clare barlow (44 resultados)

Condición: good. Pax, HH- Ilustrador. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: new. Hardcover. Fighting History is the first book to engage with the story of British history painting and its survival into contemporary practice today. Beautifully illustrated with works from the Tate collection, as well as a number of paintings from other institutions and from practicing artists, the book traces the tradition of history painting from the baroque allegory of the seventeenth-century court to contemporary works by Dexter Dalwood, Jeremy Deller, Michael Fullerton, and others. Three short essays address themes in history painting, from the question of the shifting meanings of 'history painting' to an account of the great radical artists in the genre. In an interview with Dexter Dalwood, one of Britain's most celebrated contemporary painters, the artist explains the enduring significance of history painting in twentieth-century art and in his own practice. Includes contributions from Mark Salber Phillips, Dexter Dalwood, Clare Barlow and M. G. Sullivan. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: Brand New. 64 pages. French language. 7.75x9.00x0.47 inches. In Stock.

Hardcover. Condición: Fine. First Edition with PICTORIAL LAMINATED cloth - within 12 hours of receipt of order.

Hardcover. Condición: Fine. 1st Edition.

Condición: New. Editor(s): Sullivan, M. G. Num Pages: 64 pages, 35 colour illustrations. BIC Classification: AFC; AG; HBJD1. Category: (G) General (US: Trade). Dimension: 135 x 205 x 11. Weight in Grams: 252. . 2050. Hardcover. . . . .

Condición: New. Editor(s): Sullivan, M. G. Num Pages: 64 pages, 35 colour illustrations. BIC Classification: AFC; AG; HBJD1. Category: (G) General (US: Trade). Dimension: 135 x 205 x 11. Weight in Grams: 252. . 2050. Hardcover. . . . . Books ship from the US and Ireland.

Paperback. Condición: Good. 1st edition. Very good condition paperback with minimal wear. Contents are clean and bright throughout with no markings.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. In 1967, sex between consenting men in England and Wales was finally decriminalised - an entire century after the death penalty was abolished for sodomy in Britain in 1867. Between these legal landmarks lies a century of seismic shifts in gender and sexuality which found expression across the arts as artists, collectors and consumers explored transgressive identities, experiences and perspectives. Some of the resulting artworks were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works reveal the rich diversity of queer British art. This beautiful book explores coded desires in aestheticism; the impact of the new science of sexology; queer domesticities; eroticism in the artist's studio; intersections of gender and sexuality; seedy dives and visions of Arcadia; and love and lust in sixties Soho. Featuring works by major artists such as Simeon Solomon, Clare Atwood, Ethel Sands, Duncan Grant, Francis Bacon and David Hockney among others, Queer British Art pays homage to the wealth of queer creativity in Britain between the 1860s and the 1960s. In 1967, sex between consenting men in England and Wales was finally decriminalised - an entire century after the death penalty was abolished for sodomy in Britain in 1867. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. A landmark publication paying homage to the wealth of queer creativity in Britain between the 1860s and the 1960s. In 1967, sex between consenting men in England and Wales was finally decriminalised - an entire century after the death penalty was abolished for sodomy in Britain in 1861. Between these legal landmarks lies a century of seismic shifts in gender and sexuality which found expression across the arts as artists, collectors and consumers explored transgressive identities, experiences and perspectives. Some of the resulting artworks were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works reveal the rich diversity of queer British art. This beautiful book explores coded desires in aestheticism; the impact of the new science of sexology; queer domesticities; eroticism in the artist's studio; intersections of gender and sexuality; seedy dives and visions of Arcadia; and love and lust in sixties Soho. Featuring works by major artists such as Simeon Solomon, Clare Atwood, Ethel Sands, Duncan Grant, Francis Bacon and David Hockney among others, Queer British Art pays homage to the wealth of queer creativity in Britain between the 1860s and the 1960s.

Paperback. Condición: New. A landmark publication paying homage to the wealth of queer creativity in Britain between the 1860s and the 1960s. In 1967, sex between consenting men in England and Wales was finally decriminalised - an entire century after the death penalty was abolished for sodomy in Britain in 1861. Between these legal landmarks lies a century of seismic shifts in gender and sexuality which found expression across the arts as artists, collectors and consumers explored transgressive identities, experiences and perspectives. Some of the resulting artworks were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works reveal the rich diversity of queer British art. This beautiful book explores coded desires in aestheticism; the impact of the new science of sexology; queer domesticities; eroticism in the artist's studio; intersections of gender and sexuality; seedy dives and visions of Arcadia; and love and lust in sixties Soho. Featuring works by major artists such as Simeon Solomon, Clare Atwood, Ethel Sands, Duncan Grant, Francis Bacon and David Hockney among others, Queer British Art pays homage to the wealth of queer creativity in Britain between the 1860s and the 1960s.

Condición: NEW.

hardcover. Condición: Very Good. First Edition. A pristine copy.

Condición: new.

Soft cover. Condición: Near Fine. No Jacket.

Condición: New. In.

Condición: New. . 2017. Paperback. . . . .

paperback. Condición: New.

Condición: New. . 2017. Paperback. . . . . Books ship from the US and Ireland.

Soft cover. Condición: Very Good. 1st Edition. Very Good. Unread condition.

Paperback. Condición: Very Good. A landmark publication paying homage to the wealth of queer creativity in Britain between the 1860s and the 1960s. In 1967, sex between consenting men in England and Wales was finally decriminalised an entire century after the death penalty was abolished for sodomy in Britain in 1861. Between these legal landmarks lies a century of seismic shifts in gender and sexuality which found expression across the arts as artists, collectors and consumers explored transgressive identities, experiences and perspectives. Some of the resulting artworks were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works reveal the rich diversity of queer British art. This beautiful book explores coded desires in aestheticism; the impact of the new science of sexology; queer domesticities; eroticism in the artist's studio; intersections of gender and sexuality; seedy dives and visions of Arcadia; and love and lust in sixties Soho. Featuring works by major artists such as Simeon Solomon, Clare Atwood, Ethel Sands, Duncan Grant, Francis Bacon and David Hockney among others, Queer British Art pays homage to the wealth of queer creativity in Britain between the 1860s and the 1960s. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Brand New. 192 pages. 10.00x8.00x0.50 inches. In Stock.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condición: new. Hardcover. Fighting History is the first book to engage with the story of British history painting and its survival into contemporary practice today. Beautifully illustrated with works from the Tate collection, as well as a number of paintings from other institutions and from practicing artists, the book traces the tradition of history painting from the baroque allegory of the seventeenth-century court to contemporary works by Dexter Dalwood, Jeremy Deller, Michael Fullerton, and others. Three short essays address themes in history painting, from the question of the shifting meanings of 'history painting' to an account of the great radical artists in the genre. In an interview with Dexter Dalwood, one of Britain's most celebrated contemporary painters, the artist explains the enduring significance of history painting in twentieth-century art and in his own practice. Includes contributions from Mark Salber Phillips, Dexter Dalwood, Clare Barlow and M. G. Sullivan. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.