Conor whately (216 resultados)
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Condición: New. Hardback 192 pages with 16 illustrationsPublished Price £19.99 How can we attempt to understand the experience of those involved in ancient battles, sieges and campaigns? What was the visual impact of seeing the massed ranks of the enemy approaching or the sky darkened with their arrows? How did it feel to be tr…apped in the press of bodies as phalanxes clashed shield to shield? What of the taste of dust on the march or the smell of split blood and entrails? What of the rumble of approaching cavalry, the clash of iron weapons and the screams of the dying? The assault on all five senses which must have occurred is the subject of this innovative book.Sensory history is a new approach that attempts to understand the full spectrum of the experience of the participants in history. Conor Whately is the first to apply the discipline in a dedicated study of warfare in the classical world. He draws on literary, archaeological, reconstructive and comparative evidence to understand the human experience of the ancient battlefield in unprecedented depth.The book explores its content through an introduction about the loss of Varusâ legions in the Teutoburg in 9AD before examining the Greek world through Cunaxa (401BC) and Issus (333BC); the Roman world through Cannae (216BC), Jerusalem (70AD) and Masada (72-74AD); and finally late antiquity through Strasbourg (357AD) and Edessa (544AD). The stated aim is to assess the evidence for what the ancient battles and sieges would have looked, sounded, tasted, smelled and felt like to its participants. There is a lot of speculation as youâd expect, and some obvious inferences such as the smell of sweat or the foods consumed, but the book does offer some interesting insights. The Battle of Cunaxa (401BC) talks about the feelings of reassurance the hoplite would have taken from the bumps from their colleague on the left as they advanced which re-enact its will of course recognise from their own advancing lines, but also the fear the right-hand members would feel seeing their vulnerable right flank exposed, hence the drift right and the corresponding feelings transmitted through the ranks. I think this adds more to the retelling than just stating that phalanxes drifted right. Alexanderâs choice of position for himself and his cavalry at the Battle of Issus (333BC) make a lot of sense with the aid of a side-scan radar of the battlefield (although itâs badly labelled and you have to work this out for yourself!) which makes evident just how much Alexander could and couldnât see from horseback. His relatively advantageous position allowed him to view the whole Persian army and the position of Darius to time his charge to exploit the break in the enemyâs lines. The charge at the Persian Emperor, forcing him to retreat, was itself a very visual thing to inspire his men and intimidate the Persian troops. Simple things, but the focus on the physical experience certainly adds something to the retelling of familiar battles as the author searches for evidence of sensory input that will help explain the decisions and experiences of the commanders and their men.Ashley Holt, The Hoplite Association.
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Hardback. Condición: New. How can we attempt to understand the experience of those involved in ancient battles, sieges and campaigns? What was the visual impact of seeing the massed ranks of the enemy approaching or the sky darkened with their arrows? How did it feel to be trapped in the press of bodies as phalanxes clashed shie…ld to shield? What of the taste of dust on the march or the smell of split blood and entrails? What of the rumble of approaching cavalry, the clash of iron weapons and the screams of the dying? The assault on all five senses which must have occurred is the subject of this innovative book.Sensory history is a new approach that attempts to understand the full spectrum of the experience of the participants in history. Conor Whately is the first to apply the discipline in a dedicated study of warfare in the classical world. He draws on literary, archaeological, reconstructive and comparative evidence to understand the human experience of the ancient battlefield in unprecedented depth.
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Hardback. Condición: New. How can we attempt to understand the experience of those involved in ancient battles, sieges and campaigns? What was the visual impact of seeing the massed ranks of the enemy approaching or the sky darkened with their arrows? How did it feel to be trapped in the press of bodies as phalanxes clashed shie…ld to shield? What of the taste of dust on the march or the smell of split blood and entrails? What of the rumble of approaching cavalry, the clash of iron weapons and the screams of the dying? The assault on all five senses which must have occurred is the subject of this innovative book.Sensory history is a new approach that attempts to understand the full spectrum of the experience of the participants in history. Conor Whately is the first to apply the discipline in a dedicated study of warfare in the classical world. He draws on literary, archaeological, reconstructive and comparative evidence to understand the human experience of the ancient battlefield in unprecedented depth.
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Hardcover. Condición: new. Hardcover. How can we attempt to understand the experience of those involved in ancient battles, sieges and campaigns? What was the visual impact of seeing the massed ranks of the enemy approaching or the sky darkened with their arrows? How did it feel to be trapped in the press of bodies as phalanxes…clashed shield to shield? What of the taste of dust on the march or the smell of split blood and entrails? What of the rumble of approaching cavalry, the clash of iron weapons and the screams of the dying? The assault on all five senses which must have occurred is the subject of this innovative book. Sensory history is a new approach that attempts to understand the full spectrum of the experience of the participants in history. Conor Whately is the first to apply the discipline in a dedicated study of warfare in the classical world. He draws on literary, archaeological, reconstructive and comparative evidence to understand the human experience of the ancient battlefield in unprecedented depth. AUTHOR: Conor Whately gained his doctorate in Classics and Ancient History from the University of Warwick and is now an associate professor of Classics at the University of Winnipeg, Canada. He has published widely on ancient warfare, particularly in the Late Roman world, including four previous books: Battles and Generals (2016), Exercitus Moesiae (2016), An Introduction to the Roman Military from Marius to Theodosius II (2020), and Greek and Roman Military Manuals: Genre, Theory, Influence (2020, co-edited with James Chlup). 16 illustrations Ambitious new approach to the subject of ancient warfare. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback or Softback. Condición: New. Ancient Warfare: The Basics. Book.
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Paperback. Condición: New. Ancient Warfare: The Basics offers an engaging introduction to warfare in the ancient Mediterranean World from the mythical Trojan War, through the rise of hoplites and conquests of Alexander the Great to Roman hegemony and the Arab conquests of western Asia.This volume explores warfare in the ancient…Mediterranean through art, literature, and archaeological evidence and covers a vast geographical area stretching from northern Europe to western Asia. After an introduction discussing the Trojan War, chapters explore warfare in ancient Greece from the Archaic to the Hellenistic period before shifting to the Persian army and the rise of Macedon. Whately then moves to Roman warfare, covering Rome's naval prowess, its wars against rebels and aggressors and its expansion in the east, exploring how Rome's way of war changed in the Late Antique period. The rise of the Huns, horse archery, and the last great war of antiquity - Rome versus Persia in the seventh century CE - close out the book.This concise, accessible guide to ancient warfare is suitable for undergraduate and postgraduate students in Classics and ancient history as well as scholars and general readers interested in warfare in the pre-modern world.
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