Dillman richard (12 resultados)

dvd. Condición: Used - Good.

No Binding. Condición: VG+. A lot of three good or better original release 8 x 10 stills. Photographic Image.

Soft cover. Condición: Fine. 1st Edition. Fine Holt first edition large trade paperback in excellent condition.

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Vintage full-color still photograph from the 1978 UK release of the 1977 Chinese-American film. Robert Mitchum stars as ex-DEA agent Quinlan, hired by a the leader of a drug cartel in Amsterdam to act as a rat and give the DEA information on drug deals. 8 x 10 inches. Very Good plus, with a diagonal crease, and slight waviness to the top edge.…

Vintage oversize borderless black-and-white double weight press photograph from the set of the 1960 film. Shot by Jean Schmidt for the French magazine Cinema, with stamps for both parties on the verso. A cinematic experiment tailor made for Welles, in which three actors portray two roles each, spinning two intertwined stories of romantic triangles gone wrong. This image from the first segment of the film, wherein Welles plays a loutish construction worker with an unhappy wife who takes up with a suitor, leading to unfortunate results. 8.5 x 12 inches. Fine. …

Draft script for the 1974 film. Copy belonging to construction coordinator Hendrik Wynands, with his name in manuscript ink on the front wrapper, and on a label affixed to the three-ring binder housing the script. Bound in after the script are several production documents, including interoffice memos, a staff and crew contact list, a shooting schedule, and a construction estimate and set breakdown sheet. A satirical neo-noir following a professional hit man who is contracted by a local mob boss to take out the competition, but soon finds himself the target of several personal attacks in retaliation. Shot on location in Seattle, Washington and Silver Springs, Florida. Script housed in a black three-ring binder. Blue titled Twentieth Century-Fox wrappers, noted as FINAL and copy No. 332 on the front wrapper. Title page present, undated, noted as FINAL, with credits for director John Frankenheimer and screenwriter Robert Dillon. 130 leaves, with last page of text numbered 129. Mimeograph duplication on eye-rest green stock, rectos only. Pages Near Fine, wrapper Near Fine. Spicer US Neo-Noir.…

Collection of nine vintage studio still photographs from the 1961 film. Based on William Faulkner's novels, "Sanctuary" and "Requiem for a Nun." A harsh film with frank dialogue throughout regarding rape, female sensuality, and sexual brutality. The final version of the film suffered from the changes made, an attempt to make something "literary" and "respectable" from a novel where disrespect and ill repute were at the center of a grim story. 8 x 10 inches. Near Fine with light toning overall, wrinkling, and a graphite manuscript notation to the verso of one image.…

Collection of 28 vintage studio still photographs from the 1961 film. Based on William Faulkner's novels, "Sanctuary" and "Requiem for a Nun." A harsh film with frank dialogue and thematic content throughout regarding rape, female sensuality, and sexual brutality. The final version of the film suffered from censorship, as well as an attempt to make something "literary" and "respectable" from a novel where disrespect and ill repute were at the center of a grim story. 8 x 10 inches. Near Fine to Fine condition.…

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1964 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 93 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 93.…

Original revised shooting script with color rewrite pages for an episode To Catch a Butterfly written by Richard Fielder and directed by David Lowell Rich for the classic television series The Alfred Hitchcock Hour, starring Bradford Dillman. This was DillmanÕs working script with his extensive notations throughout referencing his role as Bill Nelson. With his estate stamp which reads, ÒFrom the Library of Bradford DillmanÓ. 63 unbound pages dated December 4, 1962 through December 10, 1962. Season 1, Episode 19 which aired on February 1, 1963. A lightly handled copy with some edge wear and paper clip marks. In this episode, Dillman costars with the host, Alfred Hitchcock, Diana Hyland and Edward Asner. Bradford Dillman (1930-2018) was one of HollywoodÕs best regarded actors among his peers and the public. He was trained at the Actors Studio under Lee Strasberg and knew James Dean in early television. Dillman rose to sudden fame with his appearance in Richard FleisherÕs film Compulsion (1959) with Dean Stockwell and Orson Welles, and continued in movies throughout his career in such films as The Way We Were, The Iceman Cometh, The Enforcer, Sudden Impact, Crack in the Mirror, Escape From the Planet of the Apes, Francis of Assisi, Piranha, The Swarm, etc. A great success in television, Dillman appeared in a remarkable number of shows and made for TV movies in a variety of genres, including, Mission Impossible, The Man from U.N.C.L.E., Columbo, Wagon Train, Ironside, Dynasty, The Wild Wild West, Thriller, Wonder Woman, Cannon, Barnaby Jones, and many others.…

Set of 90 vintage snapshot-size keybook publicity photographs from the 1960 film, with punch holes at the left (or top) margin as called for. To our knowledge, snapshot-size reference photographs were utilized only by Twentieth Century-Fox, during a period roughly between 1940-1965, and are very scarce, particularly in the keybook format. A cinematic experiment tailor made for Welles, in which three actors portray two roles each, spinning two intertwined stories of romantic triangles gone wrong. This image from the first segment of the film, wherein Welles plays a loutish construction worker with an unhappy wife who takes up with a suitor, leading to unfortunate results. 4 x 5 inches. One photo with some loss at the right margin, all others Near Fine or better.…