E flux (92 resultados)

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Condición: very_good. This book is in Very Good condition. The cover and pages have minor shelf wear. Binding is tight and pages are intact.

Condición: like_new. This book is in Like New condition. It is unused, but has a remainder mark on the edge of the pages. Otherwise it is a new book.

Condición: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

Condición: New.

Paperback. Condición: new. Paperback. The internet does not exist. Maybe it did exist only a short time ago, but now it only remains as a blur, a cloud, a friend, a deadline, a redirect, or a 404. If it ever existed, we couldn't see it. Because it has no shape. It has no face, just this name that describes everything and nothing at the same time. Yet we are still trying to climb onboard, to get inside, to be part of the network, to get in on the language game, to show up on searches, to appear to exist. But we will never get inside of something that isn't there. All this time we've been bemoaning the death of any critical outside position, we should have taken a good look at information networks. Just try to get in. You can't. Networks are all edges, as Bruno Latour points out. We thought there were windows but actually they're mirrors. And in the meantime we are being faced with more and more-not just information, but the world itself.ContributorsJulian Assange, Franco "Bifo" Berardi, Benjamin Bratton, Diedrich Diederichsen, Keller Easterling, Rasmus Fleischer, Joana Hadjithomas and Khalil Joreige, Ursula K. Heise, Brian Kuan Wood, Bruno Latour, Geert Lovink, Patricia MacCormack, Metahaven, Gean Moreno, Hans Ulrich Obrist, Jon Rich, Hito Steyerle-flux journal Series edited by Julieta Aranda, Brian Kuan Wood, Anton Vidokle Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: Fine. No markings.

Condición: Good. This book began as a two-part issue of e-flux journal devoted to the question: What is contemporary art? First, and most obviously: why is this question not asked? That is to say, why do we simply leave it to hover in the shadow of attempts at critical summation in the grand tradition of twentieth-century artistic movements? A single hegemonic "ism" has replaced clearly distinguishable movements and grand narratives. But what exactly does it mean to be working under the auspices of this singular ism? "Widespread usage of the term 'contemporary' seems so self-evident that to further demand a definition of 'contemporary art' may be taken as an anachronistic exercise in cataloguing or self-definition. At the same time, it is no coincidence that this is usually the tenor of such large, elusive questions: it is precisely through their apparent self-evidence that they cease to be problematic and begin to exert their influence in hidden ways; and their paradox, their unanswerability begins to constitute a condition of its own, a place where people work." e-flux journal: What Is Contemporary Art? puts the apparent simplicity and self-evident term into doubt, asking critics, curators, artists, and writers to contemplate the nature of this catchall or default category. ContributorsJulieta Aranda, Brian Kuan Wood, Anton Vidokle, Cuauhtemoc Medina, Boris Groys, Raqs Media Collective, Hans Ulrich Obrist, Hu Fang, J rg Heiser, Martha Rosler, Zdenka Badovinac, Carol Yinghua Lu, Dieter Roelstraete, and Jan Verwoert e-flux journal Series edited by Julieta Aranda, Brian Kuan Wood, Anton Vidokle.…

Condición: New.

Paperback. Condición: new. Paperback. How the shift from montage to navigation alters the way images--and art--operate as models of political action and modes of political intervention.How the shift from montage to navigation alters the way images--and art--operate as models of political action and modes of political intervention.Navigation begins where the map becomes indecipherable. Navigation operates on a plane of immanence in constant motion. Instead of framing or representing the world, the art of navigation continuously updates and adjusts multiple frames from viewpoints within and beyond the world. Navigation is thus an operational practice of synthesizing various orders of magnitude.Only a few weeks prior to his untimely death in 2014, Harun Farocki briefly referred to navigation as a contemporary challenge to montage--editing distinct sections of film into a continuous sequence--as the dominant paradigm of techno-political visuality. For Farocki, the computer-animated, navigable images that constitute the twenty-first century's "ruling class of images" call for new tools of analysis, prompting him to ask: How does the shift from montage to navigation alter the way images--and art--operate as models of political action and modes of political intervention?Navigation Beyond Vision originated in a conference organized by the Harun Farocki Institut (HaFI) and e-flux at the Haus der Kulturen der Welt (HKW) in Berlin in 2019.ContributorsJames Bridle, Kodwo Eshun, Jennifer Gabrys, Tom Holert, Ramon Amaro and Murad Khan, Doreen Mende, Matteo Pasquinelli, Laura Lo Presti, Patricia Reed, Mariana Silva, Nikolay Smirnov, Oraib Toukan, Brian Kuan Wood Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

paperback. Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New.

Condición: Good. This book began as a two-part issue of e-flux journal devoted to the question: What is contemporary art? First, and most obviously: why is this question not asked? That is to say, why do we simply leave it to hover in the shadow of attempts at critical summation in the grand tradition of twentieth-century artistic movements? A single hegemonic "ism" has replaced clearly distinguishable movements and grand narratives. But what exactly does it mean to be working under the auspices of this singular ism? "Widespread usage of the term 'contemporary' seems so self-evident that to further demand a definition of 'contemporary art' may be taken as an anachronistic exercise in cataloguing or self-definition. At the same time, it is no coincidence that this is usually the tenor of such large, elusive questions: it is precisely through their apparent self-evidence that they cease to be problematic and begin to exert their influence in hidden ways; and their paradox, their unanswerability begins to constitute a condition of its own, a place where people work." e-flux journal: What Is Contemporary Art? puts the apparent simplicity and self-evident term into doubt, asking critics, curators, artists, and writers to contemplate the nature of this catchall or default category. ContributorsJulieta Aranda, Brian Kuan Wood, Anton Vidokle, Cuauhtemoc Medina, Boris Groys, Raqs Media Collective, Hans Ulrich Obrist, Hu Fang, J rg Heiser, Martha Rosler, Zdenka Badovinac, Carol Yinghua Lu, Dieter Roelstraete, and Jan Verwoert e-flux journal Series edited by Julieta Aranda, Brian Kuan Wood, Anton Vidokle.…

Condición: like_new. This book is in Like New condition. It is unused, but has a remainder mark on the edge of the pages. Otherwise it is a new book.

Paperback. Condición: New.

paperback. Condición: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Paperback. Condición: Very Good.

Paperback. Condición: New.

Condición: New. pp. 232.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condición: Brand New. 164 pages. 8.50x5.50x0.37 inches. In Stock.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. Num Pages: 316 pages. BIC Classification: ABA. Category: (G) General (US: Trade). Dimension: 113 x 178 x 27. Weight in Grams: 292. . 2015. Paperback. . . . .

Condición: New.

Condición: New.

Paperback. 169 Seiten 530 gr. Buchschnitt unten ganz außen rechts minimal angeschmutzt, sonst sehr gut.

Condición: New. 2023. paperback. . . . . .

Condición: New. Num Pages: 316 pages. BIC Classification: ABA. Category: (G) General (US: Trade). Dimension: 113 x 178 x 27. Weight in Grams: 292. . 2015. Paperback. . . . . Books ship from the US and Ireland.