Deshmukh marion (53 resultados)

Paperback. Condición: Fine. 1st. 231 pages, illustrations (chiefly colour), portraits; 31 cm. Published on the occasion of an exhibition organized by the Skirball Cultural Center and held at the Center, September 15, 2005 to January 29, 2006, and at the Jewish Museum, New York, March 10 to July 9, 2006. Firm binding, clean inside copy. Stated First printing. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** "Max Liebermann (1847-1935), the leading artist in Germany from the early 1890s until the Nazi takeover in 1933, was known later in his career for his singular approach to Impressionism. This book explores the virtuosity of his art and the personal attributes on which it oftentimes was based." - Publisher. *** CONTENTS: Why Max Liebermann at the Skirball Cultural Center?, by Uri D. Herscher; Director's foreword, by Lori Starr; Message from The Jewish Museum, by Joan Rosenbaum; Curator's introduction and acknowledgments, by Barbara C. Gilbert; Max Libermann: a long and fruitful career, by Barbara C. Gilbert; Catalogue of the exhibition; Max Liebermann and the politics of painting in Germany: 1870-1935, by Marion F. Deshmukh; Max Liebermann: German painter and Berlin Jew, by Chana Schutz and Hermann Simon; Gentleman's agreement: belief and disillusionment in the art of Max Liebermann, by Mason Klein; Max Libermann, the outsider as impresario of modernism in the empire, by Francoise Forster-Hahn; Chronology, by Suzanne Schwarz Zuber. Size: 4to. Collectible. …

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condición: Fine. 1st Edition. 8vo. 82 pp. Illustrated with B & W photographs. Original stiff illustrated light blue wrappers. This is a tight, fine book.

Softcover. glossy pictorial wrappers w/ red & white printing. 231 pgs w/ bw & color illustrations. Bright, bold illustrations. A thorough biography and analysis with a closing chronology of cultural, political and religious events in Liebermann's life. VG (light edge-wear & scratches to covers).

Condición: Very Good. 85 pp., paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Softcover/Paperback. Condición: Gut. 82 S. Good condition. Paper slightly wavy, clean. Sprache: Englisch Gewicht in Gramm: 160.

Originalbroschur. Condición: Gut. 85 S. Ein gutes und sauberes Exemplar. - Despite the lively interest of art dealers in contemporary German art, American art critics and museum curators have been rather reluctant in including it in their reviews of the international art scene since World War II. It was to a large extent the appearance of Anselm Kiefer, Joseph Beuys, and the so-called neo-expressionists in the early 1980s that directed more attention to German painters and helped situate their work within a distinct current of contemporary art. Given the lack of such a framework, the visual arts of East Germany, the former German Democratic Republic, have remained all but unknown in the United States. Painters like Werner Tübke, Willi Sitte, Bernhard Heisig, and Wolfgang Mattheuer, who achieved a modicum of recognition within and beyond the borders of their socialist state, did not "make" it across the ocean. With the fall of the Berlin Wall, the question was raised whether their recognition was just a function of their prominence in East Germany or of the aesthetic quality of their oeuvre. - Content: Marion F. Deshmukh : RED AND BLANK: THE RECEPTION OF EAST GERMAN ART IN AMERICA -- Matthias Flügge: THE CHANGING ARTS SITUATION IN EASTERN GERMANY SINCE 1990 -- Eckhart Gillen: PASSAGES: THREE EAST GERMAN ARTISTS BEFORE AND AFTER 1989 -- Richard W. Pettit: WERNER TUBKE AND THE FRANKENHAUSEN PANORAMA PAINTING -- Jost Hermand: COMMISSIONED ART VERSUS FREE ART: A RESPONSE. ISBN 0941441350 Sprache: Englisch Gewicht in Gramm: 550.…

82/(8) S., brosch., sehr guter Zustand! Sehr selten! (Occasional Paper No. 19) - Enthält u. a. Beiträge von Helmut Schmidt u. Marion Gräfin Dönhoff.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. A matte softcover book with white font on a red spine. Pages: (14), 1-252. Illustrated with both color and black-and-white images. VG: Wear to the corners. Previous owner mark on the first page.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. Although Max Liebermann (1847-1935) began his career as a realist painter depicting scenes of rural labor, Dutch village life, and the countryside, by the turn of the century, his paintings had evolved into colorful images of bourgeois life and leisure that critics associated with French impressionism. During a time of increasing German nationalism, his paintings and cultural politics sparked numerous aesthetic and political controversies. His eminent career and his reputation intersected with the dramatic and violent events of modern German history from the Empire to the Third Reich. The Nazis' persecution of modern and Jewish artists led to the obliteration of Liebermann from the narratives of modern art, but this volume contributes to the recent wave of scholarly literature that works to recover his role and his oeuvre from an international perspective.…

Condición: New.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. In English.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Has some light general reading/shelfwear - otherwise this is a clean, tight copy. Quick dispatch from the UK. Book.

Paperback. Condición: New. Although Max Liebermann (1847-1935) began his career as a realist painter depicting scenes of rural labor, Dutch village life, and the countryside, by the turn of the century, his paintings had evolved into colorful images of bourgeois life and leisure that critics associated with French impressionism. During a time of increasing German nationalism, his paintings and cultural politics sparked numerous aesthetic and political controversies. His eminent career and his reputation intersected with the dramatic and violent events of modern German history from the Empire to the Third Reich. The Nazis' persecution of modern and Jewish artists led to the obliteration of Liebermann from the narratives of modern art, but this volume contributes to the recent wave of scholarly literature that works to recover his role and his oeuvre from an international perspective.…

Condición: New. Marion F. Deshmukh is the Robert T. Hawkes Professor Emerita of History at George Mason University, USA who specialized in modern German and European cultural and visual history.Max Liebermann: Modern Art and Modern Germany is the first English-lang.

Lex. 8°, broschiert. Condición: Gut. 252 Seiten Leichte Lagerspuren am Einband, innen durchgehend sehr gut und sauber. Sprache: Englisch Gewicht in Gramm: 1187.

Paperback. Condición: Brand New. 236 pages. 11.75x9.25x0.50 inches. In Stock.

Taschenbuch. Condición: Neu. Max Liebermann | Modern Art and Modern Germany | Marion F. Deshmukh | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2017 | Routledge | EAN 9781138563230 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. …

Paperback. Condición: Brand New. reprint edition. 433 pages. 9.50x6.75x1.00 inches. In Stock.

Paperback. Condición: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

hardcover. Condición: new.