editor john elderfield (43 resultados)

Paperback. Condición: Good. Paperback. Pages are clean and unmarked. Covers show light edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day!

Soft Cover. Condición: Very Good. Clean.

hardcover. Condición: Good.

Paperback. Condición: New. BRAND NEW COPY, Perfect Shape, No Black Remainder Mark, 453-409Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction!

First Edition. First edition. Softcover. A profusely illustrated catalog. Introduction by John Elderfield. A fine copy in wrappers.

Paperback. Condición: As New. Softcover. Fine binding and cover. Light wear. 2 small pink spots on front cover. Clean, unmarked pages. 536 pages : illustrations (chiefly color), plans ; 31 cm. This is an oversized or heavy book that requires additional postage for international delivery outside of Canada and the US.

First edition. 12 x 9.5 inches. 536 pages. Profusely illlustrated in color. Original printed wrappers. Includes 340 color illustrations. "The front door to understanding / John Elderfield -- Texts and plates -- Modern pioneers: from 1880 into the twentieth century -- Matisse, Picasso, modernism: art in Europe through World War I -- Fauvism, symbolism, expressionism -- Picasso and Cubism -- Futurism -- Matisse -- Crosscurrents -- Age of isms: modernisms between the two world wars -- Dada -- Suprematism and constructivism -- Mondrian and de Stijl -- Realisms -- Surrealism -- Transatlantic modern: Europe, America -- Abstraction and figuration -- Abstract expressionism -- After abstract expressionism -- Crosscurrents -- Art of the real: pop, minimal, 1960s -- Pop art -- Abstract and minimalist painting and sculpture -- After minimalism -- Untitled (contemporary): modern art since 1970; Published on the occasion of the 75th anniversary of the Museum of Modern Art and the opening of its new building--Jkt; Includes bibliographical references and index; Errata slip tipped in" (the publisher). Some light rubbing and wear to wrappers; generally a clean copy.

Paperback. Condición: Good. Ships quickly. Slight wear to corners and edges of cover. Pages are clean and in good condition. Mild to moderate shelf/reading wear. Orphans Treasure Box sells books to raise money for orphans and vulnerable kids.

Hardcover. Condición: As New. U.S. orders are shipped from Lewiston, NY location.

Glossy Pictorial Wraps. Condición: Fine. 3rd Printing. A crisp, unread copy. 127 pp., 45 color plates, 26 illustrations, text figures.

hardcover. Condición: Good. dust jacket is missing piece on front cover, small black marker mark along bottom page edge, besides that clean, unmarked, and sturdy - rw.

Hardcover. Dark gray cloth over boards; grey/pale green dj. 536 pp.; Profusely illustrated in color. Heavy at 8 pounds and will require extra postage. Published to coincide with the seventy-fifth anniversary of the Museum of Modern Art, New York; Extensive text and annotations; Nice plates. VG-/VG- (Ex-lib., label on dj. at spine, ink stamp and pencil marking at title page; light age toning to page margins;Errata sheet stapled to front endpaper).

weicher Einband. 184 S., Lexikonformat, kartoniert. Leicht berieben, leicht angestaubt. Gutes Exemplar. Foreword; Preface; Ad Reinhardt and the Younger Artistas of the 1960s; Jasper Johns: Ale Cans and Art; The Precursor; Jim Dine and the Performance; Overcoming the Limits of Matter: On Revising Minimalism; Complexity and Contradiction Twenty-five Years later: An Interview with Robert Venturi; Elia Kazan's Wild River; Contributors; Index of Illustrations. Sprache: Englisch (unbesetzt) 672 gr.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. 351 pages, 200 colour plates. Unused copy. Fine, in a Very Good dust jacket.

Hardcover. Condición: VG (minimal shelf wear). Color illustrated wraps with pink and white lettering, 254 pp., bw illustrations throughout. "This fifth volume of The Museum of Modern Art's acclaimed series of studies in modern and contemporary art, likr the proceding volume, is decoted to a multivalent and wide-ranging survey of the Museum's activites at mid-century. This crucial period saw a reassessment of the modern tradition in the visual arts and of the Museum's own collections, exhibitions, programs, and policies." - from dustjacket.

Paperback. Grey softcover and green softcover with black, blue, and grey lettering. 536 pp.; Profusely illustrated in color. Heavy at 8 pounds and will require extra postage. Published to coincide with the seventy-fifth anniversary of the Museum of Modern Art, New York; Extensive text and annotations; Nice plates. G+ some mild tanning to page edges, light wear to corners and edges, marginalia and underlining in text.

Condición: Very Good. Estado de la sobrecubierta: None. 360 pages. Softcover with french flaps. Color and b/w illustrations throughout. Published with exhibition at MOMA, NY, Octobe 7, 1999-March 14, 2000. In excellent condition, clean inside and out. Record # 30917.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Fine, unmarked book in Fine DJ that is protected by mylar cover.

hardcover. Condición: Very Good. Very good to like new. Very nice dust jacket, clean interior with a tight binding. Excellent for a collection.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 351 pages, 200 colour plates. Unused copy. Fine, in a Fine dust jacket.

hardcover. Condición: As New. Pristine condition. Including the dust jacket.

Softcover. Color pictorial wraps; 207 pp.; 95 bw figures. Contains five essays, including "Dorothy Miller's 'Americans,' 1942-63" by Lynn Zelevansky and "Revisiting the Revisionists: The Modern, Its Critics, and the Cold War" by Michael Kimmelman. Also contains two appendices, "Chronicle of the Collection of Painting and Sculpture [1940-63]" by Alfred H. Barr, Jr. and "The Museum of Modern Art: Painting and Sculpture Loan Exhibitions, 1940-63" by Rona Roob. VG- (A few ink markings in margins of the text, minimal age toning along textblock).

Wraps. Condición: Good. The format is approximately 8.5 inches by 10 inches. Illustrated front and back covers. 184 pages. Illustrations. Notes. Contributors. Index of Illustrations. This is Number 1 of the Studies in Modern Art. Foreword by Richard Oldenburg and Preface by John Elderfield. Among the artist covered are Ad Reinhardt, Jasper Johns, Jim Dine, Robert Venturi, and Elia Kazan. John Elderfield (born 25 April 1943) was Chief Curator of Painting and Sculpture at the Museum of Modern Art, New York, from 2003 to 2008. He served as the Allen R. Adler, Class of 1967, Distinguished Curator at the Princeton University Art Museum and Lecturer in the Princeton University Department of Art and Archaeology from 2012 to 2019. Elderfield received his Ph.D. from the Courtauld Institute of Art in 1975. Elderfield joined the Museum of Modern Art, New York, as Curator of Painting and Sculpture in 1975. He served the Museum as Chief Curator at Large from 1993 to 2003. Elderfield had published studies of Henri Matisse, Kurt Schwitters, Helen Frankenthaler, Richard Diebenkorn, Howard Hodgkin, and Pierre-Paul Prud'hon. In 1986, Elderfield received the Eric Mitchell Prize for his book on Schwitters. Elderfield contributed a catalog essay to the exhibition of Bob Dylan's paintings at the National Gallery of Denmark from September 2010 until April 2011. Elderfield received the award of Chevalier des Arts et des Lettres from the French Government. In 2005, Time Magazine included Elderfield on their list of the 100 most influential people of 2005. Robert Venturi stands out among the architects in the second half of the 20th century for his rejection of what he saw as architecture's reductive goals. He outlined his approach in Complexity and Contradiction in Architecture, which grew out of his research at the American Academy in Rome in the 1950s and his teaching at the University of Pennsylvania in the early 1960s. The book has been described as a gentle manifesto for a non-straightforward architecture. History, popular culture, Mannerist complexity, and symbolic meaning achieved through signs and context became the richly layered basis of his work. The highly acclaimed house he designed for his mother, the Vanna Venturi House (1964, Philadelphia)â"with its references to classical and Mannerist architecture in its monumental façade's broken pediment and applied ornament; International Style modernism in its ribbon window for the kitchen; and 19th-century shingle-style American architecture with its pitched roofâ"succinctly illustrated his ideas about formal complexity and contradiction. In his influential critique of modernism, Venturi was at the forefront of postmodernism. In the early 1960s, Venturi met Denise Scott Brown, a planner and architect who also taught at Penn. They forged a remarkable professional partnership, and in 1967, they married. Taking the rhetorical question that concluded Complexity and Contradiction in Architecture â""Is not Main Street almost all right?"â"seriously, they expanded their interest in the everyday landscape and in popular art and culture. Teaching together at Yale University in the late 1960s, they famously led studios on subway systems, the so-called Levittown suburban developments of mass-produced ranch houses built after World War II, and Las Vegas. These interests culminated in another publication, Learning from Las Vegas, a controversial reading of the ugly and ordinary, and of that city's iconic commercial strip. Venturi continued to emphasize the communicative function of architecture through signs and symbols. One of the clearest examples is his firm's design for the Best Products catalog showroom. An instance of what the architect called a "decorated shed," the large, boxlike building was clad in decorative panels painted with oversized, colorful flowersâ"a pattern derived from the commercial wallpaper in Venturi and Scott Brown's own bedroom, but also an homage to Pop art and popular culture. Presumed First Paperback Edition, First printing.

Paperback. Condición: Brand New. reprint edition. 274 pages. 8.50x6.00x1.00 inches. In Stock.

VG/VG near fine. 1st. DJ is not price-clipped. no inscriptions. delightful clean copy. From the personal collection of a dealer/collector. heavy volume will require extra postage for overseas buyers.

Paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Fine, unmarked book in Fine DJ that is protected by mylar cover.

Softcover. Condición: VG. Color illus. wraps; 375 pp.; Profusely illustrated in color. Text in German; Accompanied an exhibition at the Neue Nationalgalerie in Berlin that featured works from the collection of MoMA, New York, including pieces by Mark Rothko, Andy Warhol, Jackson Pollock, Edward Hopper, Roy Lichtenstein, Pablo Picasso, Marcel Duchamp, Cy Twombly, Auguste Rodin, Gustav Klimt, and many others; Nice plates; Includes a timelin of the MoMA.

VG/VG. near fine save for a surface scratch to rear panel - to surface only - not gone through . hardcovers. clean crisp dj. delightful condition/gift quality appears unread. no markings. or inscriptions. not price clipped. internally a good crisp clean copy. From the personal collection of a dealer/collector. very heavy and bulky title - towards 3 kilos boxed. ask for a postage quote before ordering!

Hardcover. 22 x 27cm 279pp a special issue by William Rubin, Helene Seckel and Judtih Cousins. Different chapters including 'The Genesis', 'Chronology of", 'Anthology of Early Commentary on.' illustrated throughout with largely black and white reproductions. Near fine in near fine dustjacket.