Curvelo alexandra (32 resultados)

Condición: New. 2021. paperback. . . . . .

Paperback. Condición: New. **HARDBACK** **SHRINKWRAPPED** Scala.

381 S. 4°, ill. Orig.-Karton. (Katalog anläßlich der Ausstellung Die Großen Sammlungen VIII. Museu Nacional de Arte Antiga, Lissabon vom 26. März bis zum 11. Juli 1999 in der Kunst- und Ausstellungshalle der Bundesrepublik Deutschland in Bonn). - Zahlr. Abb.- Sehr guter Zustand. 1800 gr.

Condición: New. 2021. paperback. . . . . . Books ship from the US and Ireland.

Zustand: gut bis sehr gut Großformatiges Paperback / leichte Gebrauchsspuren / Versandkosten 5, 5 Euro da über 1kg Gewicht.

Condición: Good. Paperback, illustrated with numerous (full page) photographs in colour, 4to.

Paperback. Condición: Brand New. 390 pages. 11.38x9.25x1.50 inches. In Stock.

Soft cover. Condición: Very Good. No Jacket. Text in German, some light wear to covers and spine, internally in good condition, pages crisp and clear.

Broches, 127 page, Portugais, Illustrazione. ISBN 9782711855384. 680 g.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Soft cover. Condición: New. 1st Edition. Italian and English text; Paperback; 24.4 x 28 cm, 2.580 Kg; 592 pages with colour illustrations; Small signs of shelf wear.; Catalogue from the exhibition: Japan the Land of Enchantment in 2012 held at Palazzo Pitti celebrating Japan, its art, its culture and its traditions. The fascinating culture of Japan and its mutual influence with the European were the main points of the exhibition. More than 200 pieces, dating from the mid-sixteenth to mid-nineteenth century, were displayed: masterpieces of art and Japanese crafts, from weapons to musical instruments, from armour to elegant ceremonial clothing, objects of everyday. Appropriate introductory essays, written by leading European experts in the field, illustrate with perfection the multifaceted aspects of Japanese culture and art.…

Softcover. Condición: VG. A glossy softcover book with red text on a black spine and a color illustration on the front cover. 381 pages; profusely illustrated with a majority of color images.

Condición: Neuf.

Condición: New. In English.

Couverture rigide. Condición: Très bon état. In-4 relié 25 cm sur 24,6. 175 pages. Très bon état d'occasion. in-4°.

Hardcover. Condición: New. No Jacket. 1st Edition. Portuguese and English text; Hardcover (without dust jacket - as issued); 25 x 31 cm, 2.185 Kg; 360 pages with colour illustrations; New book with minor signs of shelf wear.; This catalogue was published on the occasion of the exhibition The Exotic is never at home? The presence of China in the Portuguese faience and azulejo (17th-18th centuries) held at the Museu Nacional do Azulejo, Lisbon, from the 17th December 2013 to the 29th June 2014. It includes articles by Alexandra Curvelo, Rui Loureiro, Maria Antónia Pinto de Matos, Alexandre Nobre Pais, João Pedro Monteiro, Maria João Ferreira, António Filipe Pimentel, Ana Paula Correia, Maria Alexandra Trindade Gago da Câmara, Celso Mangucci and Celina Bastos.; "Through the objects displayed and the articles of the catalogue that accompanies this exhibition, we aimed to present and contextualise the impact of Luso-Chinese relations within Portuguese ceramic production of the 17th and 18th century. This historical-artistic moment is not a reflection solely of the Portuguese presence in Asia, but of other European powers in Chinese territory, as well as Portugal's position within Europe of its time." excerpt from the introduction by Maria Antónia Pinto de Matos.…

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. English text; Hardcover (with dustjacket); 25.7 x 25 cm; 1.171 Kg; 175 pages with colour illustrations; Between 1543 - when Europeans arrived in Japan - and the 1640s when the country was closed to foreigners, the Japanese had regular contacts with the nanban-jin (Barbarians from the South). These merchants and missionaries, mainly from Portugal, were the source of a theme in Japonese art in the XVIth and XVIIth centuries. The paintings that decorated the nanban byobu (folding screens) depicted an extraordinary confrontation of civilizations ans its beauty is captivating. Through paintings primarily done buy the Kano school, the history of Portuguese arrival in Japan unfolds before our eyes. Sometimes critical, sometimes joyful and festival, the byobu reveal the beginning of Asia's Westernization. Nanban Folding Screen Masterpieces presents thirteen of these byobu accompanied by text about the fascinating history of the commercial, religious, and cultural encounters between Europe and Japan in this era. This book brings together folding screens from the Nanban Bunkakan Museum of Osaka, the Municipal Museum of Kobe and Museu Nacional de Arte Antiga de Lisboa - where the most important collections of nanban art are found - as well as the Victoria & Albert Museum of London, the Rijksmuseum of Amsterdam, Musée Guimet of Paris, Museu Soares dos Reis in Porto, the Museum of History and Culture of Nagazaki, and the Idemitsu Museum of Tokyo, as well as a folding screen from a private American collection. A specialist in Namban art, Alexandra Curvelo is a professor in the Department of Art History at the Universidade Nova de Lisboa. Her research focuses on the Christian missions in Japan in the early modern period.…

4°. 381 (3) S. mit zahlreichen farbigen Abbildungen. Orig.-Leinen mit Orig.-Umschlag. Neuwertiger Zustand, wirkt ungelesen. Wie neu. ISBN 3777482609.

Buch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This volume presents comprehensive research on how southern European Catholics and the Japanese confronted each other, interacted and mutually experienced religious otherness in early modern times.In their highly variable and asymmetric relations, during which the politi cal-military elites of Japan at times not only favoured, but also opposed and strictly controlled the European presence, missionaries - particularly the Jesuits - tried to negotiate this power balance with their interlocutors.This collection of essays analyses religious and cultural interactions between the Christian missions and the Buddhist sects through processes of coopera tion, acceptance, confrontation and rejection, dialogue and imposition, which led to the creation of new relational spaces and identities.…

Condición: New.

Couverture rigide. Condición: Comme neuf. Edition originale. Paris 2015. 1 Volume/1. -- Comme Neuf -- Reliure éditeur cartonnée sous jaquette illustrée. Format in-4°"carré"( 25,5 x 24,7 cm )( 1160 gr ). ------ 175 pages richement illustrées. ************************ 4ème de Couverture : "" Dès 1543 - date de l'arrivée des premiers Européens en terre nipponne - les Japonais entrèrent en contact régulier avec les Nanban et ce, jusqu'à la fermeture du pays à partir des années 1630. Ces " barbares du sud ", des commerçants et des missionnaires en provenance majoritairement du Portugal, in?uencèrent l'art japonais des xvie et xviie siècles, au point de donner naissance à un courant artistique qui perdurera dans les années 1500-1600. Les peintures ornant les byôbu (paravents) nanban, véritables tableaux révélant un croisement et un choc de civilisations, sont écrasantes par leur beauté. À travers le travail de deux écoles, l'école Tosa et l'école Kanô, se dessine sous nos yeux ébahis l'histoire de l'arrivée des Portugais d'un point de vue oriental. Tantôt critiques, tantôt festifs et joyeux, les byôbu mettent en images les prémices de l'occidentalisation de l'Asie. Chefs-d'ouvre des paravents nanban présentera les treize byôbu les plus importants et intéressants de l'époque de l'art nanban. Ils seront accompagnés d'un texte très riche sur la passionnante histoire de la rencontre - commerciale, religieuse et culturelle -entre l'Europe et le Japon à cette époque. Nous avons réunis dans ce beau livre des paravents du Musée municipal de Kobé et du Museu national d'Arte Ancien de Lisbonne (où se trouvent les deux plus importantes collections d'art Nanban), mais également du Victoria & Albert Museum de Londres, du Rijksmuseum d'Amsterdam, du Musée de Nagazaki, du Nanban Bukakan d'Osaka, du Musée Idemitsu de Tokyo, du Musée Guimet et du Musée Soares dos Reis, ainsi qu'un inédit provenant d'une collection privée aux États-Unis. Considérée comme une des spécialistes de l'art nanban au Portugal, Alexandra Curvelo, professeur émérite à l'Universidade Nova de Lisbonne, propose aussi une description et analyse de chaque paravent et révèle avec brio une époque encore inconnue de l'histoire et de l'histoire de l'art de l'archipel japonais. "" *************************** Considérée comme une des spécialistes de l'art nanban au Portugal, Alexandra Curvelo, professeur émérite à l'Universidade Nova de Lisbonne, propose aussi une description et analyse de chaque paravent et révèle avec brio une époque encore inconnue de l'histoire et de l'histoire de l'art de l'archipel japonais. ************************ ref 116.…

Hardcover. Condición: New. No Jacket. 1st Edition. English text.; Hardcover.; 23.5 x 29.7 cm.; 1.4 Kg.; 182 pages with 256 colour illustrations.; LIMITED EDITION of 200 COPIES.; Unfolding Stories: The Dutch Tribute and West Lake Kuancai, so-called Coromandel, Lacquer Screen, is a monograph dedicated to a rare and extraordinary kuancai folding screen produced during the Kangxi period (1662-1722). It is considered by many as one of the most important kuancai folding screens so far recorded, certainly the most important example of the few recorded depicting European figures. Illustrating the diversity and iconographic richness found in kuancai lacquer, it depicts two intricate and masterfully executed scenes of The Dutch Tribute and the West Lake in Hangzhou. Featuring articles by three scholars, this publication seeks to cover what is currently known about kuancai lacquer, the present screen, its historical context and the parallels with Japanese folding screens, which, from the 15th century onward, often also depicted maritime trade and foreign merchants - including the Chinese, Portuguese, and later, the Dutch.…

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. French text; Hardcover (with dustjacket); 25.7 x 25 cm; 1.171 Kg; 175 pages with colour illustrations; Between 1543 - when Europeans arrived in Japan - and the 1640s when the country was closed to foreigners, the Japanese had regular contacts with the nanban-jin (Barbarians from the South). These merchants and missionaries, mainly from Portugal, were the source of a theme in Japonese art in the XVIth and XVIIth centuries. The paintings that decorated the nanban byobu (folding screens) depicted an extraordinary confrontation of civilizations ans its beauty is captivating. Through paintings primarily done buy the Kano school, the history of Portuguese arrival in Japan unfolds before our eyes. Sometimes critical, sometimes joyful and festival, the byobu reveal the beginning of Asia's Westernization. Nanban Folding Screen Masterpieces presents thirteen of these byobu accompanied by text about the fascinating history of the commercial, religious, and cultural encounters between Europe and Japan in this era. This book brings together folding screens from the Nanban Bunkakan Museum of Osaka, the Municipal Museum of Kobe and Museu Nacional de Arte Antiga de Lisboa - where the most important collections of nanban art are found - as well as the Victoria & Albert Museum of London, the Rijksmuseum of Amsterdam, Musée Guimet of Paris, Museu Soares dos Reis in Porto, the Museum of History and Culture of Nagazaki, and the Idemitsu Museum of Tokyo, as well as a folding screen from a private American collection. A specialist in Namban art, Alexandra Curvelo is a professor in the Department of Art History at the Universidade Nova de Lisboa. Her research focuses on the Christian missions in Japan in the early modern period.…

First edition. 122 colour illustrations and 2 black & white illustrations. 4to (12 x 9 1/2 inches), 188-pages. Original coloured pictorial boards. An excellent copy in the dust jacket which is slightly edge curled. Text in Portuguese. The Portuguese version of the English title "Art of the Expansion and Beyond". This catalogue illustrates how European, particularly Portuguese, culture and art influenced the world from the 15th century onwards. The introduction presents an historical account of the Portuguese presence in Asia.It includes a brief discussion on the complex commercial network that existed in the region, as well as in Africa, before the arrival of the Portuguese. It also gives insight into the unique empire established by the Portuguese. The catalogue examines a selection of seventeen works of art, many of them extraordinary in their rarity, exoticism and aesthetic beauty, including a brass plaque from the Kingdom of Benin; a tortoiseshell casket and two black mastic and mother-of-pearl overlaid objects from Gujarat; a group of rare Chinese export porcelains and a six-fold lacquer screen from China; and three namban objects from Japan.[In print at 80.00 GBP.].…

Condición: Wie neu. ERSTAUSGABE. 381 Seiten. Mit zahlreichen farbigen Abbildungen. 29 cm SEHR gutes Exemplar der ERSTAUSGABE. (Wir bieten zahlreiche Titel aus diesem Sachgebiet an - We offer a lot of books in this field) Aufgrund der von der Europäischen Union erlassenen Handels-Erschwernisse (die neue europäische Verpackungsverordnung mit extremen Gebühren für Händler) kann in folgende Länder KEIN VERSAND erfolgen: Bulgarien, Dänemark, Estland, Finnland, Griechenland, Irland, Kroatien, Lettland, Litauen, Luxemburg, Malta, Polen, Portugal, Rumänien, Schweden, Slowakei, Slowenien, Ungarn, Zypern. Falls Sie eine Rechnungs- und Lieferadresse in DEUTSCHLAND ermöglichen, kann an diese deutsche Adresse OHNE PROBLEME geliefert werden. Sprache: Deutsch Gewicht in Gramm: 2200 Originalleinen mit Original-Schutzumschlag.…

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. Portuguese text; Hardcover (with dustjacket); 25.7 x 25 cm; 1.171 Kg; 175 pages with colour illustrations; Between 1543 - when Europeans arrived in Japan - and the 1640s when the country was closed to foreigners, the Japanese had regular contacts with the nanban-jin (Barbarians from the South). These merchants and missionaries, mainly from Portugal, were the source of a theme in Japonese art in the XVIth and XVIIth centuries. The paintings that decorated the nanban byobu (folding screens) depicted an extraordinary confrontation of civilizations ans its beauty is captivating. Through paintings primarily done buy the Kano school, the history of Portuguese arrival in Japan unfolds before our eyes. Sometimes critical, sometimes joyful and festival, the byobu reveal the beginning of Asia's Westernization. Nanban Folding Screen Masterpieces presents thirteen of these byobu accompanied by text about the fascinating history of the commercial, religious, and cultural encounters between Europe and Japan in this era. This book brings together folding screens from the Nanban Bunkakan Museum of Osaka, the Municipal Museum of Kobe and Museu Nacional de Arte Antiga de Lisboa - where the most important collections of nanban art are found - as well as the Victoria & Albert Museum of London, the Rijksmuseum of Amsterdam, Musée Guimet of Paris, Museu Soares dos Reis in Porto, the Museum of History and Culture of Nagazaki, and the Idemitsu Museum of Tokyo, as well as a folding screen from a private American collection. A specialist in Namban art, Alexandra Curvelo is a professor in the Department of Art History at the Universidade Nova de Lisboa. Her research focuses on the Christian missions in Japan in the early modern period.…

Couverture rigide. Condición: Comme neuf. Edition originale. Barcelone 2013. 1 Porte-folio ( 53 x 41 cm ) de 18 cartes couleurs + 1 album de commentaires reliure éditeur cartonnée ( grand in-4°) sous jaquette illustrée. ********************* Au milieu du xvie siècle, tandis que Rome, Venise, Louvain et Anvers imprimaient des centaines de cartes et de planisphères Vaz Dourado employait et mettait en valeur les prémisses des techniques les plus raffinées de la peinture miniaturiste de la Renaissance : les parchemins utilisés sont d'une pure blancheur, le dessin est minutieux, détaillé, la palette riche et savamment conjuguée avec l'application de la dorure, transformant ces atlas en uvres uniques, raffinées et précieuses, qui se situent dans un registre très différent des travaux imprimés. Sur le cartographe Fernão Vaz Dourado (c. 1520 c. 1580), nous ne possédons que des données rares et incertaines. Bien que tous les travaux du cartographe soient d'un genre impossible à confondre, il semble que Vaz Dourado avait un atlas prototype, dont la partie purement cartographique tirait partie de tous les autres, mais en les amendant et en les modifiant en fonction des nouvelles connaissances géographiques acquises ou de leur future utilisation. Toutefois, quand il s'agissait de cartographie de luxe ou d'apparat, tel que cet Atlas Universel, son procédé de construction semble devoir davantage aux règles de la peinture et, concrètement, de l'enluminure qu'à celles de la cartographie pratique. Le cartographe enlumineur aura plutôt été un enlumineur cartographe ou, ce qui est plus probable, nombreux auront été les artisans et artistes impliqués dans les phases distinctes de l'élaboration de ses cartes. Seule une école avec de l'expérience, des ateliers et des artistes en activité, aurait pu répondre à de telles commandes et produire de telles uvres. L'Atlas Universel de Vaz Dourado contient une même structure narrative associée à l'intention de concevoir, d'ordonner et d'expliquer le monde, en le rendant intelligible à travers un langage graphique et visuel codifié et fixe. Ce serait ainsi une erreur de réduire la beauté intrinsèque de cet ouvrage à un rôle purement décoratif : au contraire, la mise en page, le choix des couleurs et des éléments iconographiques donnent naissance à une sémiotique visuelle, qui permet au cartographe de développer avec précision et clarté le discours géographique et cosmographique. "************************ Unique édition limitée à 987 exemplaires numérotés et certifiés par notaire.…

4° Broschiert. Condición: Sehr gut. 127 S., Abb. Besitzerstempel auf Vorsatz. Sehr schönes, innen wie außen sauberes Exemplar. 1589295 Sprache: Deutsch Gewicht in Gramm: 700.

Softcover. Condición: gut. 2011. Portugal und das Heilige Römische Reich (16. - 18. Jahrhundert) = Portugal e o Sacro Império (séculos XVI - XVIII) In deutscher Sprache. pages.