D h lawrence illustrator (26 resultados)

hardcover. Condición: Good. Alice And Martin Provensen (ilustrador).

Hardcover. Condición: near fine. near fine. First edition, complete line of . NOT an ex library book. 568 pages. Dust jacket has no chips or tears. Dust jacket with white spine is different than the stock image. D. H. Lawrence (ilustrador).

Paperback. Condición: Brand New. new ed edition. 56 pages. 5.25x8.00x0.25 inches. In Stock.

Hardcover. Condición: Very Good. A very clean & straight copy. No dust-jacket, as issued 551 pp.

Paperback. Condición: Brand New. new ed edition. 56 pages. 5.25x8.00x0.25 inches. In Stock.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. A clean unmarked and unclipped copy.

i-xii, 7-548, [6] pages. Hardcover: H 18.25cm x L 12.5cm. Dust jacket with E. McKnight Kauffer-illustrated front panel and spine; minor chips and scuffs at spine and flap fold ends; white rear panel soiled; front flap's top corner is price-clipped. Reddish-brown cloth. Black top edge; stains to fore-edge and bottom edge fractionally affecting some leaves at margins; interior pages are otherwise clean. Binding is firm.…

Paperback. Condición: Brand New. deluxe edition. 400 pages. 8.50x5.50x1.00 inches. In Stock. Brown, Chester (ilustrador).

Hardcover. Condición: New. FIRST Edition! (Black/White dust cover) ~ NEW Inside and Out! Clean & Crisp Pages. (E-mail for more info./pics). D. H. Lawrence (ilustrador).

hardcover. Condición: Very Good. Very Good text, minor to light reading wear to edges and dust jacket. Fast shipping from Northern California via US MAIL. Most International orders shipped via DHL/Asendia. Additional postage may be required on oversize books and sets. Please, NO prison orders. Walters, Bob (ilustrador). …

Hardcover. Condición: Fine. None. Fine/Near fine. Price clipped. From the library of Harrison Hayford, Americana scholar and author, with his bookplate. First illustrated edition. Binding is cloth boards.

Hardcover. Condición: Fair. Hardcover. Good binding and cover. Library stamps and markings. 355 pages, 9 unnumbered leaves of plates : color frontispiece, color illustrations, map ; 24 cm. Inscribed by Berthold Strauss (the famed book collector).

Hardcover. Condición: Good. Good condition with some wear on covers.

Hardcover. Dust Jacket Included. 1st Edition. CONDITION: Fine in Fine jacket; as new; unclipped 12.95. Picture Book hardback. A brief collection for young readers with handsome illustrations of the coal mining town in Nottingham of Lawrence's childhood. ABE Heritage Seller since 1996; conservative AB condition grading. We ship all our books in cardboard protection. International shipping. /Alice and Martin Provensen, illustrator. /Alice and Martin Provensen, illustrator. (ilustrador).…

hardcover. Condición: New. In shrink wrap. Looks like an interesting title. D. H. Lawrence (ilustrador).

Full Leather. Condición: Near Fine. Estado de la sobrecubierta: No Dust Jacket As Issued. Limited Edition. Very light edgewear; red leather w/gilt page ends, moire endpapers, ribbon bookmark; 330 pages.

Hardcover. Condición: Brand New. 432 pages. Ukrainian language. 7.87x5.71x1.18 inches. In Stock. Творча Майстерня «Аґрафка» (ilustrador).

paperback. Condición: New. In shrink wrap. Karl H. Wesker (ilustrador).

paperback. Condición: New. In shrink wrap. Looks like an interesting title. Karl H. Wesker (ilustrador).

Hardcover. Octavo, 301 pages. In Fair condition. Spine is brown with gold print. Boards in brown cloth; wear to spine caps and corners, slight blemish on rear panel, toning to spine. Text block has black tinted top edge, deckle edges; bookplate on front pastedown, tanning to endpapers, cracked hinges, intermittent spine breaks. Illustrated: "With eight pictures in colour by Jan Juta" title page; color frontispiece and plates. NOTE: Shelved in Netdesk Column V. 1401778. FP New Rockville Stock.…

Hardcover. Condición: Fine. First Thus. Avon, Connecticut: Limited Editions Club, 1975. First Thus. Fine. Sheila Robinson, Illustrator. Signed and numbered Limited Editions Club copy no. 222 of 2000 copies. Signed by the artist, Sheila Robinson. Original glassine wrapper still intact. In excellent original slipcase, no chipping, fading or wear. Clean beige buckram cloth boards with unchipped label on spine. No bumping, no wear. Binding is tight & square, no cracking. Pages and edges are clean, with clean endpapers. Introduction by Robert Gorham Davis. 443 pages. Sheila Robinson, Illustrator (ilustrador).…

Leather Bound. Condición: Like New. Unread mint condition collectible copy. Part of the 100 Greatest Books Ever Written collection. Beautifully bound in genuine leather with 22kt gold inlaid accents on spine and front and back covers. Pages are sewn in between heavy-duty binding boards and have gilt edges on all three sides. Frontispiece full color portrait of author. Numerous illustrations by Jill Franks throughout. Printed on sturdy, acid-neutral archival quality paper specially milled for this collection that conforms to all guidelines established for permanence and durability by the Council of Library Resources and the American National Standards Institute that will resist yellowing, aging, and tearing. Gorgeous moire end pages and a satin-ribbon page marker. Unused and unattached collectors bookplate for you to personalize. Providing superior service since 2001. Dropshippers heartily welcomed.…

Cloth. Condición: Good+. Second illustrated edition, INSCRIBED BY MICHAEL ADAM/ KIM TAYLOR & WARREN ROBERTS. 8vo. Original black cloth, spine lettered in gilt, gilt stamped fork motif by Michael Adam to upper board. Pushing and wear to spine ends, a number of nicks (nibbles?) to rear joint and edges. Clipped front panel of original peach dust jacket pasted to front pastedown, ownership inscription in blue pen to ffep: "Kenneth Hopkins, Austin Texas 18/4/61", Warren Roberts' inscription in blue pen below his Foreword: "For Kenneth Hopkins who subscribes to my view that he & I should always receive books without cost - that by nature we are of that wont", and, finally, inscribed in black ink and an attractive hand below the colophon: "For Kenneth Hopkins, from 'Michael Adam' & Kim Taylor," gently toned, some foxing, heaviest at rear pastedown, else, clean and tight. Good+ An impressive UT Austin-related association copy of this second Ark Press edition of D.H. Lawrence's Look! We Have Come Through! (1959), the cycle of poems celebrating his relationship with Frieda, fondly inscribed to the British poet and UT Austin lecturer Kenneth Hopkins by its illustrator, and Ark Press founder, Kim Taylor (who published under the name Michael Adam), and fellow academic Francis Warren Roberts, a pre-eminent D. H. Lawrence scholar and bibliographer, who commissioned the Ark Press edition and contributed the Introduction. Francis Warren Roberts (19161998) played a key role in the development of what later became the Harry Ransom Humanities Research Center (HRHRC) at UT Austin, including facilitating the acquisition of material for its stellar D. H. Lawrence collection: during his Fulbright lectureship at the University of Pisa in 1956-8, he'd had the thrill of being offered a box of "manuscripts, letters, photographs, and memorabilia related to Lawrence, [Giuseppe 'Pino'] Orioli, and their circle in Florence" by a bookseller in the city. HRHRC also holds the archive of Kenneth Hopkins (1914-1988), the British poet and novelist, publisher and lecturer. Born in Bournemouth, and apprenticed to a builder's merchant at 14, by 1938 Hopkins was selling his poems door to door, eventually reaching London, where he fell in with the anarchist and publisher Charles Lahr and his circle at the Red Lion Street bookshop. Hopkins went on to found two small presses of his own, Grasshopper Broadsheets (1942-45) and Warren House Press (1969-1988), as well as the Saturdays, a London literary club for poetry appreciation. Kim Taylor (1919-) founded the Ark Press in 1953, with its first completed book being D. H. Lawrence's essay Life (1954), illustrated by Ru van Rossem's wood engravings. The following year Warren Roberts commissioned Taylor to design and print Look! We Have Come Through!, the manuscript of which UT Austin had purchased. Following this successful production, which required a second edition (this one), Harry Ransom, then UT Austin's Vice President, as well as Director of HRHRC, offered Taylor the role of Consultant to the University's publications programme. A neat association copy, then.…

Hardcover. Octavo, xvi, 476 pages. In Very Good condition in a Very Good slipcase. Slipcase in blue paper. Spine is grey with black print on white banner. Boards in grey cloth, pastedown illustration on front panel. Illustrated: color frontispiece and plates. NOTE: Shelved in Locked Annex Area, ND-HV Section. 1406630. FP New Rockville Stock. …

Copy number '130' of an edition limited to 500 copies on mould-made paper, printed at Shenval Press. Quarter vellum over marbled paper covered boards, top edge gilt, others uncut, gilt lettering to the spine. Folio, pp. [half-title] [limitation page] [blank] [frontispiece engraving] [title page] [prelim.] [2, contents] [blank] [engraving] [3-4] 5-194 [195-196] with twelve engravings by Blair Hughes-Stanton. A book in Good condition with spotting throughout and boards rubbed at edges. …

373 x 262 mm. (14 3/4 x 10 1/4"). 2 p.l., 101, [3] pp.With commentary by John Fowles. Bound at the press in full vellum by Renee Menge, simple gilt cross on upper cover, white leather stitches along joints. Housed in a bay laurel and cedar wood box with a plain cross carved into the lid. WITH NINE WOODCUTS BY LEONARD BASKIN. SIGNED in the colophon by Leonard Baskin and John Fowles. Anthony Burgess, "Flame into Being," pp. 174-78. As new. Expressively illustrated by Leonard Baskin, this is one of five Press Copies of an elegant fine press edition of D. H. Lawrence's provocative novella of the Resurrection. David Herbert Lawrence (1885-1930) composed "The Man Who Died" (originally titled "The Escaped Cock") in two sections in 1927-28 as he descended into his final illness. In the novel, a resurrected Jesus embraces humanity and the flesh, turning away from his previous teachings to believe that the body is more important than the spirit. DNB tells us that the book is "a work of intense nostalgia for the body," written by the slowly withering Lawrence. That this openly sacrilegious book did not spark more controversy is surprising; Lawrence biographer Burgess suggests it is due to his care never to explicitly name Jesus in the text, or perhaps because "the whole work is so masterly a piece of prose poetry that it has the capacity to disarm even the faithful." Our edition, with its elegantly simple binding and box, both decorated only with a cross, has not shied away from the connection. From 1983-2001, our publishers, Carolyn and James Robertson, created hand-printed works on the finest handmade paper at their press in Covelo, California, adjacent to the Yolla Bolly Wilderness, from which their press obviously takes its name. As noted in the introduction to "Making Books in the Woods," Stanford University Library's 2002 exhibition of the press' works, "the design of each Yolla Bolly Press book is intimately tied to the nuances of the text, and is completed with great attention to craft. . . . The Press commissions original artwork as well as fresh commentaries by contemporary authors to accompany classic texts, offering an 'interpretation of the original text in a contemporary context.'" The text here is accompanied by commentary from writer John Fowles (1926-2005) and a suite of evocative woodcuts by Leonard Baskin. One of the preeminent American artists of the 20th century, Baskin (1922-2000) considered himself primarily a sculptor, but he is best known for his woodcuts, book illustrations, and the fine books created at the Gehenna Press, which he founded in 1942, while still a student at Yale. His woodcuts and sculptures were in the figurative tradition at a time when abstract expressionism was the dominant movement in art; his defense of his style, quoted in his New York Times obituary, seems especially applicable to the etchings here: "Our human frame, our gutted mansion, our enveloping sack of beef and ash is yet a glory. Glorious in defining our universal sodality and in defining our utter uniqueness. The human figure is the image of all men and of one man. It contains all and can express all." Rugged and emotional, these depictions, like the text, depict a raw and human Jesus, using closely cropped compositions and dark, uneven lines to draw out the visceral celebration of humanity in Lawrence's work. ONE OF 35 COPIES BOUND IN VELLUM, 30 of these for sale, OURS ONE OF FIVE RESERVED for the Press (from a total edition of 130 copies, 100 of which were for sale).…