davis w eugene (37 resultados)

Hardcover. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. First Edition. Dust jacket is good minus. Rear of DJ is rubbed and scraped. DJ has some small tears and chips, mostly to the corners.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hard Cover. Condición: Very Good. No Jacket. First Edition. Spine slightly sunned, ends bumped with a shelf lean and a bit of foxing to the front board and edges of the text block. Inscribed and signed by Lauterbach on the front end paper. Inscribed By the Author.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition.

Hardcover. Condición: Fine. Estado de la sobrecubierta: very good. Large octavo, x + 841 pages. Includes indexes. Book is in Fine condition; dust jacket chipped at top edge near spine, still Very Good. 071902A.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good-. DJ rubbed, and is in a mylar protector.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. B&W photos Ilustrador. This copy is very tight and clean with no markings. The white dust jacket shows some handling soil and a copy wrinkles.

Condición: New.

Hardcover. Condición: Good. octavo; (1973); 841 pp (including indices); Near Fine in Near Fine; dustjacket, bottom corners slightly bumped with small creases to dj, small soil spot to outer bottom edge of pages; else excellent tight clean copyHardcover.

841pp. 8vo cloth Ex-library, spine lightly soiled, else Near Fine/no dj 0-87580-039-4.

Softcover. 296 pp. New Series. Volume XXI, Part 1 (April 1970). Softcover. Good condition; some color fading on covers, and light creasing on spine.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. B&W photos Ilustrador. This copy is very tight and clean with owners name and address label . The blue dust jacket shows some handling soil and a closed tear at the top front gutter area.

Condición: New.

Soft cover. Condición: Very Good +. First Edition. Single Issue In Original Wrappers. Light Wear, Bright, Foxing On Edges Of Page Block.

Condición: As New. Unread book in perfect condition.

Softcover. Pages clean and bright. Wrappers have light overall shelf wear. Contents: Stevick, "The Design of Lindisfarne Gospels folio 138v"; McClendon, "An Early Funerary Portrait from the Medieval Abbey at Faria"; Reynolds, "Image and Text: The Liturgy of Clerical Ordination in Early Medieval Art"; Seuren, "Charlieu und der "English style"; Moskowitz, "I Trecento Classicism and the Campanile Hexagons"; Davis, "'Troys Portaulx et Deux Grosses Tours': Tne Flamboyant Façade Project for the Cathedral of Clermont"; Lacaze and Morganstern, "Gothic Splendor in Paris: A Review"; Blum and Hayward, "Sumner McKnight Crosby (1909-1982)."; 11.0" tall; 96 pages. Very Good in No Dust Jacket dust jacket.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. hardback, thick octavo, closed edges with some faint foxing, page vii crease at top corner o/w a very good tightly bound copy in a well preserved pictorial dust wrapper that is now protected in a non-adhesive clear film sleeve, inscribed and signed by W Eugene Davis, 735pp. Inscribed by Author(s).

Hardcover. Condición: Gut. 851 p. Good. Ex-library with usual markings. Clean pages. Sprache: Englisch Gewicht in Gramm: 1550.

Hardcover. Condición: Fair. 2 vols. 841p; 735p. Ex-library. A set of two beige cloth hardcover books in good, sturdy reading condition. Stickers on spines and back covers. Stamps on endpapers, title page, and foredges. Card pocket inside as well. Otherwise clean and tight. From the series AN ANNOTATED SECONDARY BIBLIOGRAPHY SERIES ON ENGLISH LITERATURE IN TRANSITION 1880-1920.

Condición: New. Satisfaction Guaranteed or your money back.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. VOLUME II ONLY - A Near Fine hardcover in a Very Good dustjacket. The book is in clean boards, lightly bumped to spine ends, no writing or stamps, unmarked pages, very lightly foxed to the text-block edges. The bright dustjacket is a little rubbed and creased to the edges - supplied in a new removable archival sleeve. Carefully packaged and despatched within 48 hours from our wee bookshop in Scotland.; Vol. 2.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 2 volumes, both volumes with dustjackets + protective cellophane wrappers, very good set in good condition, vol. 1 pp. x + 841, vol. 2 x + 735. PLEASE ASK FOR POSTAGE RATES OUTSIDE GB.

Condición: New.

Buch. Condición: Neu. Neuware.

Soft cover. Condición: Very Good. Frank Walts, John Sloan, Art Young, Glenn O. Coleman, Stuart Davis, Cornelia Barns, Randall Davey, George Bellows, Maurice Becker, A. Londoner, Elias Goldberg, Eugene Higgins Ilustrador. 1st Edition. New York: The Masses Publishing Company, 1915. The June, 1915 issue (Volume VI, Number 9, whole number 49). Large Folio, illustrated stapled wraps, 27 pp. Very Good by any periodical standard; as the very inexpensively-produced budget-of-the-heart icon The Masses was, this example is certainly better than very good, by its own standard. Light crease the vertical length of cover; small nicks at front cover perimeter; larger chip at rear cover, lower left; modest toning to the remarkably healthy contents. See scans. Certainly one of the most seminal socio-political American publications of the last 200 years, The Masses was a collection of ideological art, opinion and reporting - usually contributed with little or no compensation - which strongly represented socialist / marxist values, but in a larger sense was representative of labor, women's rights, and radical left issues in general as those were at that time. Famous names of the era often contributed work, but the names of the regulars are themselves all now in history books. The now-timeless publication was shut down by the U.S. Government in 1918 on the basis of postal regulations, after two intense and ideologically-charged trials. Eastman and his sister, Crystal, then started The Liberator to carry on; after The Liberator closed its doors in 1926, The New Masses, under the primary leadership of Mike Gold, carried the radical flag. The Masses, as the first, is also the rarest. Text contributors to this issue of June, 1915 included Eastman, Carl Sandburg, Howard Brubaker, Harris Merton Lyon, Louis Untermeyer, Edmond McKenna, Elsie Clews Parsons, Frank Tanenbaum, Robert Carlton Brown, W.J. Robinson, Charles Grey, and Florence Kiper Frank. Art was contributed by Frank Walts, John Sloan, Art Young, Glenn O. Coleman, Stuart Davis, Cornelia Barns, Randall Davey, George Bellows, Maurice Becker, A. Londoner, Elias Goldberg, and Eugene Higgins, with Walts executing the front cover, and Davis the rear cover. Check out all of those names. An extraordinarily rare piece of American publishing and political history. l-lng2.

Hardcover. Condición: Fine. Estado de la sobrecubierta: No Dust Jacket. 388 pp. Original dark gray leather covers w/ titles in gilt. Three raised bands on spine. Binding very bright and clean. All edges gilt w/ marbled endpapers. #1551 of 3000 copies. Illust. w/ b/w photos. Contents very nice.

Condición: Bon. 1 vol. in-4 reliure demi-maroquin brun, dos à 5 nerfs, couvertures d'origine contrecollées en plat, Offices of "The Studio", London, Paris & New York ("Bureau du Studio, à Paris" on cover, 1908, 10 pp. et 113 planches / 4to, half morroco leather binding, Offices of "The Studio", London, Paris & New York ("Bureau du Studio, à Paris" on cover, 10 pp. et 113 planches Nice copy with its great morocco binding (binding very slightly rubbed, slight foxing) ! With photographs by James Craig Annan, Alvin Langdon Coburn, Frank Eugene, Baron Adolf de Meyer, Frances Stebbins Allen, Mary Electa Allen, Dwight Arthur Davis, Robert Demachy, Rudolf Dührkoop, David Octavius Hill, Gertrude Käsebier, Clarence H. White, Alexander Keighley, Joseph Turner Keiley, Guido Rey, Eva L. Watson-Schutze, George H. Seeley, Alfred Stieglitz, Heinrich Kühn, Malcolm Arbuthnot, Anne W. Brigman, J. Dudley Johnston, or Charles Job. De la bibliothèque Henry Frugès avec son bel ex-libris arabisant signé "Abd En Nor". Passionné d'art, l'industriel sucrier Henry Frugès (1879-1974) tenait de sa grand-mère maternelle née Bentajou que sa famille descendait d'une certaine Zohra, fille de l'émir El Hadj Abd En Nor El Maimouny, général de Boadbil, le dernier roi de Grenade ; il restera profondément attiré par l'art musulman, comme le montre son amusant ex-libris avec sa devise "Je m'éclaire !". Langue: Français.