donald baker moore (12 resultados)

Condición: Very Good. Very Good Condition. Has some wear. Five star seller - Buy with confidence!

Softcover. Condición: Good. cover art by William Timmins Ilustrador. First Edition. New York: Street & Smith Publications Inc. 1950. First Edition. Digest sized magazine in pictorial wrappers [about 5.5" x 7.75"], 162 pages, illustrated.With stories James Blish, H. B. Fyfe, J. T. M'Intosh, Donald Baker Moore, A. J. Deutsch, Arthur J. Cox, L. Sprague de Camp and edited by John W. Campbell Jr A good copy with small chips to the spine and front cover as shown, text lightly toned. See Photos whbx 18.

paperback. Condición: Acceptable. wear, tear, tape repair, tanning.

Pamphlet. Condición: Fine. 8vo - over 7¾" - 9¾" tall.

SingleIssueMagazine. Condición: Very Good-. Vol. XLVI, No. 4.Edited by John W. Campbell, Jr. Cover art by Timmins for "Bindlestiff" (novelette; 'Cities in Flight' series) by James Blish. Includes "Compromise" (novelette) by H. B. Fyfe; "The Curfew Tolls" (1st story) by J. T. McIntosh; "Foundling" by Donald Baker Moore; "A Subway Named Mobius" by A. J. Deutsch; "The Hand of Zei" (pt. 3 of 4) by L. Sprague de Camp. Article: "Varieties of Culture" by Arthur Jean Cox. Readers' Departments: "The Editor's Page: Figures Don't Lie" ; "In Times to Come"; "The Analytical Laboratory"; "Book Reviews"; "Brass Tacks". Illustrated by Cartier, Timmins and Orban. Tears; creases; rubbing; tanning. Book.

SingleIssueMagazine. Condición: Very Good. Vol. XLVI, No. 4.Edited by John W. Campbell, Jr. Cover art by Timmins for "Bindlestiff" (novelette; 'Cities in Flight' series) by James Blish. Includes "Compromise" (novelette) by H. B. Fyfe; "The Curfew Tolls" (1st story) by J. T. McIntosh; "Foundling" by Donald Baker Moore; "A Subway Named Mobius" by A. J. Deutsch; "The Hand of Zei" (pt. 3 of 4) by L. Sprague de Camp. Article: "Varieties of Culture" by Arthur Jean Cox. Readers' Departments: "The Editor's Page: Figures Don't Lie" ; "In Times to Come"; "The Analytical Laboratory"; "Book Reviews"; "Brass Tacks". Illustrated by Cartier, Timmins and Orban. Darkening; Nearly 1.5" long, but very shallow chip at lower edge of front cover, else nice. Book.

SingleIssueMagazine. Condición: Very Good+. Vol. XLVI, No. 4.Edited by John W. Campbell, Jr. Cover art by Timmins for "Bindlestiff" (novelette; 'Cities in Flight' series) by James Blish. Includes "Compromise" (novelette) by H. B. Fyfe; "The Curfew Tolls" (1st story) by J. T. McIntosh; "Foundling" by Donald Baker Moore; "A Subway Named Mobius" by A. J. Deutsch; "The Hand of Zei" (pt. 3 of 4) by L. Sprague de Camp. Article: "Varieties of Culture" by Arthur Jean Cox. Readers' Departments: "The Editor's Page: Figures Don't Lie" ; "In Times to Come"; "The Analytical Laboratory"; "Book Reviews"; "Brass Tacks". Illustrated by Cartier, Timmins and Orban. Tanning; minor nicks and dings. Book.

SingleIssueMagazine. Condición: Very Good+. Vol. XLVI, No. 4.Edited by John W. Campbell, Jr. Cover art by Timmins for "Bindlestiff" (novelette; 'Cities in Flight' series) by James Blish. Includes "Compromise" (novelette) by H. B. Fyfe; "The Curfew Tolls" (1st story) by J. T. McIntosh; "Foundling" by Donald Baker Moore; "A Subway Named Mobius" by A. J. Deutsch; "The Hand of Zei" (pt. 3 of 4) by L. Sprague de Camp. Article: "Varieties of Culture" by Arthur Jean Cox. Readers' Departments: "The Editor's Page: Figures Don't Lie" ; "In Times to Come"; "The Analytical Laboratory"; "Book Reviews"; "Brass Tacks". Illustrated by Cartier, Timmins and Orban. Tanning; a little stress; minor losses at spine ends. Book.

SingleIssueMagazine. Condición: Very Good+. Vol. XLVI, No. 4.Edited by John W. Campbell, Jr. Cover art by Timmins for "Bindlestiff" (novelette; 'Cities in Flight' series) by James Blish. Includes "Compromise" (novelette) by H. B. Fyfe; "The Curfew Tolls" (1st story) by J. T. McIntosh; "Foundling" by Donald Baker Moore; "A Subway Named Mobius" by A. J. Deutsch; "The Hand of Zei" (pt. 3 of 4) by L. Sprague de Camp. Article: "Varieties of Culture" by Arthur Jean Cox. Readers' Departments: "The Editor's Page: Figures Don't Lie" ; "In Times to Come"; "The Analytical Laboratory"; "Book Reviews"; "Brass Tacks". Illustrated by Cartier, Timmins and Orban. Book.

SingleIssueMagazine. Condición: Very Good+ to Near Fine. Vol. XLVI, No. 4.Edited by John W. Campbell, Jr. Cover art by Timmins for "Bindlestiff" (novelette; 'Cities in Flight' series) by James Blish. Includes "Compromise" (novelette) by H. B. Fyfe; "The Curfew Tolls" (1st story) by J. T. McIntosh; "Foundling" by Donald Baker Moore; "A Subway Named Mobius" by A. J. Deutsch; "The Hand of Zei" (pt. 3 of 4) by L. Sprague de Camp. Article: "Varieties of Culture" by Arthur Jean Cox. Readers' Departments: "The Editor's Page: Figures Don't Lie" ; "In Times to Come"; "The Analytical Laboratory"; "Book Reviews"; "Brass Tacks". Illustrated by Cartier, Timmins and Orban. Tanning; minor tear at heel; minor dent to front; staple wear to rear; letter R on rear in pencil; minor edge losses. Book.

Color illustr, 11 x 8.5, stapled wraps, 42 pp, covers unevenly toned and edge worn, silver spaceship (looking quite like a space shuttle, and used for the same purpose) detached but present with corresponding glue-stain, else a very nicely preserved copy.

Unbound. Condición: Good. Original black and white photograph measuring 7" x 5" Inscribed by actress Pauline Bush Dwan, ?From left to right, Donald Crisp, Owen Moore, Mary Pickford, Father O?Sullivan, Allan Dwan, Pauline Bush Dwan. April 24, 1915 ? San Juan Capistrano Mission, Calif. To Hettie Gray, with love, Pauline." The photo is creased with a tear at the top, thus good only. A photograph taken at the wedding of actors Allan Dwan and Pauline Bush at the San Juan Capistrano Mission in California and officiated by Father St. John O'Sullivan. While attending the wedding, Mary Pickford and Owen Moore (who were married in 1910) felt inspired to renew their own vows, a ceremony which O'Sullivan also officiated. The impromptu scene was later depicted in a painting by Charles Percy Austin, which remains in the possession of the Mission (we can confirm it has been on display as recently as 2020). This photo shows the two couples together with O'Sullivan and their friend and colleague, fellow actor Donald Crisp, posing in a ruinous corridor of the Mission, which O'Sullivan was in the midst of restoring at the time. The wedding appears to have been a quaint, even clandestine affair. The only real press we found of the event was first printed in the April 7, 1924 edition of *The Los Angeles Times* which dedicates only two short paragraphs to the announcement, the second being a single sentence, "The couple (Dwan and Bush) will take a unique wedding trip, motoring through the mountains of California," with no mention of the Mission, and the only reference to "Miss Pickford" being that Dwan was currently working with her. The recipient of this photograph was Hettie Gray Baker, a pioneer for women in the film industry. Baker was a screen writer and film editor who worked her way up to become the production editor and censorship representative at Fox studios. She worked on a myriad of films, including adaptations of Jack London's novels. The Women Film Pioneers Project (Columbia University) states: "Hettie Gray Baker . had a long and exceptional career in motion pictures. She was a writer of motion picture titles and scenarios; of library science, theatre, and fan magazine articles; and, later in life, of highly regarded books about cats . The range of her work, however, is not so surprising given that she was employed full-time for the motion picture industry from the early teens through the early 1950s . *Filmplay Journal* described her career as 'pioneerical,' calling her 'one of the most influential people in the production of the films.'" Underneath the photo's inscription, in a different hand, is written, "San Francisco, California, October 22, 1951." We're unsure who wrote this, but it should be noted that this photograph was found in an old family Bible belonging to Hettie Gray Baker and/or her relatives. A fascinating piece of silent-era film history that appears to be unknown as we could find no other examples of this image. Signed.