Abstract Art in the Late Twentieth Century (Contemporary Artists and their Critics)

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9780521004534: Abstract Art in the Late Twentieth Century (Contemporary Artists and their Critics)

The collection presents a coherent and optimistic picture of abstract painting, the definitive contribution of modern art. Includes seminal essays on abstract painting that trace the development of hard-edge painting, deductive and serial structure, monochrome abstraction, the psychological analogy, regionalism, and the 'death of painting' in post-modernism.

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'Absorbing and illuminating collection of essays - should appeal to all scholars of contemporary art.' de Arte

Reseña del editor:

By the middle of the 20th century, abstraction was the accepted language of art as practiced by painters and articulated by critics, who began to investigate its historical and theoretical dimensions. Abstract Art in the Late Twentieth Century includes seminal essays on abstract painting by eleven of its most incisive critics and written over four decades, between 1960 and 2000. Tracing the post-Greenbergian development of such critical issues as hard-edge painting, deductive and serial structure, monochrome abstraction, the psychological analogy, regionalism, and the 'death of painting' in post-modernism, they examine works by Ad Reinhardt, Frank Stella, Brice Marden, Sherrie Levine, and Gerhard Richter, among others. The introduction and commentary by Frances Colpitt situates the essays historically and examines their philosophical sources and influences, from formalism and phenomenology, to structuralism and poststructuralism. What emerges is a coherent and optimistic picture of abstract painting, the definitive contribution of modern art.

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1.

Editor-Frances Colpitt
Editorial: Cambridge University Press (2002)
ISBN 10: 0521004535 ISBN 13: 9780521004534
Nuevos Paperback Cantidad: 1
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Ergodebooks
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Descripción Cambridge University Press, 2002. Paperback. Estado de conservación: New. Nº de ref. de la librería SONG0521004535

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Colpitt, Frances
Editorial: Cambridge University Press 2005-06 (2005)
ISBN 10: 0521004535 ISBN 13: 9780521004534
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Descripción Cambridge University Press 2005-06, 2005. Estado de conservación: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-LSI-06928955

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Editorial: CAMBRIDGE UNIVERSITY PRESS, United Kingdom (2005)
ISBN 10: 0521004535 ISBN 13: 9780521004534
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Descripción CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2005. Paperback. Estado de conservación: New. 224 x 152 mm. Language: English . Brand New Book ***** Print on Demand *****.By the middle of the 20th century, abstraction was the accepted language of art as practiced by painters and articulated by critics, who began to investigate its historical and theoretical dimensions. Abstract Art in the Late Twentieth Century includes seminal essays on abstract painting by eleven of its most incisive critics and written over four decades, between 1960 and 2000. Tracing the post-Greenbergian development of such critical issues as hard-edge painting, deductive and serial structure, monochrome abstraction, the psychological analogy, regionalism, and the death of painting in post-modernism, they examine works by Ad Reinhardt, Frank Stella, Brice Marden, Sherrie Levine, and Gerhard Richter, among others. The introduction and commentary by Frances Colpitt situates the essays historically and examines their philosophical sources and influences, from formalism and phenomenology, to structuralism and poststructuralism. What emerges is a coherent and optimistic picture of abstract painting, the definitive contribution of modern art. Nº de ref. de la librería AAV9780521004534

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Editorial: CAMBRIDGE UNIVERSITY PRESS, United Kingdom (2005)
ISBN 10: 0521004535 ISBN 13: 9780521004534
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The Book Depository US
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Descripción CAMBRIDGE UNIVERSITY PRESS, United Kingdom, 2005. Paperback. Estado de conservación: New. 224 x 152 mm. Language: English . Brand New Book ***** Print on Demand *****. By the middle of the 20th century, abstraction was the accepted language of art as practiced by painters and articulated by critics, who began to investigate its historical and theoretical dimensions. Abstract Art in the Late Twentieth Century includes seminal essays on abstract painting by eleven of its most incisive critics and written over four decades, between 1960 and 2000. Tracing the post-Greenbergian development of such critical issues as hard-edge painting, deductive and serial structure, monochrome abstraction, the psychological analogy, regionalism, and the death of painting in post-modernism, they examine works by Ad Reinhardt, Frank Stella, Brice Marden, Sherrie Levine, and Gerhard Richter, among others. The introduction and commentary by Frances Colpitt situates the essays historically and examines their philosophical sources and influences, from formalism and phenomenology, to structuralism and poststructuralism. What emerges is a coherent and optimistic picture of abstract painting, the definitive contribution of modern art. Nº de ref. de la librería AAV9780521004534

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Frances Colpitt, Donald B. Kuspit
Editorial: Cambridge University Press
ISBN 10: 0521004535 ISBN 13: 9780521004534
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Descripción Cambridge University Press. Paperback. Estado de conservación: new. BRAND NEW PRINT ON DEMAND., Abstract Art in the Late Twentieth Century, Frances Colpitt, Donald B. Kuspit, By the middle of the 20th century, abstraction was the accepted language of art as practiced by painters and articulated by critics, who began to investigate its historical and theoretical dimensions. Abstract Art in the Late Twentieth Century includes seminal essays on abstract painting by eleven of its most incisive critics and written over four decades, between 1960 and 2000. Tracing the post-Greenbergian development of such critical issues as hard-edge painting, deductive and serial structure, monochrome abstraction, the psychological analogy, regionalism, and the 'death of painting' in post-modernism, they examine works by Ad Reinhardt, Frank Stella, Brice Marden, Sherrie Levine, and Gerhard Richter, among others. The introduction and commentary by Frances Colpitt situates the essays historically and examines their philosophical sources and influences, from formalism and phenomenology, to structuralism and poststructuralism. What emerges is a coherent and optimistic picture of abstract painting, the definitive contribution of modern art. Nº de ref. de la librería B9780521004534

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Edited by Frances Colpitt
Editorial: Cambridge Univ Pr (2002)
ISBN 10: 0521004535 ISBN 13: 9780521004534
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Revaluation Books
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Descripción Cambridge Univ Pr, 2002. Paperback. Estado de conservación: Brand New. 212 pages. 9.00x6.00x0.75 inches. In Stock. Nº de ref. de la librería __0521004535

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Colpitt, Frances
Editorial: Cambridge University Press (2016)
ISBN 10: 0521004535 ISBN 13: 9780521004534
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Ria Christie Collections
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Descripción Cambridge University Press, 2016. Paperback. Estado de conservación: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Nº de ref. de la librería ria9780521004534_lsuk

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Colpitt, Frances
Editorial: Cambridge University Press (2002)
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Descripción Cambridge University Press, 2002. PAP. Estado de conservación: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería LQ-9780521004534

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Colpitt, Frances
Editorial: Cambridge University Press (2002)
ISBN 10: 0521004535 ISBN 13: 9780521004534
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Descripción Cambridge University Press, 2002. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería I2-9780521004534

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EDITED BY FRANCES COLPITT
ISBN 10: 0521004535 ISBN 13: 9780521004534
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Herb Tandree Philosophy Books
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Descripción 2002. Paperback. Estado de conservación: NEW. 9780521004534 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE0439794

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