Crump bill (12 resultados)

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Staple Bound. Condición: Good. No stated printing date. Significant surface wear, some shallow creases, rubbing, a few scratches. Light splaying of covers, light discoloration along edges of its very thin textblock. Otherwise in swell shape, the binding is holding well, no visible oxidation to staples. Pages are clean and smooth, with full-color prints throughout.…

Paperback. Condición: Brand New. 280 pages. 6.14x0.64x9.21 inches. In Stock.

Soft cover. Condición: Fine. RARE. NO DATE STATED. SC - Pictorial wraps with B/W Sepia toned Photography. Unusual little book created by the Students of Texas Tech studying the Pueblo Architecture in Taos, New Mexico. Clean copy; no markings or flaws to state. 8vo. 2 pages text 24 leaves/pages which include title page; 2 pages text, 17 full page photos and one page for patrons/credits. --B.R. Box 115.…

Paperback. Condición: Good. Estado de la sobrecubierta: No Jacket (as issued). Tape repair to tear on front panel. Rubbing and wear to the rear panel and less so to the front panel. "Fifi" is a B-29 superfortress restored to air worthiness by the Confederate Air Force, now known as the Commemorative Air Force (CAF). "Fifi" is a crown jewel of restored military aircraft and this rare work details the history of the B-29A and how "Fifi" was found and restored. Further, it is signed by many CAF members responsible for the restoration and/or crew as of 1995 - the first page is signed by Randy Sohn, Mike Looney, Duncan Welch, Ken Sass, and Rickie Welder. On pages 30-31 it signed by Ken Sass, Ray Williams, and Col. Bob Freeman. A unique and rare artifact of American aviation history. Signed.…

Softcover. Condición: Fine. Color & Map; 8 1/2 x 11"; Unpaginated pages; Soft cover has stapled wraps. Pages are clean and tight. No date, but probably from 1979. Pages not numbered, 46 pages. Illustrated with color photographs. 'provides an in-depth look into the Confederate Air Force (CAF) and its Ghost Squadron during the crucial years of 1939 to 1945. The Ghost Squadron was a pivotal force in America's air power during World War II, and this book offers an exhaustive exploration of their exploits. Filled with authentic photographs and detailed information about the aircraft used.'. Illustrated by Bill Crump (ilustrador).…

hardcover. Condición: New. In shrink wrap. Looks like an interesting title. Madden, Robert W. (ilustrador).

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good +. 1st. 194pp. including index; HB quarter-bound; black w/burgundy & gilt; fine condition w/clean, tight pgs. DJ black w/red-color photocovers; slight rub w/wear on edges. " .traces the evolution of the Gibson Super 400, the first 18-inch deluxe-ornamented archtop guitar and "one of the great aristocrats" of the guitar world. .Numerous color and black-and-white photographs capture the design genius and beauty of this instrument." isbn 9780879302306. Crump, Bill & Van Hoose, Thomas A. (photos) (ilustrador).…

Condición: Good. A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact (including dust cover, if applicable). The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include "From the library of" labels or limited small stickers. Book may have a remainder mark or be a price cutter.…

Paperback. Condición: Brand New. 280 pages. 6.14x0.64x9.21 inches. In Stock. This item is printed on demand.

Soft cover. Condición: Very Good. Landmark document by the Art Workers Coalition which compiled documents and correspondence aggregated to push for better situations for artists. 121 pages in stiff stapled wraps, this original is quite scarce in any condition, this copy being quite decent with one or two notes, most significant of which is a large stain to front cover, alongside some similar but significantly smaller and more faint iterations on front and back panel. Couple of teeny tiny dot stains to front and rear free endpages but hardly so and no other stains besides. Offset toning to full vertical length of front panel, also a bit around the very edges of the margins of the covers and to a lesser extent the interior pages. Staples rusted but still seem quite sturdy, and seems binding should hold well. Interior is clean and free of marks. Covers now in mylar.…

142 pp.; 28 x 20.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed The report from the Art Workers Coalition hearing on April 10, 1969, printed in order to bring each artist's opinion on museum reform to the attention of all art workers and all art institutions in New York City and elsewhere. Includes contributions in the form of statements by Carl Andre, Architects Resistance, Robert Barry, Gregory Battcock, Jon Bauch, Ernst Benkert, Don Bernshouse, Gloria Greenberg Bressler, Selma Brody, Bruce Brown, Bob Carter, Fredrick Castle, Rosemarie Castoro, Michael Chapman, Iris Crump, John Denmark, Joseph Di Donato, Mark Di Suvero, George Dworzan, Farman, Hollis Frampton, Dan Graham, Chuck Ginnever, Bill Gordy, Alex Gross, Hans Haacke, Clarence Hagin, Harvey, Gerry Herman, Frank Hewitt, D. Holmes, Robert Huot, Ken Jacobs, Joseph Kosuth, David Lee, Naomi Levine, Sol LeWitt, Lucy Lippard, Tom Lloyd, Lee Lozano, Len Lye, James McDonald, Edwin Mieczkowski, Vernita Nemec, Barnett Newman, John Perreault, Stephen Phillips, Lil Picard, Peter Pinchbeck, Joanna Pousette-Dart, Barbara Reise, Faith Ringold, Steve Rosenthal, Theresa Schwarz, Seth Siegelaub, Gary Smith, Michael Snow, Anita Steckel, Carl Strueckland, Gene Swenson, Julius Tobias, Jean Toche, Ruth Vollimer, Iain Whitecross, Jay Wholly, Ann Wilson, and Wilbur Woods. Reference : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 72. Fine. First printing, clean and unmarked as issued.…