Dusan makavejev (13 resultados)

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Octavo softcover (VG); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples.Ordering more than one book will reduce your overall postage cost.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Wrapper is rubbed and lightly marked, boards clean and sharp, top edge foxed. Clean throughout. Very good. Book.

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Couverture rigide. Condición: Très bon état. Maquette par Martinovic Milan. Photographies par Elisabeth Campion, Luc Joubert, Dusko Jovanovic, Marion Valentine et Roger-Viollet. In-4, pleine toile noire, sous jaquette illustrée, 18 reproductions pleines pages en couleurs et 150 reproductions pleines pages en n. & b., 224 pp. Bon état d'occasion. Retrace le déroulement de l'oeuvre, des premiers tableaux en Yougoslavie au compositions fantomatiques d'aujourd'hui. in-4°.…

Soft cover. Condición: Good. 1st Edition. 1st printing (February 1972). 144pp. GOOD+ copy, covers bright, slight crease to spine, pages tanned.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Callow., Simon. Shooting the Actor. With interventions by Dusan Makavejev. Nick Hern Books. Ist Edition 1990. Unclipped pictorial dustwrapper. Blue boards, silver titles to spine. PP265. Gift Inscription from Author on title facing page. To Arnold RATTENBURY/At the Palm Court./Why? 15XI90/Simon/C. In excellent clean and bright condition throughout. Inscribed by Author(s).…

Paperback. Condición: Good. The cover has some wear, with heavy creasing on the spine, a texta mark on the spine, discolouration, and a few scuffs. The page edges are moderately foxed and tanned and the pages are a uniform pale yellow. The first page has two bookshop stamps. 144 pages with b/w photographs. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Size: Size C: 6"-7" Tall (151-177mm).…

No Binding. Condición: Fair. VHS tape. Good ex-library copy in glossy commercial sleeve. No external labels. Run Time: 83 minutes. Plays fine. Hard to find.

Softcover/Paperback. Condición: Fine. Original French poster for the Serbian Australian collaboration between director Dusan Makavjev and screenplay by Frank Moorhouse. The Coca Cola Kid premiered at Cannes in 1985 and was released in France later that year. Poster measures 80 x 60cms. Folded. Fine. book. …

Soft cover. Condición: Fine. No Jacket. 1st Edition. MAKAVEJEV, Dusan [144] pp. Bard Books 1972 First Printing 7" x 4 1/4".

Original program for the international release of the 1967 Yugoslav black wave film. Photo-illustrated with stills from the film and reproductions of line illustrations. Wrappers text in French, with French, German, Russian, Spanish, and English text inside. Taking on the trappings of American crime and film noir, about a woman who is murdered by her lover after her infidelity is discovered, the plot unfolds in non-chronological order, with imaginative digressions and interruptions where both a sexologist and criminologist directly address the camera, creating a critique of communist society and censorship. 10 x 8.25 inches. Very Good plus in stiff wrappers. Criterion Eclipse 18. Rosenbaum 1000. Vogel, Film as a Subversive Art.…

Three vintage reference photographs from the 1967 Serbian film. One photograph with a printed mimeo snipe in French affixed to the verso. A young switchboard operator begins a relationship with a serious beau, but finds herself unwillingly subject to a colleague's advances when her boyfriend is out of town on business. Told in non-chronological order, with imaginative digressions and frequent interruptions, creating a critique of communist society and censorship. Two photographs 7 x 5 inches, one photograph 10 x 8 inches. Near Fine. Rosenbaum 1000. Vogel, Film as a Subversive Art.…