d h lawrence illustrator (22 resultados)

Hardcover. Condición: near fine. Estado de la sobrecubierta: near fine. D. H. Lawrence Ilustrador. First edition, complete line of . NOT an ex library book. 568 pages. Dust jacket has no chips or tears. Dust jacket with white spine is different than the stock image.

Hardcover. Condición: New. D. H. Lawrence Ilustrador. FIRST Edition! (Black/White dust cover) ~ NEW Inside and Out! Clean & Crisp Pages. (E-mail for more info./pics).

Paperback. Condición: Brand New. new ed edition. 56 pages. 5.25x8.00x0.25 inches. In Stock.

Hardcover. Condición: Very Good. A very clean & straight copy. No dust-jacket, as issued 551 pp.

Paperback. Condición: Brand New. new ed edition. 56 pages. 5.25x8.00x0.25 inches. In Stock.

Paperback. Condición: Brand New. Brown, Chester Ilustrador. deluxe edition. 400 pages. 8.50x5.50x1.00 inches. In Stock.

Hardcover. Condición: Fair. Hardcover. Good binding and cover. Library stamps and markings. 355 pages, 9 unnumbered leaves of plates : color frontispiece, color illustrations, map ; 24 cm. Inscribed by Berthold Strauss (the famed book collector).

Hardcover. Condición: Good. Good condition with some wear on covers.

paperback. Condición: New. Karl H. Wesker Ilustrador. In shrink wrap.

Hardcover. Dust Jacket Included. /Alice and Martin Provensen, illustrator. Ilustrador. 1st Edition. CONDITION: Fine in Fine jacket; no names, as new; unclipped 12.95. Picture Book hardback. A brief collection for young readers with handsome illustrations of the coal mining town in Nottingham of Lawrence's childhood. ABE Heritage Seller since 1996; conservative AB condition grading. We ship all our books in cardboard protection. International shipping. /Alice and Martin Provensen, illustrator.

Hardcover. Dust Jacket Included. /Alice and Martin Provensen, illustrator. Ilustrador. 1st Edition. CONDITION: Fine in Fine jacket; as new; unclipped 12.95. Picture Book hardback. A brief collection for young readers with handsome illustrations of the coal mining town in Nottingham of Lawrence's childhood. ABE Heritage Seller since 1996; conservative AB condition grading. We ship all our books in cardboard protection. International shipping. /Alice and Martin Provensen, illustrator.

Hardcover. Dust Jacket Included. /Alice and Martin Provensen, illustrator. Ilustrador. 1st Edition. CONDITION: Fine in Fine jacket; no names, book and jacket as new; unclipped 12.95. Picture Book hardback. A brief collection for young readers with handsome illustrations of the coal mining town in Nottingham of Lawrence's childhood. ABE Heritage Seller since 1996; conservative AB condition grading. We ship all our books in cardboard protection. International shipping. /Alice and Martin Provensen, illustrator.

hardcover. Condición: New. D. H. Lawrence Ilustrador. In shrink wrap. Looks like an interesting title!

Full Leather. Condición: Near Fine. Limited Edition. Very light edgewear; red leather w/gilt page ends, moire endpapers, ribbon bookmark; 330 pages.

Hardcover. Condición: Brand New. ?????? ????????? «???????» Ilustrador. 432 pages. Ukrainian language. 7.87x5.71x1.18 inches. In Stock.

paperback. Condición: New. Karl H. Wesker Ilustrador. In shrink wrap. Looks like an interesting title!

Hardcover. Octavo, 301 pages. In Fair condition. Spine is brown with gold print. Boards in brown cloth; wear to spine caps and corners, slight blemish on rear panel, toning to spine. Text block has black tinted top edge, deckle edges; bookplate on front pastedown, tanning to endpapers, cracked hinges, intermittent spine breaks. Illustrated: "With eight pictures in colour by Jan Juta" title page; color frontispiece and plates. NOTE: Shelved in Netdesk Column V. 1401778. FP New Rockville Stock.

Leather Bound. Condición: Like New. Unread mint condition collectible copy. Part of the 100 Greatest Books Ever Written collection. Beautifully bound in genuine leather with 22kt gold inlaid accents on spine and front and back covers. Pages are sewn in between heavy-duty binding boards and have gilt edges on all three sides. Frontispiece full color portrait of author. Numerous illustrations by Jill Franks throughout. Printed on sturdy, acid-neutral archival quality paper specially milled for this collection that conforms to all guidelines established for permanence and durability by the Council of Library Resources and the American National Standards Institute that will resist yellowing, aging, and tearing. Gorgeous moire end pages and a satin-ribbon page marker. Unused and unattached collectors bookplate for you to personalize. Providing superior service since 2001. Dropshippers heartily welcomed.

Hardcover. Octavo, xvi, 476 pages. In Very Good condition in a Very Good slipcase. Slipcase in blue paper. Spine is grey with black print on white banner. Boards in grey cloth, pastedown illustration on front panel. Illustrated: color frontispiece and plates. NOTE: Shelved in Locked Annex Area, ND-HV Section. 1406630. FP New Rockville Stock.

Copy number '130' of an edition limited to 500 copies on mould-made paper, printed at Shenval Press. Quarter vellum over marbled paper covered boards, top edge gilt, others uncut, gilt lettering to the spine. Folio, pp. [half-title] [limitation page] [blank] [frontispiece engraving] [title page] [prelim.] [2, contents] [blank] [engraving] [3-4] 5-194 [195-196] with twelve engravings by Blair Hughes-Stanton. A book in Good condition with spotting throughout and boards rubbed at edges.

Condición: Fine. Signed limited edition. One of thirty-five deluxe copies bound in vellum, this being copy number two, in a total edition of 130. Signed by Leonard Baskin and editor John Fowles on the colophon. Each deluxe copy includes a suite of nine unbound signed prints by Leonard Baskin and is housed in a bay laurel and cedar wood box. A Fine copy, illustrated throughout with woodcuts by Baskin. D.H. Lawrence's short novel The Man Who Died was originally published as The Escaped Cock in 1929. Inspired by a visit to Etruscan tombs in 1927, the novel retells the resurrection of Christ to reflect on life, death, myth-making, and "the despairing, almost hectic seriousness with which Lawrence saw mankind's deep-rooted psychological and emotional problems" (Fowles, p. 100). This edition, which is illustrated throughout with the striking, energetic woodcuts of Leonard Baskin, was finely printed by Aaron Johnson at the Yolla Bolly Press using Bembo type on mold-made Somerset paper, with handmade endpapers from the Twinrocker Paper Mill. The elegant vellum binding of the deluxe issue was done by Renee Menge. In his commentary on The Man Who Died, editor John Fowles quotes Richard Adlington's perspective on the novel: "It is intensely personal, and the saddest thing Lawrence ever wrote. It is the only thing in his work that looks like a confession of defeat.The opening part when he describes the mingled agony and gradual happiness in creeping back from death to life is full of pathos; one can't help thinking of his own sufferings as he recovered from one or other of his serious crises. Like much of Lawrence's writing, it has more than one meaning. You can take it as an expression of his latest feelings about Jesus - a rejection of Jesus as a teacher, an acceptance of Jesus as the lover.Even when he was struggling with the problem of love and hatred, Lawrence was always a great lover; his deepest and most passionate belief was in love" (p. 101). Fine. Signed.

373 x 262 mm. (14 3/4 x 10 1/4"). 2 p.l., 101, [3] pp.With commentary by John Fowles. Bound at the press in full vellum by Renee Menge, simple gilt cross on upper cover, white leather stitches along joints. Housed in a bay laurel and cedar wood box with a plain cross carved into the lid. WITH NINE WOODCUTS BY LEONARD BASKIN. SIGNED in the colophon by Leonard Baskin and John Fowles. Anthony Burgess, "Flame into Being," pp. 174-78. As new. Expressively illustrated by Leonard Baskin, this is one of five Press Copies of an elegant fine press edition of D. H. Lawrence's provocative novella of the Resurrection. David Herbert Lawrence (1885-1930) composed "The Man Who Died" (originally titled "The Escaped Cock") in two sections in 1927-28 as he descended into his final illness. In the novel, a resurrected Jesus embraces humanity and the flesh, turning away from his previous teachings to believe that the body is more important than the spirit. DNB tells us that the book is "a work of intense nostalgia for the body," written by the slowly withering Lawrence. That this openly sacrilegious book did not spark more controversy is surprising; Lawrence biographer Burgess suggests it is due to his care never to explicitly name Jesus in the text, or perhaps because "the whole work is so masterly a piece of prose poetry that it has the capacity to disarm even the faithful." Our edition, with its elegantly simple binding and box, both decorated only with a cross, has not shied away from the connection. From 1983-2001, our publishers, Carolyn and James Robertson, created hand-printed works on the finest handmade paper at their press in Covelo, California, adjacent to the Yolla Bolly Wilderness, from which their press obviously takes its name. As noted in the introduction to "Making Books in the Woods," Stanford University Library's 2002 exhibition of the press' works, "the design of each Yolla Bolly Press book is intimately tied to the nuances of the text, and is completed with great attention to craft. . . . The Press commissions original artwork as well as fresh commentaries by contemporary authors to accompany classic texts, offering an 'interpretation of the original text in a contemporary context.'" The text here is accompanied by commentary from writer John Fowles (1926-2005) and a suite of evocative woodcuts by Leonard Baskin. One of the preeminent American artists of the 20th century, Baskin (1922-2000) considered himself primarily a sculptor, but he is best known for his woodcuts, book illustrations, and the fine books created at the Gehenna Press, which he founded in 1942, while still a student at Yale. His woodcuts and sculptures were in the figurative tradition at a time when abstract expressionism was the dominant movement in art; his defense of his style, quoted in his New York Times obituary, seems especially applicable to the etchings here: "Our human frame, our gutted mansion, our enveloping sack of beef and ash is yet a glory. Glorious in defining our universal sodality and in defining our utter uniqueness. The human figure is the image of all men and of one man. It contains all and can express all." Rugged and emotional, these depictions, like the text, depict a raw and human Jesus, using closely cropped compositions and dark, uneven lines to draw out the visceral celebration of humanity in Lawrence's work. ONE OF 35 COPIES BOUND IN VELLUM, 30 of these for sale, OURS ONE OF FIVE RESERVED for the Press (from a total edition of 130 copies, 100 of which were for sale).