David weill helene (19 resultados)

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condición: Brand New. 68 pages. French language. 11.02x8.66x0.39 inches. In Stock.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Qto., 340 pages, colour illustrated. A Very Good copy in a very Good dust jacket.

Hardcover. Condición: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Hardcover. Condición: Fine in Fine dust jacket. First edition. Oversize hardcover is like new with like dust jacket, now in a clear archival sleeve. Clean, tightly bound, unmarked. Dust jacket clean, no spine sunning and now protected in a clear archival sleeve. 338 pages, illustrated. A fine copy for the fussy buyer, collector or gift-giver.…

Hardcover. Condición: Very Good. No Jacket. 1st Edition. 4to, 340pp, numerous Colour & Black-and-White Illustrations,Harback [pictorial laminated boards], some minor soiling o/w in Very Good condition. No Dust Jacket as issued.Published to coincide with the exhibition 'Le cas du sac' at the Musee de la Mode et du Textile Union centrale des arts decoratifs in Paris, October 6 2004 - February 20 2005. Over 300 Color & B/w Illustrations (chiefly Color Photographs) (ilustrador).…

Couverture souple. Condición: Bon état. In-12, broché couv. illustrée, photographies et illustrations en noir et en couleurs, 135 pp. Très bon état. Lorsque vers 1885, le grand amateur d'art et collectionneur Jules Maciet (1846-1911) franchit le seuil de la bibliothèque des Arts décoratifs, il comprend que les livres seuls ne peuvent satisfaire la demande des artistes et artisans : "Il faudrait des images, beaucoup d'images", dit-il. De cette intuition naît une aventure inouïe. Maciet va se consacrer à la constitution d'une gigantesque banque d'images. in-12°.…

Condición: very_good.

4to pp. 32. Fine condition. First Edition. Wraps.

Condición: Good. hardcover. Former Library book. Binding is unblemished, text block is clean, boards straight, without highlights or markings. Mild rubbing/chipping to dust wrapper edges. Supporting Bay Area Friends of the Library since 2010. Well packaged and promptly shipped.

Couverture souple. Condición: Bon état. In-folio broché 29.1 cm sur 21.9. 320 pages. Bon état d'occasion.

hardcover. Condición: Good. Satisfaction 100% guaranteed.

Hardcover. Condición: Very Good. Hardcover. 4to. Published by Harry N. Abrams, New York. 2001. 158 pgs. Illustrated. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Jean Schlumberger created the most glamorous jewels of the 20th century, John Loring wrote in Abrams book Tiffany Jewels. This resplendent retrospective volume features fabulous works spanning Schlumberger? S entire career, from his early button designs for Elsa Schiaparelli? S couture collection to his famous jeweled creations for Tiffany & Co. , where he worked from 1956 until his retirement in the late 1970s. In Paris in the 1930s, Schlumberger's inventive designs caught the eye of such influential admirers as famed Vogue editor Diana Vreeland, and by the time he began working exclusively for Tiffany & Co. , he was the most celebrated jewelry designer of his day. Over the years his extravagant and exotic designs of animal and flower motifs garnered a devoted following of celebrities, among them Elizabeth Taylor, Greta Garbo, and Jacqueline Onassis. Pieces by Schlumberger are still among the most popular sold at Tiffany & Co. Today.; 10 X 0.75 X 12.25 inches; 158 pages.…

Soft cover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. 227 Pp. White Cloth Spine, White Covers Printed In Grey With French Flaps, Matching White Dust Jacket And Endpapers Printed In Grey. First American Printing. Fine In Fine Dust Jacket. Signed By Nicolas Ghesquiere On The Title Page. Nicolas Ghesquière (1971-) Is A French Fashion Designer Who Has Been The Creative Director Of The House Of Louis Vuitton Lvmh. After Working As An Assistant To Designer Jean-Paul Gaultier From 1990 To 1992, He Went On To Work At Pôles, Designing Its Knitwear Line Followed By A Series Of Inauspicious Assignments With Different Companies, Including The Italian House Of Callaghan. Ghesquière Eventually Landed A Job Doing The Licensing For Paris Fashion House Balenciaga And Designing For The Asian Market. In 1997, At The Young Age Of 25, Ghesquière Was The Surprise Choice To Head Balenciaga, Promoted To Creative Director Of Balenciaga After His Dutch Predecessor Josephus Thimister Was Fired Following A Highly Unsuccessful Show. He Was Put In Charge Of The Brand's Entire Image, From Clothing And Accessories To Store Design And Advertising. While Working As The Label's Creative Director, Ghesquière Continued To Design Two Italian Collections — Trussardi, Then Callaghan - Until 2001. Callaghan's Spring 2001 Ready-To-Wear Show Was The First Ever In New York For The Then 35-Year-Old Fashion House, And Also Served As The Us Debut For Ghesquière. At Balenciaga, Ghesquière Soon Became Known For His Sense Of Contrast, Such As Pairing High-Waisted Skinny Pants With A Voluminous Blouson Or A Tightly Cut Wool Jumpsuit With Billowing Sleeves. His Work Soon Turned Balenciaga Into A Critically Acclaimed Fashion House. His Biggest Commercial Success Was The Lariat Bag, With Braided Handles And Dangling Zipper Pulls. The Gucci Group (Ppr) Bought Balenciaga In 2001. Ghesquière, Who Wanted To Stay And Expand Balenciaga, Could Only Be Bought Through The House. "It Is A Happy Relationship," Ghesquière Said. "It Has Worked Because They Wanted Me To Explain What I Wanted To Do With Balenciaga, Not The Other Way Around." Ghesquière's Collections Have Had A Considerable Commercial Impact, Particularly Through His Influence On Other Designers, Including His Former Staff Members Julien Dossena, Camille Miceli, And Natacha Ramsay-Levi. During His 15-Year Tenure At Balenciaga, Ghesquière Is Widely Credited With Having Helped Turn The Fashion Label Into One Of The Fastest-Growing And Most Profitable Brands Of Parent Ppr. ]During That Time, He Assembled One Of The Largest Production Teams In Paris With Upwards Of 30 People In The Design Studio And 50 In The Fabrication Ateliers. In November 2012, Ppr Announced His Departure From Balanciaga. On 4 November 2013, Ghesquière Officially Replaced Marc Jacobs At Louis Vuitton As Creative Director For The Women's Collections. On 5 March 2014, Ghesquière Had His First Show Under The Lv Brand. Since Joining Louis Vuiton, Ghesquière Has Regularly Showcased His Designs With Shows In Architectural Landmarks Including The Louvre In Paris - It Was The First Time The Museum Had Allowed A Fashion House To Stage A Show There -; Monaco's Palace Square (2014); Bob Hope's House In Palm Springs (2016); The Niterói Contemporary Art Museum In Rio De Janeiro (2016); The Miho Museum Near Kyoto (2017. Fondation Maeght In Saint-Paul De Vence (2018) And The Twa Flight Center (2019). Ghesquière Designed A Series Of Character Skins For The Video Game League Of Legends In 2019. In October 2000, Ghesquière Was Named Avant-Garde Designer Of The Year At The Vh1/Vogue Fashion Awards, And, A Year Later, He Was Named Womenswear Designer Of The Year By The Cfda. In 2006, He Was Among The Time 100 Most Influential People. Ghesquière Was Described As "Fashion's Most Sought-After And Influential Figure" By American Vogue And Was Also Cited As The International Designer Of The Year In 2014 By The British Fashion Awards. Signed by Author(s).…

Hardcover. Condición: New. This fascinating publication presents the roles two men have played in turning a small workshop in nineteenth-century Paris into one of the most successful and recognized brands in the world. Known for both craftsmanship and must-have high design, Louis Vuitton the luxury house was started by its eponymous founder in 1854. The first half of this publication traces the innovations by Vuitton, who turned the little-known guild profession of emballeur (packer) into the foremost luxury trunk maker in Paris, with a clientele that included in his lifetime the French nobility as well as the elite of a prosperous empire. Prime and never-before-seen examples of Vuitton?s craftsmanship, along with the fashion that went into them, are the highlights of these chapters. The second half of the book examines the role of Marc Jacobs as Louis Vuitton?s creative director (since 1997), who took the Louis Vuitton house into a new era with a series of collaborations with artists and designersâ"such as Takashi Murakami, Richard Prince, and Stephen Sprouseâ"as well as designing a line of highly successful and desired clothing for the company.By examining two divergent but often similar careers one hundred years apart, Louis Vuitton / Marc Jacobs is not only a layered study of the evolution of a luxury brand in the past 150 years but also a celebration of technical and design innovations in the new century.…

[17451].

Condición: Very Good.

Editions Société des Amis du Musée National d'Art Moderne - 1992 - 1 vol in-8 - broché ( pochette contenant 2 pages de présentation et 12 planches volantes en couleur )- Bon état -.