edgar natalie (28 resultados)

Soft cover. Condición: Very Good. Light soiling / wear to covers. Interior is clean.

Condición: New.

Paperback. Condición: New. In the Spring of 1965, dozens of New York artists met for the two-part, invitation-only Waldorf Panels on Sculpture. Organized by Phillip Pavia, the proceedings of The Waldorf Panels on Sculpture were published in issue #6 of his magazine, IT IS. The discussions touch on a wide range of sculptural issues ranging from the status of found objects to thoughts on spontaneity vs. design to the expanding definition of sculpture to perspectives on Surrealism and Pop Art.In addition to heavy audience participation in both panels, Panel 1 includes Herbert Ferber, Reuben Kadish, Ibram Lassaw, Phillip Pavia, James Rosati, Bernard Rosenthal, and David Slivka. Panel 2 includes Isamu Noguchi, Claes Oldenburg, Phillip Pavia, George Segal, George Sugarman, and James Wines. These transcripts, reprinted for the first time since their 1965 original publication, convey a strong sense of a genre-and an artworld-in transition.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. In the Spring of 1965, dozens of New York artists met for the two-part, invitation-only Waldorf Panels on Sculpture. Organized by Phillip Pavia, the proceedings of The Waldorf Panels on Sculpture were published in issue #6 of his magazine, IT IS. The discussions touch on a wide range of sculptural issues ranging from the status of found objects to thoughts on spontaneity vs. design to the expanding definition of sculpture to perspectives on Surrealism and Pop Art.In addition to heavy audience participation in both panels, Panel 1 includes Herbert Ferber, Reuben Kadish, Ibram Lassaw, Phillip Pavia, James Rosati, Bernard Rosenthal, and David Slivka. Panel 2 includes Isamu Noguchi, Claes Oldenburg, Phillip Pavia, George Segal, George Sugarman, and James Wines. These transcripts, reprinted for the first time since their 1965 original publication, convey a strong sense of a genreand an artworldin transition. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Brand New. reprint edition. 115 pages. 7.25x5.00x0.25 inches. In Stock.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. In.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Color pictorial stapled wraps. 22 pp. 4 color plates, 11 BW illustrations. Published in celebration of the United Nations designated International Women's Year 1975. VG-. Shelf wear to covers, small rip on top edge. Pages tanned but otherwise clean.

Paperback. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. Softcover. SIGNED and inscribed by editor Natalie Edgar on title page. Very nice photo illustrated paper covers show minor wear. Text pages are crisp and clean. Always carefully wrapped and shipped in cardboard boxes to protect your purchase. ; 4to 11" - 13" tall; 128 pages.

Soft cover. Condición: Very Good. First Edition. Very good in original wrappers. Extensive coverage of the new museum and the arts and architecture of New Mexico.

Paperback. Condición: new. Paperback. In the Spring of 1965, dozens of New York artists met for the two-part, invitation-only Waldorf Panels on Sculpture. Organized by Phillip Pavia, the proceedings of The Waldorf Panels on Sculpture were published in issue #6 of his magazine, IT IS. The discussions touch on a wide range of sculptural issues ranging from the status of found objects to thoughts on spontaneity vs. design to the expanding definition of sculpture to perspectives on Surrealism and Pop Art.In addition to heavy audience participation in both panels, Panel 1 includes Herbert Ferber, Reuben Kadish, Ibram Lassaw, Phillip Pavia, James Rosati, Bernard Rosenthal, and David Slivka. Panel 2 includes Isamu Noguchi, Claes Oldenburg, Phillip Pavia, George Segal, George Sugarman, and James Wines. These transcripts, reprinted for the first time since their 1965 original publication, convey a strong sense of a genreand an artworldin transition. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: New.

Paperback. Condición: Very Good. The book is in great overall condition, showing only minor cosmetic wear. Light smudging on cover.; - We're committed to your satisfaction. We offer free returns and respond promptly to all inquiries. Your item will be carefully wrapped in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Taschenbuch. Condición: Neu. Neuware - In the Spring of 1965, dozens of New York artists met for the two-part, invitation-only Waldorf Panels on Sculpture. Organized by Phillip Pavia, the proceedings of The Waldorf Panels on Sculpture were published in issue #6 of his magazine, IT IS. The discussions touch on a wide range of sculptural issues ranging from the status of found objects to thoughts on spontaneity vs. design to the expanding definition of sculpture to perspectives on Surrealism and Pop Art.

Paperback. Condición: New. In the Spring of 1965, dozens of New York artists met for the two-part, invitation-only Waldorf Panels on Sculpture. Organized by Phillip Pavia, the proceedings of The Waldorf Panels on Sculpture were published in issue #6 of his magazine, IT IS. The discussions touch on a wide range of sculptural issues ranging from the status of found objects to thoughts on spontaneity vs. design to the expanding definition of sculpture to perspectives on Surrealism and Pop Art.In addition to heavy audience participation in both panels, Panel 1 includes Herbert Ferber, Reuben Kadish, Ibram Lassaw, Phillip Pavia, James Rosati, Bernard Rosenthal, and David Slivka. Panel 2 includes Isamu Noguchi, Claes Oldenburg, Phillip Pavia, George Segal, George Sugarman, and James Wines. These transcripts, reprinted for the first time since their 1965 original publication, convey a strong sense of a genre-and an artworld-in transition.

Condición: New.

Condición: New.

Paperback. Cream & BW illus. wraps, French flaps, 128 pp., BW and color illus. Considers well the sculpture of American sculptor Philip Pavia (1912-2005). With an introduction by Gerald C. Norland, an exhibitions history, a bibliography, and many views of the sculpture. VG. Some light corner bumping and smudges.

Softcover, 186 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Condición: Good. Single sheet 23 x 8.5 inches, folded into 8 panels. Very Good. Some shelf wear. B&W plate. Scarce.From the Collection of the Art Historian Peter Selz (1919-2019).

Single Issue Magazine. Condición: Fair. First Edition. Features: Dedication of the New Art Museum at Santa Fe (Editorial); Dedicatory Words; On Opening the Museum; The New Humanism; The Indians' Part in the Dedication of the New Museum; The Royal Palace at Santa Fe Two Hundred Years Ago; Santa Fe as the Years Pass; New Mexico Architecture; On the Opening of the Art Galleries - Paintings of the Southwestern Artists, and Paintings of the Taos Society of Artists; The Paintings of Donald Beauregard - Beauregard Collection; The St. Francis Murals; An Artist's Impression of Santa Fe. 96 glossy pages. Many black and white illustrations. Unmarked with somewhat above-average external wear. Binding intact. Minor moisture exposure to lower corner of all pages. 1999 news clipping about the Museum of of Fine Arts. A sound reference copy.; Sm 4to.

Full Leather. Condición: Fine binding. Large quartos. 171, [1]; 27 pp., illus. Limited edition, number 52 of 250 "Fine Press" copies (50 Deluxe copies were also issued). Both volumes finely bound by American design binder, Robin Brandes. Phantasia in black, straight-grained goatskin with crimson doublures and gray suede flyleaves; onlays of distressed mirror mylar composed with image transfers and exotic leathers. The Raven is inversely bound in crimson straight-grained goatskin with black doublures and gray suede flyleaves. Striking raven wing spans from fore-edge of the front board around the spine to midway on the rear board"feathers" composed of textured fabric with a suede finish and distressed mirror mylar. Fine copies, each in crimson cloth clamshell. Prospectus laid in. A remarkable production from the Arion Press presenting some of Poe's most recognizable tales and poems, here illustrated by American artist Natalie Frankcolor as well as black and white; both full page and in-text illustrations printed in offset lithography and overprinted by letterpress. Brandes's restrained bindings are perfectly suited to these books, rendering visually the same experience one feels when reading Poe and navigating the uncertain terrain he createsclear enough that one recognizes the landscape but subtly disquieting. The binder writes in her artist's statement: "In his short lifetime, Edgar Allan Poe, became the pre-eminent chronicler of the unquiet mind. A mixture of unusual materials and striking color palette were used to emanate an enigmatic yet dramatic presentation. The haunting cover portrait I created for Poe's Phantasia is a mosaic suggesting shapes of 2 ravens. Image transfers of Poe's eyes on distressed mirror mylar and onlays of exotic leathers evoke Poe's unquiet, disturbed mind filled with illusions and wishing for the return of lost love. For the covers of The Raven, I designed the raven wing feathers to be a bold presentation for one of the most translated poems in history." Brandes has been binding for nearly a decade and already has a notable resume, having been exhibited at Arion Press, The American Bookbinders Museum, The Book Club of California, Guild of Book Workers, San Francisco Center for the Book, and more. Brandes's binding of 2020 Vision was the First Place Winner of the Rocky Mountain Guild of Book Workers 2023 Traveling Exhibition.