Décimo marc (57 resultados)

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: new. Paperback. The volume accompanying an exhibition at Collection de l'Art Brut, Lausanne, from 8 December 2023 to 28 April 2024 invites us to reflect on the role a face can play in mediating communication through the gaze. We are all aware of how powerful it can be when eyes meet, as well as their crucial role in giving dignity to people through caring. But the face can also be considered from another, almost conflicting, point of view, as a visible surface masking the invisible aspects of the human being: it can either reveal or conceal feelings and emotions, thoughts and concerns The subject of faces deserves to be explored here in all its anthropological depth. In Art Brut, its production marked as it is by a powerful creative urge, this exploration takes on a singular dimension, with the presentation of works whose figurative content facilitates the encounter with this inalienable aspect of humanity, which becomes somehow inevitable, regardless of the marginality of the social and cultural acknowledgement of the artists. These faces, whether withdrawn or seeking, with their attentive, questioning, communicative, absent, or empty expressions, reflect a manner of relating to the world that interrogates, through a mise en abyme of sorts, our very encounter with humanity. AUTHORS: Pascal Roman is a professor of Clinical Psychology, Psychopathology, and Psychoanalysis. Marco Decimo is a professor of Contemporary Art History at the University of Paris Ouest-Nanterre and director of the College de Pataphysique. SELLING POINTS: . The theme of the sixth Biennale de l'Art Brut (20232024) is faces, a distinctive feature of human beings, which, thanks to their expression, can encompass the complexity of the entire person-their body and their spirit . Published to accompany an exhibition at Collection de l'Art Brut, Lausanne, from 8 December 2023 to 28 April 2024 125 colour illustrations The volume invites us to reflect on the role a face can play in mediating communication through the gaze. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: D'occasion - Comme neuf. ==== ENVOI LE JOUR MEME ==== Ref:BL30.

Condición: Neuf. ==== ENVOI LE JOUR MEME ==== Ref:BL30.

Condición: AS NEW. Etat de NEUF / AS NEW condition 2840681919 9782840681915 1054C 5.

In-8 broché ( 240x155 mm ) de 171 pages.Illustrations photographiques hors-texte. Varia.

Condición: New. In English.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: NEW.

Couverture souple. Condición: Très bon. Ed. limitée. Petit in-8. 52 pages. Essai de qualité.

Cloth. Condición: Very Good. No Jacket. 231 pages 186 illustrations 56 in color. Some pencil markings to the second page. Some gummy residue and a tear from a library sticker to the base of the spine. No dustjacket. Illustrated boards. Published on the occasion of the exhibition from the Museum Jean Tinguely Basel 20 March-30 June 2002. List of Exhibited Works.…

Brossura. Condición: new. Edited by Pascal Roman and Decimo Marc. Translation by Comoy J. English Text. Milano, 2024; paperback, pp. 168, col. ill., cm 20,5x25,5. The volume accompanying an exhibition at Collection de l'Art Brut, Lausanne, from 8 December 2023 to 28 April 2024 invites us to reflect on the role a face can play in mediating communication through the gaze. We are all aware of how powerful it can be when eyes meet, as well as their crucial role in giving dignity to people through caring. But the face can also be considered from another, almost conflicting, point of view, as a visible surface masking the invisible aspects of the human being: it can either reveal or conceal feelings and emotions, thoughts and concerns. The subject of faces deserves to be explored here in all its anthropological depth. In Art Brut, its production marked as it is by a powerful creative urge, this exploration takes on a singular dimension, with the presentation of works whose figurative content facilitates the encounter with this inalienable aspect of humanity, which becomes somehow inevitable, regardless of the marginality of the social and cultural acknowledgement of the artists. These faces, whether withdrawn or seeking, with their attentive, questioning, communicative, absent, or empty expressions, reflect a manner of relating to the world that interrogates, through a mise en abyme of sorts, our very encounter with humanity. Libro.…

Condición: Neuf.

Paper. Condición: Très Bon. Tres bon etat. 173pp. Book.

Condición: new.

soft cover. Condición: fine. first edition. in-8 broché sous couverture illustrée, 173 pages illustrées de hors texte : reproductions sur papier couché.

Condición: Tres bon etat. Format in-12 broch.

Hardcover. Condición: Gut. 1. Auflage. Z : 232 Seiten, 230 Abbildungen Hardcover - This book endeavours to trace the different periods of Duchamp´s oeuvre by means of a selection of his works, focussing mainly on aspects that influenced Jean Tinguely's oeuvre: the mechanical, movements and the optical, play and humour. His painting Nu descendant un escalier [Nude Descending a Staircase] from 1912, in which he dissects the movement of the nude into stills composed of abstract surfaces, thus creating a "static picture of movement", is but one example. The publication contains statements by Duchamp himself as well as essays by renowned authors on such topics as the emergence and development of the ready-made concept and its impact on the art of the 1960s.…

Couverture souple. Condición: Comme neuf. 2ème Édition. Paris 2007. 1 Volume/1. -- Comme Neuf, non coupé. -- Broché cousu. Couvertures à rabats. Format 18,8 x 12,2 cm ( 72 gr ). ------ 52 pages + 2 photos et quelques fac-similes *********************** ref att 888.

Condición: Tres bon etat. Format in-8 broch.

Taschenbuch. Condición: Neu. Neuware - The volume accompanying an exhibition at Collection de l'Art Brut, Lausanne, from 8 December 2023 to 28 April 2024 invites us to reflect on the role a face can play in mediating communication through the gaze. We are all aware of how powerful it can be when eyes meet, as well as their crucial role in giving dignity to people through caring. But the face can also be considered from another, almost conflicting, point of view, as a visible surface masking the invisible aspects of the human being: it can either reveal or conceal feelings and emotions, thoughts and concerns. The subject of faces deserves to be explored here in all its anthropological depth. In Art Brut, its production marked as it is by a powerful creative urge, this exploration takes on a singular dimension, with the presentation of works whose figurative content facilitates the encounter with this inalienable aspect of humanity, which becomes somehow inevitable, regardless of the marginality of the social and cultural acknowledgement of the artists. These faces, whether withdrawn or seeking, with their attentive, questioning, communicative, absent, or empty expressions, reflect a manner of relating to the world that interrogates, through a mise en abyme of sorts, our very encounter with humanity.…

Cloth. Condición: Good. Estado de la sobrecubierta: Good. 231 pages 186 illustrations 56 in color. There is a water stain to the lower corner of the front and rear board that strangely does not seem to have affected either the dustjacket or the interior pages. The front free endpaper has been creased. Published on the occasion of the exhibition from the Museum Jean Tinguely Basel 20 March-30 June 2002. List of Exhibited Works.…

Couverture souple. Condición: Bon état. In-8 broché, 171 pp. cahier central de photos en noir et blanc. Couverture tachée, intérieur pages jaunies. Bon état. Jean-Pierre Brisset, Linguiste admiré par les plus grands Max Jacob, André breton, Robert Desnos, . Et surtout de Marcel Duchamps qui le plaçait au rayon de sa bibliothèque idéale. in-8°.…

Paperback. Condición: new. Paperback. The volume accompanying an exhibition at Collection de l'Art Brut, Lausanne, from 8 December 2023 to 28 April 2024 invites us to reflect on the role a face can play in mediating communication through the gaze. We are all aware of how powerful it can be when eyes meet, as well as their crucial role in giving dignity to people through caring. But the face can also be considered from another, almost conflicting, point of view, as a visible surface masking the invisible aspects of the human being: it can either reveal or conceal feelings and emotions, thoughts and concerns The subject of faces deserves to be explored here in all its anthropological depth. In Art Brut, its production marked as it is by a powerful creative urge, this exploration takes on a singular dimension, with the presentation of works whose figurative content facilitates the encounter with this inalienable aspect of humanity, which becomes somehow inevitable, regardless of the marginality of the social and cultural acknowledgement of the artists. These faces, whether withdrawn or seeking, with their attentive, questioning, communicative, absent, or empty expressions, reflect a manner of relating to the world that interrogates, through a mise en abyme of sorts, our very encounter with humanity. AUTHORS: Pascal Roman is a professor of Clinical Psychology, Psychopathology, and Psychoanalysis. Marco Decimo is a professor of Contemporary Art History at the University of Paris Ouest-Nanterre and director of the College de Pataphysique. SELLING POINTS: . The theme of the sixth Biennale de l'Art Brut (20232024) is faces, a distinctive feature of human beings, which, thanks to their expression, can encompass the complexity of the entire person-their body and their spirit . Published to accompany an exhibition at Collection de l'Art Brut, Lausanne, from 8 December 2023 to 28 April 2024 125 colour illustrations The volume invites us to reflect on the role a face can play in mediating communication through the gaze. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Couverture souple. Condición: Bon. Dos carré collé, couverture illustrée, 145 X 205 mm, 60 p. Nombreuses illustrations in-texte en noir et blanc. Accroc à la coiffe supérieure, intérieur frais.

Condición: Bon état. in-8, broché, 171 pp., nombreuses figures et 8 planches hors-texte. Bon état général.

Couverture souple. Condición: Comme neuf. Edition originale. Paris 2022. 1 Volume/1. -- Comme Neuf -- Broché cousu. Format in-8°( 24 x 17 cm )( 602 gr ). ---------- 310 pages . Nombreuses illustrations. ********************** Présentation éditeur : "" Une enquête érudite et passionnante sur l'énigme de la grande uvre testamentaire de Marcel Duchamp, installation conçue pendant vingt ans dans le plus grand secret avant d'être dévoilée au public un an après la mort de l'inventeur du ready-made, qui donne des clés d'interprétation inédites au regardeur, en examinant à la fois ce que vient clore et ce à quoi ouvre Étant donnés. Quelle solution imaginaire jouer contre la Postérité, qui escamote les uns, fait renaître les autres, change d'avis ? Avec Étant donnés 1° La chute d'eau 2° Le gaz d'éclairage qui fait irruption et énigme en 1969, Marcel Duchamp joue un coup post-mortem dans une partie engagée depuis le Nu descendant un escalier n° 2 et les readymades, dont Fontaine. Que mettre en uvre pour tenter dès 1943 de retenir Maria Martins, l'amante des tropiques, quand, déjà, il sait qu'échappera l'Amour ? Brouillages, brouilles et mises au point, passion, perte, peine et perroquets, s'agitent dans quelque allégorie réaliste pour dire les échecs, le désir de l'autre, la frustration, l'angoisse, la vie, la mort, son rapport à l'art. "" *************************** ref srmArm02.…