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

No Binding. Condición: As New. Grey clam-shell box containing 128 single-sided sheets. Archival inkjet prints. 5 x 7 inches each. - First edition. One of numbered 20 numbered and signed copies. "Interior Monologue pairs images of Parisian apartment interiors from a real-estate catalogue with texts found in the "literary phrases" section of Grenville Kleiser's Fifteen Thousand Useful Phrases. The project presents abandoned remnants of speech, paired to images that are likewise abandoned: orphaned photos from a real-estate catalogue, snapped by ever so many unidentified photographers. Texts and imag es look as though they are quite established on their pages, and in a healthy relationship towards each other. This soon proves false. Each element seems to be speaking for itself. The scripts do not function as descrip tions; and no knowledge is gained from the information gathered. The development of a narrative is cut short on each page. Meanwhile the reader cannot avoid relating images and texts, and interpreting the images by means of the texts. Even if the combinations of texts and images are determined by chance: the phrases are in alphabetical order and the images are in the order that the magazine they come from presented them in.".