durand asher b (40 resultados)

Condición: very_good. Asher B. Durand Ilustrador. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Condición: good. Asher B. Durand Ilustrador. Signs of wear and consistent use.

Condición: good. Asher B. Durand Ilustrador. Good condition. A copy that has been read but remains in clean condition. All pages are intact and the cover is intact. The spine and cover may show signs of wear. Pages can include limited notes and highlighting, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation. If you're not satisfied with purchase please just return it!

Condición: New.

Paperback or Softback. Condición: New. Landscape Painting. Book.

Condición: New.

Condición: As New. Unread book in perfect condition.

Trade Paperback. Condición: New. Asher B. Durand Ilustrador.

Condición: New.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: New.

No Binding. Condición: Very Good. Postcard in Very Good condition, unmailed, with minor marks on reverse. Cards are sent in stiff mailers. Postcard.

No Binding. Condición: Very Good. Postcard in Very Good condition, unmailed, with minor marks on reverse. Cards are sent in stiff mailers. Postcard.

No Binding. Condición: Very Good. Postcard in Very Good condition, unmailed, with minor marks on reverse. Cards are sent in stiff mailers. Postcard.

Paperback. Condición: New.

Paperback. Condición: New.

Condición: New. In.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. Asher B. Durand Ilustrador. 256 pages. 9.00x6.00x1.00 inches. In Stock.

paperback. Condición: very good(+). Asher B. Durand Ilustrador. Illustrated in b/w and color. 256 pages. Square 4to, pictorial wrappers. New York: Brooklyn Museum, (2007). Minor wear on spine ends, tiny tears on fore edge of cover/some pages, still a very good(+) copy.

Paperback. Condición: New.

Paperback. Condición: New.

Paperback. Condición: new. Paperback. In 1855, Asher B. Durand, a founder of the National Academy of Design and a leading member of the Hudson River School, wrote a series of articles for his son's art magazine, The Crayon. The nine articles, Letters on Landscape Painting, outlined Durand's thoughts on learning how to paint landscapes. They are considered by many to be the textbook for the Hudson River School. In the early 1900s, Birge Harrison, a prominent figure in the American Tonalist movement and a director of the landscape school of the Art Students League, gave a series of lectures to the students at the League's summer school in Woodstock, New York. He later compiled those twenty-one lectures into the book, Landscape Painting. Then, as now, the book was considered to be a standard work for students. This volume presents Durand's and Harrison's writings together for the first time. We will never know what each might have thought of their words being combined in such a way, however, over the years hundreds of budding landscape painters and professionals alike have found value in these writings.It only seems fitting that the textbooks of two of America's great landscape painting movements be made available in a single work. In 1855, Asher B. Durand, a founder of the National Academy of Design and a leading member of the Hudson River School, wrote a series of articles for his son's art magazine, The Crayon. The nine articles, Letters on Landscape Painting, outlined Durand's thoughts on learning how to paint landscapes. They are considered by many to be the textbook for the Hudson River School. In the early 1900s, Birge Harrison, a prominent figure in the American Tonalist movement and a director of the landscape school of the Art Students League, gave a series of lectures to the students at the League's summer school in Woodstock, New York. He later compiled those twenty-one lectures into the book, Landscape Painting. Then, as now, the book was considered to be a standard work for students. This volume presents Durand's and Harrison's writings together for the first time. We will never know what each might have thought of their words being combined in such a way, however, over the years hundreds of budding landscape painters and professionals alike have found value in these writings. It only seems fitting that the textbooks of two of America's great landscape painting movements be made available in a single work. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Madrid, Edit. Fund. Juan March, 2010. Unas 10 hojas sin numerar. 4º. Rústica editorial ilustrada. Muy buen ejemplar. Asher Brown Durand (21 de agosto de 1796 - 17 de septiembre de 1886) fue un pintor estadounidense de la Escuela del río Hudson. Arte. Pintura. Epistolarios. Crítica de arte.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condición: gut. 1992. Two Hundred Years of American Paintings: Corcoran Gallery of Art; Postcard Book In deutscher Sprache. pages.

Engraving, open letter mounted India paper proof, pencil signed by Durand at the lower right on the mount. Plate size: 17 1/8 x 20 5/8 inches. Sheet size: 20 x 22 1/2 inches. India paper proof of Durand's most acclaimed and most controversial work. Asher Durand was hailed as "the most famous engraver in America" and "the father of American landscape painting". His bold clean style was an immediate success, and he consequently produced some of the most important engravings in American print history. "The most noted achievements of Mr. Durand's burin are his two plates of the nude -- Musidora, after his own design, published in 1825, and the Ariadne, after Vanderlyn's masterpiece, published a decade later -- in both of which the rendering of the flesh is particularly successful. There was not only a boldness in essaying such works at that time . but there was a nobility of purpose, that carried the artist successfully through to their completion, that must win our admiration" (The Grolier Club). "Ariadne was a Cretan princess briefly loved by Theseus. He abandoned her, however, on the island of Naxos, and she is shown here in her desolation. Durand modified Vanderlyns crisp Neoclassicism, infusing it with a romantic softness and compensating for prudish American tastes by rendering the drapery opaque" (The Metropolitan Museum of Art, 97.29.2). The work was praised by the New York Spectator (October 15, 1835) as "decidedly, the finest example of line engraving ever produced in this country." But while critically acclaimed, the work was a commercial failure as the art buying public did not accept the nude figure as appropriate art. According to his son in his biography of his father, Durand engraved Ariadne purely as a labor of love. The Grolier Club, Catalogue of the Engraved Work of Asher B. Durand (New York: 1895), 237 State viii/viii; Stauffer 682, state iii/iii; Asher B. Durand: An Engraver's and a Farmer's Art (Hudson River Museum: 1983) 65.

Trimmed just outside or to the platemark. Sheet size: 17 x 12 3/8 inches. Unrecorded proof of a seminal American engraving. Asher Durand was hailed as "the most famous engraver in America" and "the father of American landscape painting." His bold clean style was an immediate success, and he consequently produced some of the most important engravings in American print history. "Musidora was Durand's first major effort in engraving from an original design. The theme was inspired by 'The Seasons,' a poem by the Scottish poet James Thomson. In the 1825 engraving, the young Musidora moves cautiously to the bank of the woodland stream, and illustrates Thomson's lines, which are inscribed on the print . John Durand called this work a product of his father's 'inner consciousness'." (Hudson River Museum). The original drawing for the work is located at the New York Public Library. This example is a very fine, dark impression in an unrecorded proof state (i.e. before the date added to the end of Durand's imprint, prior to the printer's imprint below the quote from Thomson's Seasons, and with the title lightly engraved). In Thompson's pastoral poem, the section in which Musidora appears describes her bathing in a secluded stream. While bathing, she is unaware that a male admirer, Damon, secretly watches her from a hidden vantage point. Durand's image of Musidora implicates viewers in Damon's act of voyeurism, compelling them to assume the role of the male gaze. This perspective confronts us with our own participation as voyeurs, akin to Damon's intrusive gaze. In this context, "Musidora" exemplifies the multifaceted nature of the female nude in art, prompting viewers to reflect on their own complicity in the act of looking. Just as Durand's portrayal challenges viewers to embody Damon's intrusive gaze, it underscores the broader dialogue that surrounds the depiction of the female form in art. Beyond being a mere visual representation, this print calls upon us to engage with the centuries-old discourse surrounding the female nude and serves as a thought-provoking entry point into the complex world of art and representation. The Grolier Club, Catalogue of the Engraved Work of Asher B. Durand (New York: 1895), 236; Stauffer 683; Hudson River Museum, Asher B. Durand: An Engraver's and a Farmer's Art (Yonkers: 1983) 27.