Duggan a p (14 resultados)

Condición: New. Idioma/Language: Español. Asuntos de vida y muerte en el Amanecer de X. Los Infernales se enfrentan a la Reina Duende, con Kaos dudando con quién aliarse. Los Merodeadores fijan la mirada en una peligrosa tecnología que ha caído en malas manos. Llega el nuevo Factor-X: Cuando un mutante muere, alguien debe investigar lo ocurrido. Magneto se alía con Namor. Cable se toma como algo personal una misión de rescate. (Editorial original: Marvel Comics) *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

Hardcover. Condición: Good. Dust Jacket Included. Green hardback in good condition other than some browed along top edge. . Dustjacket is worn but unclipped at 25/-. A course on General Studies which was previously A level subject ( or Sixth Form Studies - Scotland ). Divided into five sections consisting of Contemporary Politics; Economics; Sociology; English Literature and Science. 376 pages.…

xxix,401pp. roy.8vo. with dust jacket. sl.spotted.

Condición: Good. Amsterdam: North-Holland, 1990. Sm 4to. xxi,743pp. Illus. Good book. Owner's name on pastedown. (physics, ion bombardment, congress proceedings) Inquire if you need further information. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Taschenbuch. Condición: Neu. Manual of Pediatric Nutrition | Christopher P Duggan (u. a.) | Taschenbuch | Englisch | 2026 | Lippincott Williams&Wilki | EAN 9781975244347 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Hardcover. Condición: Very Good. No Jacket. Very good, clean, tight condition. Yellow hardcover. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged.

Hardcover. Condición: New.

Hardcover. Condición: Very Good. 1st Edition, Illustrated Edition. POE, Edgar Allan. The Poetical Works of Edgar Allan Poe. With Original Memoir. London: Sampson Low, Son & Co., 1858. First British edition. Large 8vo (230 x 160mm), pp. [xxx], 247. Illustrated throughout with steel-engraved plates, vignettes, and decorative initials by F. R. Pickersgill R.A., John Tenniel, Birket Foster, Felix Darley, Jasper Cropsey, P. Duggan, Percival Skelton, and A. M. Madot, engraved under the superintendence of Joseph Cundall. Bound in the publisher's original green cloth, ruled in gilt to boards and spine, with the University of New South Wales gilt medallion blocked to the front board, a prize binding, presented as an academic award. Spine lettered and decorated in gilt, raised bands. Condition is Very Good. Binding square and secure, gilt bright, cloth with light age-toning to boards and minor rubbing at extremities. Internally clean throughout; pages bright and fresh with the light foxing to a small number of leaves consistent with a book of this age. No ownership marks other than the prize inscription. The front free endpaper carries a formal Latin prize inscription recording the award of this book to "Gulielmo Henrico Mate" (William Henry Mate), a student of the University of Sydney, commended for excellence in Mathematics and placed first class at the Public Examinations, in the year MDCCCLXIII (1863). Signed by the Chancellor, Vice-Chancellor, and Registrar of the University. The 1858 Sampson Low edition is the first British illustrated edition of Poe's collected poetry, appearing the same year as the first American illustrated edition (J.S. Redfield, New York). The illustrated editions of 1858 represent a landmark in Poe's reception, the first serious attempt to render his poetry visually, with contributions from some of the leading Victorian illustrators of the day, including John Tenniel, then best known for his Punch work and illustrating Carroll's Alice. Copies in presentable condition are genuinely scarce. F. R. Pickersgill R.A.; John Tenniel; Birket Foster; Felix Darley; Jasper Cropsey; P. Duggan; Percival Skelton; A. M. Madot (ilustrador). …

Condición: Very good. Limited to 1000 copies. Vol. II, Section I, Plates I-XXVI - The Suto-Chuana Tribes. Sub-Group I The Bechuana. With introductory articles on the tribes. Descriptive notes on 26 plates. Unpaginated. Reprint Condition: Very good. Binding: Hardcover.

Decorated Boards. Condición: Good. New Illustrated Edition. New illustrated edition, with decorated boards and spine, gilt closed edges, corners and spine ends bumped, some scuff marks to rear board, closed tear to spine edge at rear board 18 cms, very small ink inscription to corner at head of front pastedown, name plate to front pastedown, gutters cracked throughout exposing binding, pages loose, illustrated throughout, Preface by the author, Memoir of the author dated June, 1857, pages clean, text clear to read, very small bookbinder's stamp to rep (Leighton Son and Hodge). Size: 8vo. F.R. Pickersgill, John Tenniel, Birket Foster, Felix Darley, Jaspar Cropsey, P. Duggan, Percival Skelton and A.M. Madot (ilustrador).…

Cloth. Condición: Good. New Illustrated Edition. xxi;167 pp. `NOTES TO AL AARAAF.` pages 161 - 167. Preface by the author. List of Illustrations. Memoir of the author dated June, 1857. Red cloth. Front cover decorated in gilt and black with gilt lettering on blue. Gilt lettering and decoration on spine. Spine worn at both ends. Corners, especially lower corners, rubbed. All edges gilt. Most gatherings rather loose. Previous owner`s name in ink on front pastedown. Size: Large Octavo. F.R.Pickersgill, John Tenniel, Birket Foster, Felix Darley, Jasper Cropsey, P.Duggan, Percival Skelton, and A.M.Madot. (ilustrador).…

Condición: Very good. A complete set of 4 volumes in 11, with 376 collotype plates. Vol. I, one section - The Bavenda, plates I-XX, text by G.P. Lestrade Vol. II, three sections, The Sutho-Chuana Tribes, plates I-XXVI, text by G.P. Lestrade and I. Shapera. Vol. III, five sections, The Nguni, plates I-CXCVIII, text by Bennie, Wilson, Malcolm, Beemer and Hammond-Tooke. Vol. IV, two sections, plates I-LXXX, text by Junod, H. This photographic and ethnographic record of southern Africa can be seen as one of the most ambitious documentary projects of the early twentieth century. Produced over three decades, The Bantu Tribes of South Africa presents hundreds of superb collotype plates documenting the landscapes, material culture, and people of southern Africa at a moment of profound political and social transformation. Duggan-Cronin (18741954), an Irish-born photographer employed by De Beers in Kimberley, began photographing African migrant workers in the early 1900s. Encouraged by Maria Wilman of the Alexander McGregor Memorial Museum, and later supported by the Carnegie Trust and government grants, he undertook extensive expeditions between 1919 and 1939, travelling more than 128,000 kilometers across South Africa and into present-day Namibia, Botswana, Zimbabwe, Zambia, Mozambique, Swaziland, and Lesotho. Working under arduous conditions and developing glass plates in the field, he produced thousands of negatives from which this series was distilled. The eleven volumes encompass portraits of chiefs, families, women and children, hunters, herdsmen, and artisans, alongside carefully composed studies of dress, adornment, architecture, and landscape. Duggan-Cronin meticulously recorded dates, locations, and genealogical details, often sharing finished prints with his subjects. The platesprotected by captioned tissue guardsare accompanied by introductions, situating the images within contemporary anthropological thought. Seen in a modern context, this powerful and complex work reflects the tensions of its colonial past: at once an attempt to preserve what Duggan-Cronin believed to be "fast-disappearing" ways of life, and an artifact shaped by the racial and political ideologies of its time. An indispensable record, both as a visual archive and as a document of early twentieth-century ethnographic practice. Frequently compared to Edward Curtis's work in North America, Duggan-Cronin's achievement remains foundational in the history of African photography. Complete sets are increasingly scarce. First edition. Condition: Very good. Age toning to some of the wraps, particularly vol.I, section I. Some splitting at the heads and feet of the spines of 5 volumes and a little edge wear to the card wraps. Stamp removed from the front wrap of vol.II section I, a 1cm short tear to the bottom edge of vol.III, section I. Dimensions: 21.3 x 29cm - 4to.…

Condición: Very good. A complete set of 4 volumes in 11, with 376 collotype plates. Vol. I, one section - The Bavenda, plates I-XX, text by G.P. Lestrade Vol. II, three sections, The Sutho-Chuana Tribes, plates I-XXVI, text by G.P. Lestrade and I. Shapera. Vol. III, five sections, The Nguni, plates I-CXCVIII, text by Bennie, Wilson, Malcolm, Beemer and Hammond-Tooke. Vol. IV, two sections, plates I-LXXX, text by Junod, H. This photographic and ethnographic record of southern Africa can be seen as one of the most ambitious documentary projects of the early twentieth century. Produced over three decades, The Bantu Tribes of South Africa presents hundreds of superb collotype plates documenting the landscapes, material culture, and people of southern Africa at a moment of profound political and social transformation. Duggan-Cronin (18741954), an Irish-born photographer employed by De Beers in Kimberley, began photographing African migrant workers in the early 1900s. Encouraged by Maria Wilman of the Alexander McGregor Memorial Museum, and later supported by the Carnegie Trust and government grants, he undertook extensive expeditions between 1919 and 1939, travelling more than 128,000 kilometres across South Africa and into present-day Namibia, Botswana, Zimbabwe, Zambia, Mozambique, Swaziland, and Lesotho. Working under arduous conditions and developing glass plates in the field, he produced thousands of negatives from which this series was distilled. The eleven volumes encompass portraits of chiefs, families, women and children, hunters, herdsmen, and artisans, alongside carefully composed studies of dress, adornment, architecture, and landscape. Duggan-Cronin meticulously recorded dates, locations, and genealogical details, often sharing finished prints with his subjects. The platesprotected by captioned tissue guardsare accompanied by introductions, situating the images within contemporary anthropological thought. Seen in a modern context, this powerful and complex work reflects the tensions of its colonial past: at once an attempt to preserve what Duggan-Cronin believed to be "fast-disappearing" ways of life, and an artifact shaped by the racial and political ideologies of its time. An indispensable record, both as a visual archive and as a document of early twentieth-century ethnographic practice. Frequently compared to Edward Curtis's work in North America, Duggan-Cronin's achievement remains foundational in the history of African photography. Complete sets are increasingly scarce. Condition: Very good. Age toning to some of the wraps, particularly vol.I, section I. Some splitting at the heads and feet of the spines of 5 volumes and a little edge wear to the card wraps. Stamp removed from the front wrap of vol.II section I, a 1cm short tear to the bottom edge of vol.III, section I. Binding: Card wraps. Dimensions: 21.3 x 29cm.…

Gebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. InhaltsverzeichnisEditor s PrefaceThe Effect of Alexander III s Rules on the Formation of Marriage in Angevin England [R. Allen Brown Memorial Lecture] - Anne J. DugganRiots, Reform, and Rivalry: Religious Life in Rouen, c. …