Corigliano john (245 resultados)

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Paperback. Condición: new. Paperback. (Vocal Solo). From the popular opera The Ghosts of Versailles . The plot revolves around the playwright Beaumarchais, who attempts to seduce Marie Antoinette's ghost, with the help of characters from his plays Barber of Seville and Marriage of Figaro . Hysterical chaos ensues as the story unfolds. From the popular opera The Ghosts of Versailles. The plot revolves around the playwright Beaumarchais, who attempts to seduce Marie Antoinette's ghost, with the help of characters from his plays Barber of Seville and Marriage of Figaro. Hysterical chaos ensues as the story unfolds. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condición: new. Paperback. (Vocal Solo). Sheet Music Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Paperback. Condición: new. Paperback. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

paperback. Condición: New. Brand New! Proven Seller with Excellent Customer Service. Choose expedited shipping and get it FAST.

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Paperback. Condición: new. Paperback. (Vocal). From the popular opera The Ghosts of Versailles . The plot revolves around the playwright Beaumarchais, who attempts to seduce Marie Antoinette's ghost, with the help of characters from his plays Barber of Seville and Marriage of Figaro . Hysterical chaos ensues as the story unfolds. From the popular opera The Ghosts of Versailles. The plot revolves around the playwright Beaumarchais, who attempts to seduce Marie Antoinette's ghost, with the help of characters from his plays Barber of Seville and Marriage of Figaro. Hysterical chaos ensues as the story unfolds. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condición: new. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: new. Paperback. (Opera). English Only. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Paperback. Condición: new. Paperback. (String). Originally composed in 2011 for Anne Akiko Meyersa and her daughter Natalie, it was later orchestrated for Marin Alsop's 20th season at the Cabrillo Festival of Contemporary Music, and has been transcribed for band. This original version is accessible to musicians and audiences, yet extremely sensitive with its dramatic sonorities, the music is both soothing and subtle even as the tonality is stretched. "Soothing and lush, John Corigliano's 'Lullaby for Natalie' could lead a drowsy child toward a land of blissful slumber.this piece holds special significance for Anne Akiko Meyers: It was commissioned by her husband as a surprise to welcome their new daughter, Natalie, into the world.G. Schirmer has released the lullaby in print for violinists who want to explore this lovely, heartfelt piece."-- Strings magazine Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Paperback. Condición: new. Paperback. (Piano). Three movements based on MIDI-realized improvisations by the composer. The first performance by Ursula Oppens was in 2009. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Paperback. Condición: new. Paperback. (Vocal). Recorded on RCA 60395-2 RG by Robert White, Tenor, and Ransom Wilson, Flute. Contents: The Salley Gardens * The Foggy Dew * She Moved Through the Fair. Duration: ca. 10 minutes. Recorded on RCA 60395-2 RG by Robert White, Tenor, and Ransom Wilson, Flute. Contents: The Salley Gardens * The Foggy Dew * She Moved Through the Fair. Duration: ca. 10 minutes. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condición: new. Paperback. (String Solo). The Red Violin Caprices (duration: ca. 10 min.) are derived from John Corigliano's music for The Red Violin , which received the 1999 Academy Award for Best Original Score. The Caprices were composed especially for Joshua Bell. "These Caprices, composed in conjunction with the score for Francois Girard's film The Red Violin , take a spacious, troubadour-inspired theme and vary it both linearly and stylistically. These variations intentionally evoke Baroque, Gypsy, and arch-Romantic idioms as they examine the same materials (a dark, seven-chord chaconne as well as that principal theme) from differing aural viewpoints. The Caprices were created and ordered to reflect the structure of the film, in which Bussotti, a fictional 18th-century violin maker, crafts his greatest violin for his soon-to-be-born son. When tragedy claims wife and child, the grief-stricken Bussotti, in a gesture both ardent and macabre, infuses the blood of his beloved into the varnish of the instrument. Their fates thus joined, the violin travels across three centuries through Vienna, London, Shanghai and Montreal, passing through the hands of a doomed child prodigy, a flamboyant virtuoso, a haunted Maoist commissar, and at last a willful Canadian expert, whose own plans for the violin finally complete the circle of parent and child united in art." John Corigliano The Red Violin Caprices (duration: ca. 10 min.) are derived from John Corigliano's music for The Red Violin, which received the 1999 Academy Award for Best Original Score. The Caprices were composed especially for Joshua Bell. "These Caprices, composed in conjunction with the score for Francois Girard's film The Red Violin, take a spacious, troubadour-inspired theme and vary it both linearly and stylistically. These variations intentionally evoke Baroque, Gypsy, and arch-Romantic idioms as they examine the same materials (a dark, seven-chord chaconne as well as that principal theme) from differing aural viewpoints. The Caprices were created and ordered to reflect the structure of the film, in which Bussotti, a fictional 18th-century violin maker, crafts his greatest violin for his soon-to-be-born son. When tragedy claims wife and child, the grief-stricken Bussotti, in a gesture both ardent and macabre, infuses the blood of his beloved into the varnish of the instrument. Their fates thus joined, the violin travels across three centuries through Vienna, London, Shanghai and Montreal, passing through the hands of a doomed child prodigy, a flamboyant virtuoso, a haunted Maoist commissar, and at last a willful Canadian expert, whose own plans for the violin finally complete the circle of parent and child united in art." - John Corigliano Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condición: New.

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Paperback. Condición: Brand New. 6 pages. 12.00x9.00x0.02 inches. In Stock.

Paperback. Condición: Brand New. 4 pages. 12.00x9.00x0.01 inches. In Stock.

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Paperback. Condición: new. Paperback. (String Solo). This work won the 1964 Spoleto Festival Competition for Chamber Music and was first performed by violinist Yoko Matsuda and pianist Charles Wadsworth. Duration ca. 22 minutes. This work won the 1964 Spoleto Festival Competition for Chamber Music and was first performed by violinist Yoko Matsuda and pianist Charles Wadsworth. Duration ca. 22 minutes. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. (Piano Duet). One Piano, Four Hands. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: Brand New. 56 pages. 10.20x6.50x0.30 inches. In Stock.

Condición: New.

Paperback. Condición: new. Paperback. (Ensemble). From the composer: Soliloquy was written in memory of my father, who died on September 1, 1975. He had been a concertmaster of the New York Philharmonic for 23 years, and I still find it hard to think of that orchestra without him sitting in the first chair. So the idea of an extended dialogue for clarinet and violin seemed not only natural but inevitable. The Soliloquy begins with a long, unaccompanied line for the violin. The other strings enter, and a mood of sustained lyricism introduces the clarinet. The prevailing feeling is that of desolation. I deliberately avoided an emotional climax in the Soliloquy , feeling that sustaining the same mood throughout the music would achieve a heightened intensity. Structurally, this movement alternates two melodic ideas. The first is introduced by the violin (in B), while the second (in B-flat) is represented by the clarinet. A three-note motto (C-sharp, B, B-flat) grows from the alternation of the two tonalities and provides a third major element. The movement ends as it began, with the same long violin line, this time joined by the clarinet. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…