Coleman floyd (29 resultados)

Paperback. Condición: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paper Back. Condición: Good.

Paperback. Condición: New.

Soft cover. Condición: Near Fine. SOFT COVER IN NEAR FINE CONDITION.

First Edition. Large softcover, very good with lght wear only. Illustrated.

Softcover, 116 pages, as new condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Soft cover. Condición: Near Fine. 1st Edition. pgs.274 with index clean tight copy with slight corner wear and sunning to whites of covers.

Hardcover. Matte color-illustrated boards with the title printed in yellow font down a red spine. The front cover has the title debossed in white lettering. The free and pasted end pages are color illustrated. Pages: (8), 9-184. Profusely illustrated with many full-color images. "Best known for his wire sculptures, Hayward L. Oubre, Jr. (1916-2006), was an important Black American artist and educator, who has until now received little attention from scholars and museums. He created sculptures, paintings, and prints that tested the bounds of each of these mediums. These works share a previously untold history of American modernism rooted in the South. Academically-trained, Oubre worked with an everyday material - wire coat hangers - that led some early critics to associate his sculpture with folk art, despite wire rising to prominence as a material for modernist sculptors in this period. While making his art he also trained a subsequent generation of artists through his teaching, first at Alabama State College (now Alabama State University), from 1949 to 1965, and then at Winston-Salem State University, from 1965 to 1981, both Historically Black Colleges and Universities. Within Oubre's story is a history of Alabama art shaping American art that has never been written." Contents are as follows: Reflections by Oubre's family, friends, and collectors -- Uncrossed wires : miscegenation from the inside out -- A rich background : Hayward Oubre and the Iowa idea(L) -- Trees of learning : Hayward Oubre, Hale Woodruff, Selma Burke, and art education in Southern HBCUS -- Hayward Oubre : the painter -- Outside the lines -- Reflections by Oubre's former students. Structural Integrity / Katelyn D. Crawford -- Reflections By Oubre's family,k friends and collectors -- Perspective on Hayward Oubre / Mervin Anthony Green -- Meetings with a remarkable man / Carter B. Cue -- Discovering Hayward Oubre / Brenda and Larry Thompson -- Uncrossed Wires: Miscegenation from the Inside Out / Amalia K. Amaki -- Plates 1-13 -- A Rich Back ground Hayward Oubre and the Iowa Idea(L) / Diana Tuite -- Trees of Learning: Hayward Oubre, Hale Wodruff, Selma Burke, and Art education in Southern Hbcus / Rebecca L. Giordano -- Plates 14-30-- Hayward Oubre: The Painter / Shawnya L. Harris -- Outside the Lines / Marin R. Sullivan -- Plates 31-52 -- Reflections by Oubre's Former students -- A great Mentor makes Great Artists / Noah Jemisin -- The Legacy of H.L. Oubre / Floyd W. Coleman, Sir -- Mr. Oubre as My Teacher / Paul A. Gary -- Chronology / Hina M. Zaidi and Katelyn D. Crawford. VG-, bottom right corner considerably warped with boards crinkling from damage, otherwise excellent and still in plastic.…

Paperback. Condición: Brand New. paperback/cd edition. 24 pages. 12.00x9.00x0.13 inches. In Stock.

Trade Paperback. Condición: New.

Paperback. Condición: Brand New. paperback/cd edition. 24 pages. 12.00x9.00x0.13 inches. In Stock.

Hardcover. Condición: VG+. Matte color-illustrated boards with the title printed in yellow font down a red spine. The front cover has the title debossed in white lettering. The free and pasted end pages are color illustrated. Pages: (8), 9-184. Profusely illustrated with many full-color images. "Best known for his wire sculptures, Hayward L. Oubre, Jr. (1916-2006), was an important Black American artist and educator, who has until now received little attention from scholars and museums. He created sculptures, paintings, and prints that tested the bounds of each of these mediums. These works share a previously untold history of American modernism rooted in the South. Academically-trained, Oubre worked with an everyday material - wire coat hangers - that led some early critics to associate his sculpture with folk art, despite wire rising to prominence as a material for modernist sculptors in this period. While making his art he also trained a subsequent generation of artists through his teaching, first at Alabama State College (now Alabama State University), from 1949 to 1965, and then at Winston-Salem State University, from 1965 to 1981, both Historically Black Colleges and Universities. Within Oubre's story is a history of Alabama art shaping American art that has never been written." Contents are as follows: Reflections by Oubre's family, friends, and collectors -- Uncrossed wires : miscegenation from the inside out -- A rich background : Hayward Oubre and the Iowa idea(L) -- Trees of learning : Hayward Oubre, Hale Woodruff, Selma Burke, and art education in Southern HBCUS -- Hayward Oubre : the painter -- Outside the lines -- Reflections by Oubre's former students. Structural Integrity / Katelyn D. Crawford -- Reflections By Oubre's family,k friends and collectors -- Perspective on Hayward Oubre / Mervin Anthony Green -- Meetings with a remarkable man / Carter B. Cue -- Discovering Hayward Oubre / Brenda and Larry Thompson -- Uncrossed Wires: Miscegenation from the Inside Out / Amalia K. Amaki -- Plates 1-13 -- A Rich Back ground Hayward Oubre and the Iowa Idea(L) / Diana Tuite -- Trees of Learning: Hayward Oubre, Hale Wodruff, Selma Burke, and Art education in Southern Hbcus / Rebecca L. Giordano -- Plates 14-30-- Hayward Oubre: The Painter / Shawnya L. Harris -- Outside the Lines / Marin R. Sullivan -- Plates 31-52 -- Reflections by Oubre's Former students -- A great Mentor makes Great Artists / Noah Jemisin -- The Legacy of H.L. Oubre / Floyd W. Coleman, Sir -- Mr. Oubre as My Teacher / Paul A. Gary -- Chronology / Hina M. Zaidi and Katelyn D. Crawford. …

Condición: New.

Condición: As New. Unread book in perfect condition.

Softbound. Condición: VG. Black and illus. wraps, 114 pp., profusely illustrated in bw and color. Creative Spirit: The Art of David C. Driskell, is co-curated by Dr. Adrienne L. Childs, Independent Scholar, and Dr. Julie L. McGee, Curator of African American Art, University Museums, University of Delaware, and the author of David C. Driskell: Artist and Scholar. The exhibition features 60 works, completed from the late 1950s-2010, which represent Driskell's transition through a multiplicity of media in his artwork throughout the past 60 years. Creative Spirit, reveals the totality of Driskell's artistic practice, celebrating a life lived in the service of what he often refers to as his "priestly calling." The exhibition highlights and explores seminal themes: Americana, Africana, nature, self-portrait as memoir, celestial music, and the figure. In an interview with co-curator Julie L. McGee, Driskell comments, "Color, my love of nature, and African iconography have all remained vital to my work." At times inspired by racial politics and at other times by his long held comfort in nature, all of his works display the truly creative spirit of David C. Driskell. Co-Curator Adrienne L. Childs states, "Driskell lives his life in tune with the rhythms of the natural world, which represents for him more than just a subject or a decorative motif." Driskell takes annual trips to Maine where the natural beauty of the area has inspired him time and time again.…

Condición: New.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. Good used condition, corners bumped, light wear & marks. Dust wrapper - Fair used condition, dust marked with some wear & marks.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. revised expanded edition. 340 pages. 11.00x8.50x1.25 inches. In Stock.

Hard Back. Condición: Very Good. Estado de la sobrecubierta: Yes. Quality Hardback : hard cover edition in Very Good condition in Good Dust Jacket, some slight wear to edges, as normal for age of book; dj has edgewear and some curling/chipping. Excellent read. A good book to enjoy and keep on hand. Or would make a great GIFT IDEA for the fan / reader in your life. COFFEE TABLE STYLE BOOK OF HIPPY ROCK. Fully Illustrated (ilustrador). Book. …

Paperback. Condición: Brand New. revised expanded edition. 340 pages. 11.00x8.50x1.25 inches. In Stock.

Paperback. Condición: Brand New. revised expanded edition. 340 pages. 11.00x8.50x1.25 inches. In Stock.

Hardcover. Condición: Very Good. Hardcover with dust jacket. Book is in very nice condition, text is unmarked and pages are tight. Dust jacket has a tiny closed tear on top edge. Dust jacket now nicely protected in mylar cover.

Hardcover. Condición: Very Good. No Jacket. First Edition. A bound, ex-library copy the July - December 1932 issues of The American Magazine, volume 114. It includes a title and author index bound in the front. Contents include stories and Depression Era articles by Archibald Rutledge (You Can't Put Out the Sun - July), Alexander Woolcott (I'm Glad I'm Absent Minded - July), Dashiell Hammett (2 Sam Spade stories - A Man Called Spade - July, Too Many Have Lived - October), Octavus Roy Cohen (The Knight's Errand - July, Hearts and Clubs - August, Grandstand Stuff - November), Amelia Earhart (Flying the Atlantic - August), Clarence Budington Kelland (Something to Tell the Folks Who Can't See Where Business is Going - August, Scattergood Meets a Gangster - September, The Touchstone: A Scattergood Story - October, Scattergood Tries an Experiment - November, Red Fingernails - December), Beverley Smith (The Man With the Flashlight Mind, The Story of Walter Lippmann - September), Walter Lippmann (Good Men Wanted - September), Tom Gill (Guardians of the Desert parts 1 - 4 - September - December), Kathleen Norris (Walls of Gold, parts 1 - 3, October - December), I A R Wylie (Pilgrimage - November) General John J Pershing (The Thing We Need Today - December), P G Wodehouse (A Cagey Gorilla - December), and others. Light rubbing to the spine. The front covers are present but the back covers have been removed, The top margin has been trimmed slightly, at times affecting the text at the top of the front cover. The library markings are fairly unobtrusive. They include "Mercer University Library - Macon, GA" stamps on the front covers and a Mercer University Library plate on the front paste down. Occasional neat tape repairs to a few pages. Occasional soil spots in the margins. However the interior is very clean and crisp overall. The binding is solid and tight. A very good copy with stories and serial installments by prominent authors, most notably Dashiell Hammett and P G Wodehouse, and a nice selection of Depression Era articles. A heavy, oversize book that will require additional postage. John E Sheridan, Hatden Hayden, Diana Thorne, Penrhyn Stanlaws (covers), Charles S Chapman, William Auerbach-Levy, Joseph Clement, George Howe, Clayton Knight, C W Massaguer, Floyd M Davis, Ralph Pullen Coleman, Paul Meylan, Pruett Carter and others (ilustrador).…

Softcover. Condición: VG. First. Red wraps. 30 pp. Numerous color plates. Accompanied a 1995 exhibition. Includes texts by Millard, Day, and Coleman, as well as an artist chronology and bibliography.

Condición: Near Fine. Estado de la sobrecubierta: Near Fine. New York: Doubleday, 1999. Later Printing. Octavo (24 cm); Cream and black boards with copper stamping to spine wrapped in publisher's intact jacket ($27.50); 208pp. Jacket gently scuffed and boards lightly nudged at corners and spine ends; interior clean. A Near Fine copy overall. Signed by Dobard at half title. Signed.…

Softcover. Black stapled wraps with red and white text. 50 pp. Bw and color illustrations. "The exhibit 'I Remember. Thirty Years After the March on Washington: Images of the Civil Rights Movement, 1963-1993' presents a unique opportunity for U.S. citizens of all races to see and experience the wealth of contributions made by talented visual artists from around the country. It brings together the diversity of individual artists, their styles and themes, while at the same time linking together each one by his/her honest vision to collectively bring about freedom, justin and peace." VG, some minor wear to wraps. All else excellent.…