Clemens krummel (73 resultados)

paperback. Condición: Good. Cover shows some external wear & creasing. Interiors are clean with unmarked and legible text/pictures.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Broschiert. Condición: Gut. 256 Seiten; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. Originalschutzumschlag vorhanden. Sprache: Deutsch Gewicht in Gramm: 350.…

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: as new. Wie neu/Like new.

Couverture souple. Condición: Comme neuf.

Paperback. Condición: New. New softcover exhibition catalogue with no marks or flaws. Clean, bright copy.

Sprache: Deutsch Mit zahlreichen Abbildungen. 201 Seiten. Pappband. Altersentsprechend guter Zustand.

Softcover/Paperback. Condición: Gut. 194 S. : Ill. Guter Zustand. Bibliotheksexemplar mit Stempeln und Signatur auf Einband. Sonst Seiten sauber. / Good. Ex-library with usual markings. Clean pages. Sprache: Deutsch Gewicht in Gramm: 400.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Hardcover. 86 S., Quart, Hardcover/gebunden. Eintragsfrei. Innen wie außen tadellos. Reihe: Kunst der Gegenwart aus Niedersachsen. Hier Band Nr. 70. Sprache: Deutsch (unbesetzt) 1100 gr.

Softcover. Condición: Sehr gut. Estado de la sobrecubierta: Ohne Schutzumschlag. 1. Auflage. (Museum der Museen, 2); 194 pages with many b/w-illustrations.

Hardcover. Condición: Near Fine. 1st Edition. Title - Julia Schmid Author - Clemens Krummel Publisher - Stiftung Niedersachsen Year  - 2014 Language - German - English Binding - Hardcover Size - 23 x 30 cm Pages - 86 ISBN - 9783981522242.

Condición: New.

Hardcover. Condición: new. Hardcover. A cross-reference book of information on aesthetic boundaries, consisting of a bibliography into which inserted text, critical essays, art works, and documents, are arranged chronologically and focused on a selection of so-called greatest hits and conceptual poetics. It contains mentions of such vaguely designated areas as appropriation, postnaive, unboring boring, detournement, object perdu, and erasure poetry -- or writing through -- as they currently occur (with occasional political overtones) in the work of Michalis Pichler. This book is the first monograph focused on the practice of artist/author Michalis Pichler. Featuring eleven critical essays, an extensively illustrated catalogue, a conversation with John Stezaker, and selected writings by the artist, the book delivers a solid introduction into conceptual poetics. This book is the first monograph focused on the practice of artist/author Michalis Pichler. Featuring eleven critical essays, an extensively illustrated catalogue, a conversation with John Stezaker, and selected writings by the artist, the book delivers a solid introduction into conceptual poetics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Hardback. Condición: New.

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: Near Fine. Title - Katharina Karrenberg - Cina cine cric - Paolo Uccello: The battle of San Romano Author - Clemens Kümmel a.o. Publisher - Verlag fur moderne kunst Year - 2009  Language - English - German Binding - Paperback Size - 21 x 27 cm Pages - 128 ISBN -  9783941185173. …

Soft cover. Condición: As New. Excellent Condition - Cover and pages are intact and not marred by notes or highlighting. Languages: German and English. For anyone not used to today's postmedium condition, Klaus Weber's constructions could be mistaken for the experiments or inventions of a scientist or engineer. The main element of many of his works is a force or species belonging to the natural world, meteorological or biological: wind, sunbeams and rainfall, as well as plants and insects. Brought into combination with industrial materials of various kinds, Weber's assemblages look as if they should be more at home on the laboratory bench than the gallery floor. Here, the natural world is made to behave as it rarely does: heavy rainfall follows a moving car on a dry day; a small tornado issues forth from an ordinary vacuum cleaner; mushrooms emerge through tarmac; a plant hangs in the air without soil; a cactus is not a single plant, but two conjoined, with a pot at either end; a vast moth appears on the equities pages of a newspaper. Some of Weber's work recalls the mermen that taxidermists made from gibbons and fish that found their way into some Victorian natural history museums at a time when the veracity of the duckbilled platypus was doubted and Darwin's Origin of the Species was shaking the intellectual foundations of the West. For his first large-scale solo exhibition at the Secession in Vienna, Klaus Weber installed Sonnenorgel [Sun Organ], a heliostatic mirror, on the institution's roof. The heliostat collects the sunlight and projects a concentrated ray into the exhibition space. There, the light strikes an octagonal mirror object that scatters reflexes across the room, illuminating the exhibits as though with a spotlight or merely streaking them and thus establishing an immaterial connection between them, interrelating them like actors sharing a script and stage. In this way each work receives fluctuating light waves that have travelled some 150,000,000 kilometres rather than the usual few metres from a gallery's lighting track. The display is illustrated in the book by use of a special insert. This comprehensive catalogue documents for the first time the artist's oeuvre and reveals a recurring sense of limit-experiences: accidents, organism mutations, altered states, incursions from the outside. These apparent aberrations do not open up escapist or apocalyptic fantasies: instead, by intervening in the kinds of urban spaces that dominate our "advanced" cities, they undermine the sovereignty of order, and open up a space where alternative conceptions of social reality can be thought and acted upon.…

Square 8vo. Unpaginated. Colour illustrated soft covers. Illustrated throughout in colour. Text in German and English.ISBN: 9783865601360 Very good indeed, small bump at head of spine.

Condición: New.

Condición: new.

Condición: New.

Condición: New.

SOFTCOVER. Condición: New. 1st Edition. Quarto size (4to) in colour printed stiff glossy card covers, 87pp, colour plates, etc. Dual text in English and German. PLUS large folding gallery plan / poster loosely inserted . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Taschenbuch. Condición: Neu. Neuware - Ein Querverweis-Buch mit Informationen über ästhetische Ränder: bestehend aus einer Bibliografie mit Text, Kunstwerken, kritischen Essays, Dokumenten, chronologisch arrangiert und konzentriert auf sogenannte 'greatest hits' und konzeptuelle Poetik unter Erwähnung so vage ausgewiesener Bereiche wie Appropriation, Post-naiv, Unboring Boring, Entwendung, Objet Perdu und Löschungspoesie oder Writing Through, auftretend jetzt in der Arbeit von Michalis Pichler (mit gelegentlichen politischen Obertönen).Die erste Monografie über die Arbeit von Michalis Pichler enthält elf Essays verschiedener Autoren, einen umfangreichen Abbildungsteil, ein Gespräch des Künstlers mit John Stezaker sowie eine Auswahl eigener Schriften. Das Buch liest sich als solide Einführung in konzeptuelle Poetik.…

Paperback. Condición: New.

Softcover. Condición: Sehr gut. 1. Auflage. Z : 352 Seiten/Pages - It looks like a thick, juicy romance novel, but it's actually a collection of brushy, ephemeral, fin-de-siecle-esque paintings by the young German artist Sophie von Hellermann. Currently based in London, she recently exhibited at Greene Naftali Gallery in New York and Mark Foxx gallery, Los Angeles.…

194 Seiten, kartoniert, mit zahlreichen Abbildungen, Sauberes Exemplar ohne Stempel und Anstreichungen. Sehr gut erhalten. Sprache: deu.