cullhed anna (16 resultados)

Softcover. Condición: Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condición: Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condición: Bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condición: Bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Frankfurt am Main; Peter Lang, 2002. Third printing. (European University Studies. Series XVIII, Comparative Literature. Vol. 104). Diss. 21x15 cm. 337, (1, 2 blanks) pp. Original printed wrappers. There is a light pencil mark on the fore-edge. Light underlinings in pencil on around 10 pages. A fine copy. "The subject of this dissertation is the construction of a lyric genre in academic poetics between 1746 and 1806, in handbooks and lectures by Ch. Batteux, J. A. Schlegel, J. G. Sulzer, H. Blair, J. J. Eschenburg, J. J. Engel, A. W. Schlegel, F. W. J. Schelling, F. Ast, and F. Bouterwek. The study also aims at a reconsideration of neoclassical versus romantic poetics." (Rear wrapper).

Uppsala; Uppsala University, 2001. 21x15 cm. (4), 348 pp. Original printed wrappers. Rear wrapper has a light cornerfold and a few small specks. A fine copy. "The subject of this dissertation is the construction of a lyric genre in academic poetics between 1746 and 1806, in handbooks and lectures by Ch. Batteux, J. A. Schlegel, J. G. Sulzer, H. Blair, J. J. Eschenburg, J. J. Engel, A. W. Schlegel, F. W. J. Schelling, F. Ast, and F. Bouterwek. The study also aims at a reconsideration of neoclassical versus romantic poetics.The first chapter investigates the relation between tradition and discourse. It argues that poetics as a discipline relies on an ancient legacy and on contemporary legitimising discourses, such as the natural sciences, moral philosophy, or idealist philosophy. The two levels indicate sites of interplay between continuity and change.The second chapter discusses the concept of genre. It is established that the lyric genre is not dependent on a triadic system of genres. All sources provide generic enumerations, even though they represent different approaches to systematic closure. The lyric genre consists of a classical canon paired with a more changeable set of contemporary lyrics.The lyric genre is defined as the language of passion in all sources and is connected with brevity, enthusiasm, metrical freedom, and disorder. In the third chapter lyrical expression is related to concepts such as imitation, authenticity, original poetry, and religious poetry. The lyric genre vacillates between the expression of universal and individual feelings. It is argued that the identification of lyric poetry as expression does not entail that the emotions in question are to be understood as authentic." (Abstract).

Lund; Ellerströms, 2011. 22x16,5 cm. 415, (1) s. Förlagets pappband med tryckt skyddsomslag. Förlagsny. "Det är ständig jordbävning i Bengt Lidners diktning, åskan går och tårarna flyter. Lidner, 1700-talspoeten med den stora näsan, är fortfarande känd för 'den lidnerska knäppen' och för sin medkänsla med all världens uslingar. En kombination av Lidners egen strategi och av 1800-talets historieskrivning har låtit diktaren skymma dikten. Lidners författarskap är betydligt bredare än standardbilden låter ana. Han växlar mellan satir och sentimentalitet, mellan Kristusfromhet och ekivoka kärleksintriger. Lidner skrev inom flera av tidens anspråksfulla genrer. I boken behandlas operalibrettot Medea, oratoriet Gethsemane, den långa dikten Yttersta Domen och komedin Änteligen blef en Poet Lycklig. Att Lidner är tårarnas poet är känt, men inga mänskliga passioner är honom främmande. Hur han går till väga för att väcka känslor av helt olika slag är en av bokens huvudfrågor. I Anna Cullheds bok möter vi en medveten författare som experimenterar med hela det sena 1700-talets litterära repertoar. Lidner skapar inte bara nya diktformer utan också en ny läsare ? den älskande kvinnan." (Baksidestext).

Condición: AS NEW. Etat de NEUF / AS NEW condition 3631380402 9783631380406 1036E 2.

391 s. + 4 planschsidor. Illustrerad. Förlagsband med skyddsomslag.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This is a study of the theory of the lyric genre in late 18th- and early 19th-century instructional poetics by Ch. Batteux, J. A. Schlegel, J. G. Sulzer, H. Blair, J. J. Engel, J. J. Eschenburg, A. W. Schlegel, F. W. J. Schelling, F. Ast, and F. Bouterwek. Poetics can be understood as part of moral philosophy, natural history, the psychology of association, or idealist philosophy during this important period. However, the lyric genre is defined as «the language of passion» in all the sources, irrespective of their theoretical point of departure. The definitions rely on the interaction between the classical tradition of poetics and contemporary disciplines, and this tension calls for a reconsideration of neoclassical and romantic poetics. The lyric gains a stable position within different systems of genres, independent of the other genres included. It is certainly an expression of emotions, but these need not be authentic. Across all conventional epochal borders, the lyric is primarily a political and religious genre.

Taschenbuch. Condición: Neu. The Language of Passion | The Order of Poetics and the Construction of a Lyric Genre 1746-1806 | Anna Cullhed | Taschenbuch | Englisch | 2002 | Peter Lang | EAN 9783631380406 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu.

paperback. Condición: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

The Order of Poetics and the Construction of a Lyric Genre 1746-1806. Revised diss. (Uppsala) Frankfurt am Main 2002. 337 pages. Soft covers.[#81064].

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This is a study of the theory of the lyric genre in late 18th- and early 19th-century instructional poetics by Ch. Batteux, J. A. Schlegel, J. G. Sulzer, H. Blair, J. J. Engel, J. J. Eschenburg, A. W. Schlegel, F. W. J. Schelling, F. Ast, and F. Bouterwek. Poetics can be understood as part of moral philosophy, natural history, the psychology of association, or idealist philosophy during this important period. However, the lyric genre is defined as «the language of passion» in all the sources, irrespective of their theoretical point of departure. The definitions rely on the interaction between the classical tradition of poetics and contemporary disciplines, and this tension calls for a reconsideration of neoclassical and romantic poetics. The lyric gains a stable position within different systems of genres, independent of the other genres included. It is certainly an expression of emotions, but these need not be authentic. Across all conventional epochal borders, the lyric is primarily a political and religious genre. 338 pp. Englisch.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This is a study of the theory of the lyric genre in late 18th- and early 19th-century instructional poetics by Ch. Batteux, J. A. Schlegel, J. G. Sulzer, H. Blair, J. J. Engel, J. J. Eschenburg, A. W. Schlegel, F. W. J. Schelling, F. Ast, and F. Bouterwek. .

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This is a study of the theory of the lyric genre in late 18th- and early 19th-century instructional poetics by Ch. Batteux, J. A. Schlegel, J. G. Sulzer, H. Blair, J. J. Engel, J. J. Eschenburg, A. W. Schlegel, F. W. J. Schelling, F. Ast, and F. Bouterwek. Poetics can be understood as part of moral philosophy, natural history, the psychology of association, or idealist philosophy during this important period. However, the lyric genre is defined as «the language of passion» in all the sources, irrespective of their theoretical point of departure. The definitions rely on the interaction between the classical tradition of poetics and contemporary disciplines, and this tension calls for a reconsideration of neoclassical and romantic poetics. The lyric gains a stable position within different systems of genres, independent of the other genres included. It is certainly an expression of emotions, but these need not be authentic. Across all conventional epochal borders, the lyric is primarily a political and religious genre.Lang, Peter GmbH, Gontardstraße 11, 10178 Berlin 340 pp. Englisch.