editor andrew roth (23 resultados)

paperback. Condición: Good. Jonik, John Ilustrador.

paperback. Condición: Fair.

Paperback. Condición: Brand New. Jonik, John Ilustrador. 400 pages. 8.25x5.25x1.00 inches. In Stock.

Trade Paperbac. Condición: Very Good. Jonik, John Ilustrador. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDJournalistic Style Guides: Very Good Trade Paperback, Tips Bumped, Clean pages, Prompt Shipping with Tracking.

paperback. Condición: New. Jonik, John Ilustrador. In shrink wrap. Looks like an interesting title!

Hardcover. Condición: New.

Paperback. Condición: Brand New. 400 pages. 9.75x7.00x1.25 inches. In Stock.

Hardcover. Condición: Brand New. 2nd edition. 272 pages. 9.50x6.25x0.75 inches. In Stock.

Hard cover. Annotated. Sewn binding. Cloth over boards. 320 p. Contains: Illustrations. Audience: General/trade. Good in good dust jacket. Faint discoloration to front corner of jacket and cover near spine. Does not affect pages. Text appears unmarked. Jacket in new mylar.

Hardcover. Condición: Brand New. 335 pages. 12.00x10.00x1.50 inches. In Stock.

Estado de la sobrecubierta: dj. First Edition. First edition. Hardcover. First printing. While the choices in this book are highly subjective this book along with the the books by Martin Parr and Gerry Badger helped codify and illustrate what are some of the truly classic photography books. Features essays by Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice, and Neville Wakefield and with the catalog by Vince Aletti and David Levi Straus. A fine copy in a fine dust jacket. An as new copy of this excellent reference book that is still in the publisher's shrinkwrap.

Soft cover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. First edition, first printing. Soft cover. Thick blue and white printed stiff wrappers (published only in wraps), with die-cut thick black dust jacket with French folds, housed in a printed corrugated cardboard slipcase. Photographs by Daido Moriyama. Edited and interview with Daido Moriyama (in English and Japanese) by Andrew Roth. Essay by Neville Wakefield and text by James Baldwin (excerpted from Another Country, 1960-1962). Includes a letter from Moriyama to Andrew Roth (in Japanese with English translation, dated February 26, 2002, regarding the publishing of this body of work). Designed by Alexander Gelman, Design Machine, New York and Andrew Roth. 428 pp., with 234 black-and-white plates, beautifully printed full-bleed on heavy fine matt art paper at Trifolio, Italy. 9-3/8 x 6-1/4 inches (slipcase is 10 x 6-3/8 x 2-1/2 inches). This first edition was limited to 3000 copies. New in publisher's shrink-wrap in New dust jacket and Fine slipcase (a few minor horizontal indentations to the cardboard slipcase, else Fine). From the publisher: "In 1971, Japanese photographer Daido Moriyama took a trip to New York City with Tadanori Yokoo. He stayed at the Chelsea Hotel and spent his days in The Museum of Modern Art Photography Study Center looking at pictures taken by Weegee. He shot 100 rolls of film with a half-frame camera, yielding 70 images per roll. Some of those pictures are presented here. One of Japan's leading postwar photographers, Daido Moriyama was born in 1938 in Ikeda, a town outside of Osaka. At the age of 21 he turned to photography and moved to Tokyo to work with the eminent photographer Eikoh Hosoe. Early in his career he was introduced to the work of Andy Warhol and William Klein, and from them he learned to appreciate the harsh contrast and coarse half-tone effects of cheap publishing, raised to a positive aesthetic level. His own photographs are grainy, murky, and quickly developed, full of hard contrasts and rapid drama. other influences included the writer Jack Kerouac, the inspiration behind a seminal series of photos taken while traveling the highways near Tokyo, and author Yukio Mishima and dramatist Shuji Terayama, whose fascination with society's underworld parallels Moriyama's own. In 1974, Moriyama had his first solo exhibition, and later that year, The Museum of Modern Art, New York, included 26 of his photographs in the New Japanese Photography exhibition. More recently, in 1999, a major traveling retrospective of the photographer's work opened at the San Francisco Museum of Modern Art.".

Hardcover. Condición: Near Fine. 1st Edition. LIMITED DELUXE EDITION. 1 vol., 12" x 10", limited to 500 copies, bound in 1/4 black morocco, spine lettered in blind, illustrated with numerous four-color and black and white plates, with the original slipcase, IN FINE CONDITION.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition, first and only printing. Hardcover. Gray cloth with debossed title on spine, with dust jacket. Edited by Andrew Roth. Essays by Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice and Neville Wakefield. Catalogue entries by Vince Aletti and David Levi Strauss. Also includes author biographies and an index. 306 pp., beautifully printed on fine heavy-stock paper at the Stamperia Valdonega with numerous four-color and black-and-white plates. 12 x 10 inches. This first edition was limited to 5000 copies. Out of print. Scarce. Fine in Fine dust jacket. From the publisher: "The history of the photographic book goes back well more than a century; the medium of photography and the book format were understood very early on to relate to each other on both technical and aesthetic levels. The examples of truly great combinations of photographic image and text, great design and typography bound together as books are numerous, and make up an impressive artistic, social, and documentary statement of the 20th century. Writer and rare book expert Andrew Roth has selected for this volume a group of 101 of the best photography books ever published: books that bring all of the elements of great bookmaking together to create, ultimately, a thing of beauty, a work of art. Mostly made up of publications in which the photographs were meant to be seen in book form, as opposed to the book being merely a repository of images, this list includes many artists and titles that will be familiar to the collector, but also not a few surprises. Chronologically, the first book is Volume One of Edward Curtis' seminal 1907 "The North American Indian", the last is David LaChapelle's "LaChapelle Land" from 1996, and in between are books by Walker Evans and Berenice Abbott, Atget and Brassai, Robert Frank and Garry Winogrand, and many other seminal photographers from all over the world. Each book is beautifully reproduced with several image spreads, and a short text about it. 'The Book of 101 Books,' however, is far more than simply an annotated and illustrated catalogue. Six important new essays on a variety of related topics from respected scholars, critics, and artists are included as well: here you will find Richard Benson on the history of printing techniques, Shelley Rice on the societal significance of photography books, May Castleberry on reprints, exhibitions, and keeping books alive for the public; Daido Moriyama on his personal memories of making his classic 'Bye Bye Photography, Dear,' Neville Wakefield on the particular attributes of one of the most recent books in this group: Richard Prince's 1995 'Adult Comedy Action Drama,' and Jeffrey Fraenkel on the myriad perils of publishing photography books. The catalogue entries themselves are written by the well-known critics Vince Aletti and David Levi Strauss. Taken together, the depth and beauty of these essays and images makes 'The Book of 101 Books' both an essential reference and a stunning gift for anyone interested in photography.".

Hardcover. Condición: Fine. 1st Edition. First edition, first printing. Limited edition of 500 numbered copies, quarter bound silk, with debossed title on spine, with custom-made slipcase bound in silk. 306 pp., beautifully printed on fine heavy-stock paper at the Stamperia Valdonega with numerous four-color and black and white plates. 12 x 10 inches. Edited by Andrew Roth. Essays by Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice and Neville Wakefield. Catalogue entries by Vince Aletti and David Levi Strauss. Also includes author biographies and an index. Fine in Near Fine slipcase (slight shelfwear to top and bottom of slipcase).

First Edition. Hardcover. First Edition, one of 1000 unnumbered copies printed. A collection of photographs taken in the late 1970s by noted artist and queer activist David Wojnarowicz, compiled and released posthumously, after his death in 1992. Spine faintly age toned, else about Fine and unread, with no dust jacket as issued.

Hardcover. Deluxe Issue, #68/101 Copies. Quarto, 305, [1] pages; VG; bound in full black goatskin, embossed title to spine; top edge gilt; Japanese silk bookmark; housed in blue/gray Japanese silk slipcase, very mild wear; Also issued in a trade edition and a limited edition, this is the Deluxe Edition, #68/101 copies signed by the essayists Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice and Neville Wakefield, the authors Vince Aletti and David Levi Strauss, and the editor Andrew Roth.; shelved case 11. 1352184. Shelved Dupont Bookstore.

Soft. Condición: Very Good Plus. No Jacket. 'A History of the photographic book from 1878 to the present.' Includes essays by Simon Anderson and Ute Eskildsen, a conversation with Philip Aarons, a photo-essay by Gerhard Steidl, a contribution by Robert Frank and an afterword by Hasse Persson. A very clean and tidy copy. Size: 4to.

First edition. Fine in printed dust jacket. Spanning Edward S. Curtis's The North American Indian, Volume One, through David LaChapelle's La Chapelleland - this book, ostensibly about photographic books from the 20th century, is really "a study of environments we've built to house the objects that mark the mindscapes of our collective lives." The ultimate criteria for selection is that a book had to be a thoroughly considered production: all its elements blending to a natural fit, and constituting the intention "to fix the floating chain of signifieds in such a way as to counter the terror of uncertain signs." Includes essays by Richard Benson, May Castleberry, Jeffrey fraenkel, Daido Moriyama, Shelly Rice and Neville Wakefield. Catalogue prepared by Vince Aletti and David Levi Strauss.

First Edition. First edition. Hardcover. Limited edition of 500 specially bound copies. While the choices in this book, like those in any best of list, are highly subjective this book along with the three books by Martin Parr and Gerry Badger helped codify and illustrate what are some of the true classic photography books. Features essays by Richard Benson, May Castleberry, Jeffrey Fraenkel, Daido Moriyama, Shelley Rice, and Neville Wakefield and with the catalog by Vince Aletti and David Levi Straus. A very near fine copy in quarter leather binding with silk boards and in near fine cloth slipcase that has a small spot to the bottom edge. No dust jacket as issued.

Hardcover. Condición: Near Fine. LIMITED EDITION. 4to. 1st edition. LIMITED DELUXE ISSUE. LIMITED to 500 copies. Bright, clean copy. NF in NF slipcase.

Quarto, illustrated throughout, partly in colour; original goatskin in silk slipcase with leather tips, top edge gilt. The deluxe issue, limited to 101 numbered copies signed by all nine contributors (this is number 90). A very fine copy. We will advise postage costs and delivery times, which will vary from those quoted by ABE.

Paperback. Condición: Brand New. 400 pages. 9.75x7.00x1.25 inches. In Stock. This item is printed on demand.