Colpitt frances (171 resultados)

Paperback. Condición: Fair. First Edition. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condición: very_good.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Good. Chronicles the Minimal art movement of the 1960s.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Condición: Fair. No Jacket. In this important work, Frances Colpitt chronicles the Minimal art movement of the 1960s. Maintaining the original spirit of the period--enthusiasm for innovation and a passionate commitment to intellectual inquiry--Colpitt provides an excellent documentary history that is both thorough and nonpartisan. Using a metacritical approach that embraces critical writings of the artists themselves, interviews by herself and the others, and a generous sampling of illustrations, Colpitt sets foth the issues and arguments and identifies key concepts that are crucial to an understanding of Minimal art. These include the frequent use of industrial materials and techniques; nonrelational principles of composition; and theoretical issues of scale, presence and thatricality. Also discussed are issues of abstraction, illusion, and reductionism as revealed in the writing and artistic productions of such leading innovators as Frank Stella, Donald Judd, and Robert Morris, among others. An appendix lists major exhibitions and reviews. Piece(s) of the spine missing. Due to age and/or environmental conditions, the pages of this book have darkened. Former library book. Significant damage due to wetness. Boards are moderate to severely edgeworn. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Ex-Library.…

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Condición: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Good. Chronicles the Minimal art movement of the 1960s.

Condición: New.

Paperback. Condición: Like New. First Edition. First Edition, First Printing. Published by Cambridge University Press, 2002. Octavo. Paperback. Book is like new.

Condición: As New. Unread book in perfect condition.

Condición: New. Brand New.

paperback. Condición: Good. This is a used book in good condition and may show some signs of use or wear .

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New.

Softcover. Condición: Good Plus. First Edition. [ART]. Hills Snyder, Frances Colpitt, Jacqueline Gilliam, Enrico Lunghi. "Hills Snyder: Gloville [English, French]." Luxembourg: Casino Luxembourg, 1998. First edition. English language. Softcover with pictorial wrappers and laid-in insert. Nonfiction art catalog with critical texts and full-color illustrations. 8 1/2 x 6 inches. 6 oz. 48 pp. Shelf-wear. Rubbing on wrappers. Text clean. Good Plus. ISBN: 2919893114. ASIN: B00G2YAQAM. "Representative pieces and several essays about the Texas artist from his 1998 exhibition.".…

Paperback. Condición: new. Paperback. An exhibition of recent photography organized by Frances Colpitt, Color Pictures examines color as a subject matter in works by John Baldessari, Sarah Charlesworth, William Eggleston, Russell Lee, Thomas Ruff, Stephen Shore, Allison V. Smith, and Ann Stautberg. The exhibition charts the merger of art and photography from the 1970s to the present. During this period, both the photo world and the art world were transformed by the conflict between photographys high technical and aesthetic standards and the intentionally amateur and nonchalant approach to the camera by conceptually-oriented artists who used the camera to document their often ephemeral materials and elusive ideas. Their rocky fusion led not only to the acceptance of the photographic medium as a legitimate tool for art making, but also to unparalleled growth in the number of artists using the camera in the 1980s and 1990s. Both the exhibit and the catalogue offer a variety of insights into the meaningful role of color in visual art and in the visible world. The catalogue includes essays and color plates from the exhibition, as well as an introductory essay by Colpitt that outlines the issues at stake in the use of color in recent photography. Commentaries on Individual artists were written by graduate students in TCUs School of Art who participated in a graduate art history seminar, Photography In/As/ Not As Art, spring 2012. An exhibition of recent photography organised by Frances Colpitt, Color Pictures examines colour as a subject matter in works by John Baldessari, Sarah Charlesworth, William Eggleston, Russell Lee, Thomas Ruff, Stephen Shore, Allison V. Smith, and Ann Stautberg. The exhibition charts the merger of art and photography from the 1970s to the present. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condición: Very Good.

Condición: New. Brand New.

Condición: As New. Unread book in perfect condition.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: New.