Debra purden (25 resultados)

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: New. New copy.

Hardcover. Condición: Very Good. Paper-covered boards. Minor shelf wear. Else a bright, clean copy.

Hardcover. Condición: Very Good. None. Bilingual Edition: English & French. Minor shelf wear; some light rubbing. Else a bright, clean copy. Born into slavery around 1853-4 on a cotton plantation in Benton, Alabama, Traylor has become one of the most important self-taught artists of the twentieth century, and certainly one of the most celebrated African-American artists, along with Thorton Dial and William Edmondson. The story of Bill Traylor's life and work is a remarkable one. It is a story that deserves attention both nationally and internationally. This publication, generously illustrated with full-page high-quality reproductions, provides a close examination of Traylor's recurrent themes, composition schemes, favoured iconography, and contextual information related to the artist's biography, creative process and tools, visual environment, and artistic mindset. Each artwork is considered in a context beyond that of an isolated image and in response to one another, forming a series of intricate and consistent narratives, intriguingly cinematic in its development. The elements of Traylor's biography are the anchors of an individual mythology. Instead of merely being a basic depiction, the subject becomes a visual statement structuring Traylor's mind, bringing together hidden symbols from Kongo Vodou, Hoodoo, Southern Baptist, Freemasonry, and Blues sources, as well as layers of references: slavery, uncensored violence in the Jim Crow era, and turbulence within the black enclave known as 'Dark Town' in Montgomery, Alabama. Text in English and French.…

Hardcover. Condición: Very Good. None. Bilingual Edition: English & French. Minor shelf wear. Else a bright, clean copy. Born into slavery around 1853-4 on a cotton plantation in Benton, Alabama, Traylor has become one of the most important self-taught artists of the twentieth century, and certainly one of the most celebrated African-American artists, along with Thorton Dial and William Edmondson. The story of Bill Traylor's life and work is a remarkable one. It is a story that deserves attention both nationally and internationally. This publication, generously illustrated with full-page high-quality reproductions, provides a close examination of Traylor's recurrent themes, composition schemes, favoured iconography, and contextual information related to the artist's biography, creative process and tools, visual environment, and artistic mindset. Each artwork is considered in a context beyond that of an isolated image and in response to one another, forming a series of intricate and consistent narratives, intriguingly cinematic in its development. The elements of Traylor's biography are the anchors of an individual mythology. Instead of merely being a basic depiction, the subject becomes a visual statement structuring Traylor's mind, bringing together hidden symbols from Kongo Vodou, Hoodoo, Southern Baptist, Freemasonry, and Blues sources, as well as layers of references: slavery, uncensored violence in the Jim Crow era, and turbulence within the black enclave known as 'Dark Town' in Montgomery, Alabama. Text in English and French.…

Hardcover. Condición: Fine No dust jacket as issued. Estado de la sobrecubierta: No Dust Jacket As Issued. A nice, bright copy.; English And French Edition; Color Illustrations; 11.4 X 9.7 X 0.9 inches; 192 pages.

Condición: New.

HARDCOVER. (9.5 x 11 inches). jacket as issued. 192pp. Profusely illustrated. 192pp. Bilingual French-English text. FINE/no jacket as issued. Overstock copy in publisher's shrinkwrap.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. Born into slavery around 1853-4 on a cotton plantation in Benton, Alabama, Traylor has become one of the most important self-taught artists of the twentieth century, and certainly one of the most celebrated African-American artists, along with Thorton Dial and William Edmondson. The story of Bill Traylor's life and work is a remarkable one. It is a story that deserves attention both nationally and internationally. This publication, generously illustrated with full-page high-quality reproductions, provides a close examination of Traylor's recurrent themes, composition schemes, favoured iconography, and contextual information related to the artist's biography, creative process and tools, visual environment, and artistic mindset. Each artwork is considered in a context beyond that of an isolated image and in response to one another, forming a series of intricate and consistent narratives, intriguingly cinematic in its development. The elements of Traylor's biography are the anchors of an individual mythology. Instead of merely being a basic depiction, the subject becomes a visual statement structuring Traylor's mind, bringing together hidden symbols from Kongo Vodou, Hoodoo, Southern Baptist, Freemasonry, and Blues sources, as well as layers of references: slavery, uncensored violence in the Jim Crow era, and turbulence within the black enclave known as 'Dark Town' in Montgomery, Alabama. Text in English and French.…

Hardcover. Condición: new. Hardcover. Born into slavery around 1853-4 on a cotton plantation in Benton, Alabama, Traylor has become one of the most important self-taught artists of the twentieth century, and certainly one of the most celebrated African-American artists, along with Thorton Dial and William Edmondson. The story of Bill Traylor's life and work is a remarkable one. It is a story that deserves attention both nationally and internationally. This publication, generously illustrated with full-page high-quality reproductions, provides a close examination of Traylor's recurrent themes, composition schemes, favoured iconography, and contextual information related to the artist's biography, creative process and tools, visual environment, and artistic mindset. Each artwork is considered in a context beyond that of an isolated image and in response to one another, forming a series of intricate and consistent narratives, intriguingly cinematic in its development. The elements of Traylor's biography are the anchors of an individual mythology. Instead of merely being a basic depiction, the subject becomes a visual statement structuring Traylor's mind, bringing together hidden symbols from Kongo Vodou, Hoodoo, Southern Baptist, Freemasonry, and Blues sources, as well as layers of references: slavery, uncensored violence in the Jim Crow era, and turbulence within the black enclave known as 'Dark Town' in Montgomery, Alabama. Text in English and French. AUTHORS: Valerie Rousseau has been curator of self-taught art and art brut at the American Folk Art Museum, New York, since 2013, where she curated the AAMC Award-winning When the Curtain Never Comes Down (2015) and other critically acclaimed exhibitions. Rousseau holds a doctoral degree in art history and a master's degree in art theory, both from Universite du Quebec in Montreal, and a master's degree in anthropology from Ecole des Hautes Etudes en Sciences Sociales, Paris. She is the author and editor of numerous publications, among them The Hidden Art: 20th and 21st Century Self-Taught Art (Rizzoli, 2017), Revealing Art Brut (Culture & Musees, 2010), and Vestiges de l'indiscipline (Canadian Museum of Civilization, 2007). Debra Purden is an American historian whose research has focused on the life and work of Bill Traylor. She has worked as a curator and registrar for many private collections in Chicago, among them the most significant private collections of Traylor. Previously part of the curatorial team at the Museum of Contemporary Art in Chicago, Purden has held positions at the Field Museum of Natural History, the Art Institute of Chicago, and the Chicago Cultural Center. 134 colour images Born into slavery around 1853-4 on a cotton plantation in Benton, Alabama, Traylor has become one of the most important self-taught artists of the twentieth century. This publication provides a close examination of recurrent themes related to the artist's biography, creative process and tools. Text in English and French. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condición: New. Born into slavery around 1853-4 on a cotton plantation in Benton, Alabama, Traylor has become one of the most important self-taught artists of the twentieth century, and certainly one of the most celebrated African-American artists, along with Thorton Dial and William Edmondson. The story of Bill Traylor's life and work is a remarkable one. It is a story that deserves attention both nationally and internationally. This publication, generously illustrated with full-page high-quality reproductions, provides a close examination of Traylor's recurrent themes, composition schemes, favoured iconography, and contextual information related to the artist's biography, creative process and tools, visual environment, and artistic mindset. Each artwork is considered in a context beyond that of an isolated image and in response to one another, forming a series of intricate and consistent narratives, intriguingly cinematic in its development. The elements of Traylor's biography are the anchors of an individual mythology. Instead of merely being a basic depiction, the subject becomes a visual statement structuring Traylor's mind, bringing together hidden symbols from Kongo Vodou, Hoodoo, Southern Baptist, Freemasonry, and Blues sources, as well as layers of references: slavery, uncensored violence in the Jim Crow era, and turbulence within the black enclave known as 'Dark Town' in Montgomery, Alabama. Text in English and French.…

Hardcover. Condición: New.

Condición: New.

Condición: New. In English.

Condición: NEW.

Condición: As New. Unread book in perfect condition.

Rilegato. Condición: new. Edited by Rousseau V. and Purden D. English and French Text. Milano, 2018; bound, pp. 192, ill., cm 32x21. (Art Brut, la Collection). Richly illustrated with full-page stunning reproductions, this is a unique and original approach to the work of Bill Traylor. Born into slavery around 1853/4 on a cotton plantation in Benton, Alabama, Traylor, who died in 1949, is one of the most celebrated self-taught American artists. A sharecropper until around 1930, he moved to then-segregated Montgomery in his 80s and began to create art, layering references to religion, politics, and African American life in his many drawings and paintings. Here, Traylor specialists Valérie Rousseau and Debra Purden consider his artworks in response to one another, forming a series of intricate and consistent narratives, intriguingly cinematic in their development, to present a fresh picture of the artist. Libro.…

Hardcover. Condición: Brand New. bilingual edition. 191 pages. French language. 11.00x10.00x0.50 inches. In Stock.

Gebunden. Condición: New. Born into slavery around 1853-4 on a cotton plantation in Benton, Alabama, Traylor has become one of the most important self-taught artists of the twentieth century. This publication provides a close examination of recurrent themes related to the artist s b.

Hardback. Condición: New. Born into slavery around 1853-4 on a cotton plantation in Benton, Alabama, Traylor has become one of the most important self-taught artists of the twentieth century, and certainly one of the most celebrated African-American artists, along with Thorton Dial and William Edmondson. The story of Bill Traylor's life and work is a remarkable one. It is a story that deserves attention both nationally and internationally. This publication, generously illustrated with full-page high-quality reproductions, provides a close examination of Traylor's recurrent themes, composition schemes, favoured iconography, and contextual information related to the artist's biography, creative process and tools, visual environment, and artistic mindset. Each artwork is considered in a context beyond that of an isolated image and in response to one another, forming a series of intricate and consistent narratives, intriguingly cinematic in its development. The elements of Traylor's biography are the anchors of an individual mythology. Instead of merely being a basic depiction, the subject becomes a visual statement structuring Traylor's mind, bringing together hidden symbols from Kongo Vodou, Hoodoo, Southern Baptist, Freemasonry, and Blues sources, as well as layers of references: slavery, uncensored violence in the Jim Crow era, and turbulence within the black enclave known as 'Dark Town' in Montgomery, Alabama. Text in English and French.…

Couverture rigide. Condición: Très bon état. In-4 relié 28,7 cm sur 24,7. 191 pages. Très bon état d'occasion. Né esclave vers 1853-1854 dans une plantation de coton à Benton, dans l'Alabama, Bill Traylor a été l'un des artistes autodidactes les plus importants du XXe siècle. in-4°.

Hardcover. Condición: new. Hardcover. Born into slavery around 1853-4 on a cotton plantation in Benton, Alabama, Traylor has become one of the most important self-taught artists of the twentieth century, and certainly one of the most celebrated African-American artists, along with Thorton Dial and William Edmondson. The story of Bill Traylor's life and work is a remarkable one. It is a story that deserves attention both nationally and internationally. This publication, generously illustrated with full-page high-quality reproductions, provides a close examination of Traylor's recurrent themes, composition schemes, favoured iconography, and contextual information related to the artist's biography, creative process and tools, visual environment, and artistic mindset. Each artwork is considered in a context beyond that of an isolated image and in response to one another, forming a series of intricate and consistent narratives, intriguingly cinematic in its development. The elements of Traylor's biography are the anchors of an individual mythology. Instead of merely being a basic depiction, the subject becomes a visual statement structuring Traylor's mind, bringing together hidden symbols from Kongo Vodou, Hoodoo, Southern Baptist, Freemasonry, and Blues sources, as well as layers of references: slavery, uncensored violence in the Jim Crow era, and turbulence within the black enclave known as 'Dark Town' in Montgomery, Alabama. Text in English and French. AUTHORS: Valerie Rousseau has been curator of self-taught art and art brut at the American Folk Art Museum, New York, since 2013, where she curated the AAMC Award-winning When the Curtain Never Comes Down (2015) and other critically acclaimed exhibitions. Rousseau holds a doctoral degree in art history and a master's degree in art theory, both from Universite du Quebec in Montreal, and a master's degree in anthropology from Ecole des Hautes Etudes en Sciences Sociales, Paris. She is the author and editor of numerous publications, among them The Hidden Art: 20th and 21st Century Self-Taught Art (Rizzoli, 2017), Revealing Art Brut (Culture & Musees, 2010), and Vestiges de l'indiscipline (Canadian Museum of Civilization, 2007). Debra Purden is an American historian whose research has focused on the life and work of Bill Traylor. She has worked as a curator and registrar for many private collections in Chicago, among them the most significant private collections of Traylor. Previously part of the curatorial team at the Museum of Contemporary Art in Chicago, Purden has held positions at the Field Museum of Natural History, the Art Institute of Chicago, and the Chicago Cultural Center. 134 colour images Born into slavery around 1853-4 on a cotton plantation in Benton, Alabama, Traylor has become one of the most important self-taught artists of the twentieth century. This publication provides a close examination of recurrent themes related to the artist's biography, creative process and tools. Text in English and French. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condición: New. Born into slavery around 1853-4 on a cotton plantation in Benton, Alabama, Traylor has become one of the most important self-taught artists of the twentieth century, and certainly one of the most celebrated African-American artists, along with Thorton Dial and William Edmondson. The story of Bill Traylor's life and work is a remarkable one. It is a story that deserves attention both nationally and internationally. This publication, generously illustrated with full-page high-quality reproductions, provides a close examination of Traylor's recurrent themes, composition schemes, favoured iconography, and contextual information related to the artist's biography, creative process and tools, visual environment, and artistic mindset. Each artwork is considered in a context beyond that of an isolated image and in response to one another, forming a series of intricate and consistent narratives, intriguingly cinematic in its development. The elements of Traylor's biography are the anchors of an individual mythology. Instead of merely being a basic depiction, the subject becomes a visual statement structuring Traylor's mind, bringing together hidden symbols from Kongo Vodou, Hoodoo, Southern Baptist, Freemasonry, and Blues sources, as well as layers of references: slavery, uncensored violence in the Jim Crow era, and turbulence within the black enclave known as 'Dark Town' in Montgomery, Alabama. Text in English and French.…

Buch. Condición: Neu. Bill Traylor | Debra Purden (u. a.) | Buch | Gebunden | Englisch | 2019 | Five Continents Editions | EAN 9788874398218 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.