citron beth (26 resultados)

Condición: good. This book is in Good condition. There may be some notes and highligting but otherwise the book is in overall good condition.

Paperback. Condición: Very Good. No markings. Oversize. Published in conjunction with an exhibition. 228 pages.

Softcover. Condición: Near Fine. [ART HISTORY]. Ed. Katy Siegel. Contributors: Alex Kitnick, Beth Citron, Grant Kester, Sandra Zalman, Nuit Banai, et al. "Art Journal, Vol. 71, No. 2, Summer 2012." New York: College Art Association, 2012. English language. Softcover magazine with spine. Text with full-color images. 10 x 8.25 x 0.25 in. 26 x 12 x 1 cm. 15 oz. 126 pp. Crease on spine. bottom of spine rubbed. Text clean. Near Fine. No ISBN. No ASIN. ISSN: 0004-3249. "The mission of Art Journal, founded in 1941, is to develop rigorous and shared methods by which modern and contemporary art can be understood; to engage critically with twentieth- and twenty-first-century art and art history in national and global frameworks; to encourage broad and rigorous contributions to our disciplines and to institute, in our peer review and editorial structures, an inclusive, critical, and collaborative approach to the development of new and emerging forms of thought and communities of practice; to address and redress exclusionary histories of art and art history as fields of practice and scholarship; to be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels; to explore relationships among diverse forms of art practice and production as well as within the fields of art making, art history, visual studies, theory, and criticism; to give voice and publication opportunity to artists, art historians, and other writers in the arts; to be responsive to issues of the moment in and beyond the arts; and to promote dialogue and debate.".

Paperback. Condición: Good.

Condición: New.

Condición: New. pp. 100.

Condición: New. pp. 100.

Condición: New. pp. 100.

Hardcover. SIGNED. First edition, first printing. Fine clothbound hardcover with a tap to one tip in a Near Fine dust jacket with light traces of shelf wear. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "Lisa Ross's photographs of Islamic holy sites were created over the course of a decade on journeys to China's Xinjiang region. These images show shrines created during pilgrimages, many of which have been maintained continuously over several centuries. The shrines, adorned with small devotional offerings that mark a prayer or visit, are poignant representations of collective memory and a pacifistic faith, and endure despite vulnerability to natural forces of sand, heat, and powerful winds. This volume emerges at a critical time, as modernization and new policies for development of China's far west bring about rapid, extreme, and irrevocable change. Many of the sites in Ross's work are threatened by political and economic pressures." Photographs and preface by Lisa Ross; essays by Alexandre Papas and Beth Citron; interview with Rahila Dawut conducted by Su M. Manzi. SIGNED BY ROSS on the half title, placed and dated in the year of publication; no inscription. 128 pages; color plates throughout + 1 map + text illustrations; 10 x 10 inches. Caption list, glossary of Uyghur terms.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Softcover, 56 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condición: VG. Illustrated wraps with silver lettering. 56 pp. Color illustrations. Published in conjunction with an exhibition organized and presented by the Rubin Museum of Art, New York, September 5, 2014 through February 2, 2015.

Soft cover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. Contents: Foreword. 1. Rubin museum of art/Jan Van Alphen. 2. Stirred by photography/Christopher Pinney. 3. Rethinking the figure in early photography from South Asia/Beth Citron. 4. Statuesque enthrallment: the body in early South Asian photography/Rahaab Allana. 5. Photographers studios, processes and formats/Shilpi Goswami, Deepak Bharathan and Jeenifer Chowdhry. Alkazi Foundation for the arts. The extraordinary range of photography from South Asia dates to the official birth of the medium in the mid 19th century. One of the first exhibitions of its kind in North America, Allegory and Illusion offers an intimate survey of vintage images from the modern nations of India, Sri Lanka, Burma, and Nepal. Together, they established a unique regional history of photography through both foreign and local practitioners. For this seminal collaboration between the Rubin Museum of Art (new York) and the Alkazi Foundation for the Arts (New Delhi) the photographs have been drawn exclusively from the private collection of Mr. E. Alkazi a figure of international repute associated with theatre direction in India and as a collector of fine art. As part of his historic photography archive, these images have been curated to explore the linked fields of portraiture figuration and inter-visual communication. The three lead essays, together with photographer biographies and techniques present varied perspectives on photography's development of a unique vernacular culture, Ethnography, identity, integration and assimilation are therefore some of the key notions that underlie practices of portraiture and domesticating space--reordering how an image may be perceived in our digital present. Some of the leading photographers and studios presented are Felice Beato, Bourne and Shepherd, Johnston and Hoffmann, Gobind Ram and Oodey Ram, Darogah Abbas Ali, Raja Deen Dayal and Shapur Bhedwar. The conditions under which some of their images were shot express the diverse relationship between political events and photographic practice. However the curators resist a teleological narrative taking into account not only the role of the medium and the state of technology but significantly, photography's non-linear systems of exchange, circulation and collection. (jacket).

Soft cover. Condición: Near Fine. Near pristine!

Gebunden. Condición: New. AlienDas vorliegende Buch hat neben dem Werk von Matti Braun insbesondere den bengalischen Science Fiction und Aspekte der Moderne in Indien in der zweiten Haelfte des 20. Jahrhunderts im Blick. Es ist in enger Zusammenarbeit mit den Mitherausgebern Bodhi.

Hardback. Condición: New.

Soft cover. Condición: Very Good. Softcover gallery catalog. Color, illustrated cover. Binding is tight and strong. Pages are clean and unmarked. Dozens of color reproductions of artwork throughout. Includes the artwork of 13 different artists as well as introductory essays and biographical and bibliographical information.

Hardback. Condición: New.

Buch. Condición: Neu. Neuware - The AlienBeyond the work of Matti Braun, the book at hand focuses in particular on Bengali science fiction as well as aspects of modernism in India in the second half of the twentieth century. It has been developed in close cooperation with the co-editors Bodhisattva Chattopadhyay, associate professor of global cultural studies in Oslo, and Beth Citron, a curator from New York specializing in modern art from South Asia.Seeing Matti Braun's batiks and silk paintings in the exhibition space, and how he presents historical saris in the same context, will provide an inkling of what it means that the artist examines unexpected, often little-known effects of intercultural dynamics, and reveals patterns of artistic migration and of cultural neglect. Here his enchantingly beautiful silk painting, which touches on Minimalism as well as Pop Art, there the historical fabrics of a traditional garment, a wrap-around skirt worn from India to Nepal and which to the wearer provides, in addition to festive occasions, almost superpractical possibilities in the daily life of subtropical countries, and which today is traded at auctions, and can be found mounted and framed as a picture in museums in Asia and Europe. The book at hand goes one step further and offers comprehensive insights into the associative network that has formed the basis of Matti Braun's work in recent years. One aspect pertains to the story of the - never realized - film »The Alien« by Indian director and author Satyajit Ray, which he was supposed to produce for one of the big Hollywood studios in the mid-1960s. In 1982, Steven Spielberg presented the mega blockbuster »E.T. the Extra-Terrestrial« - and until today it appears to be controversial whether not he plagiarized Ray. Matti Braun does, however, continue this in a spectacular manner, because he is interested in the entire scenery that lies beyond it, and so, together with his co-editors Bodhisattva Chattopadhyay and Beth Citron, he ignites a veritable »Bengal fire« when they together reveal the early science fiction culture of the Indian subcontinent, the stories of the various magazines, authors and books, the effects on Bollywood and the political ambitions of the Indian space program: A truly exhilarating story! ; The AlienEn voyant les batiks et peintures sur soie de Matti Braun dans la salle d'exposition, ainsi que la manière dont il présente à leurs côtés des saris historiques dans ce même cadre, on commence à comprendre ce que veulent dire ceux qui expliquent que l'artiste explore des effets inattendus, souvent peu connus, de dynamiques interculturelles et donne à voir des modèles de migration artistique et de mépris culturel. De ses sublimes peintures sur soie, qui touchent au minimalisme comme au pop art, aux étoffes historiques du vêtement traditionnel, une jupe drapée portée d'Inde au Népal qui offre à ceux et celles qui s'en habillent, outre des versions de fête, des possibilités super-pratiques au quotidien dans les régions subtropicales, et qui se négocie aujourd'hui dans les ventes aux enchères, tout comme il est accroché, monté en tableau et encadré dans les musées d'Asie et d'Europe. L'ouvrage va encore un pas plus loin et propose un aperçu complet du réseau d'associations sur lequel sont fondés les travaux de ces dernières années de Matti Braun. L'une d'entre elles renvoie à l'histoire du film jamais réalisé « The Alien » de l'auteur et réalisateur indien Satyaiit Ray, qu'il aurait dû tourner au milieu des années 1960 pour un grand studio de production d'Hollywood. Jusqu'au lancement en 1982 de la superproduction de Steven Spielberg « E.T. l'extraterrestre » - dont on ne peut encore dire aujourd'hui s'il s'agit ou non d'un plagiat. Matti Braun poursuit de manière pour le moins spectaculaire car il s'intéresse à l'ensemble du décor par derrière, afin d'allumer, avec ses coéditeurs Bodhisattva Chattopadhy et Beth Citron, un véritable feu « de Bengale » en révélant la première culture de science-fiction du sous-continent indien, les histoires de magazines divers, les auteurs et les livres dont l'influence transparaît de Bollywood jusqu'aux ambitions politiques du programme spatial indien : passionnant ! Exposition : Galerie Esther Schipper, Berlin, 17/1-22/2/2020; AlienDas vorliegende Buch hat neben dem Werk von Matti Braun insbesondere den bengalischen Science Fiction und Aspekte der Moderne in Indien in der zweiten Hälfte des 20. Jahrhunderts im Blick. Es ist in enger Zusammenarbeit mit den Mitherausgebern Bodhisattva Chattopadhyay, einem Associate Professor für globale Kulturwissenschaften in Oslo, und Beth Citron, einer auf moderne Kunst aus Südasien spezialisierten Kuratorin aus New York erarbeitet worden.Wenn man die Batiken und Seidenbilder von Matti Braun im Ausstellungsraum sieht und wie er dazu im selben Rahmen historische Saris präsentiert, kommt eine Ahnung auf, was das bedeutet, wenn es heißt, der Künstler untersuche unerwartete, häufig wenig bekannte Auswirkungen interkultureller Dynamiken und mache Muster künstlerischer Migration und kultureller Missachtungen sichtbar. Hier seine berückend schöne Seidenmalerei, die Minimalismus ebenso wie Pop-art streift, da die historischen Stoffe des traditionellen Kleidungsstücks, eines Wickelrocks, der von Indien bis Nepal getragen wird und für die Träger\*innen, neben festlichen Ausführungen, geradezu superpraktische Möglichkeiten im Alltag subtropischer Länder bietet und heute auf Auktionen gehandelt wird sowie aufgezogen und gerahmt als Bild in den Museen Asiens und Europas hängt. Das vorliegende Buch geht noch einen Schritt weiter, es bietet umfassende Einblicke in das assoziative Netz, das den Arbeiten der letzten Jahre von Matti Braun zugrunde liegt. Ein Aspekt gilt der Geschichte des nie realisierten Films »The Alien« des indischen Regisseurs und Autors Satyaiit Ray, den dieser Mitte der 1960er-Jahre für eines der großen Hollywoodstudios produzieren sollte. 1982 ging dann von Steven Spielberg der.

Buch. Condición: Neu. Matti Braun | Cat. Kunstverein Heilbronn | Matti Braun (u. a.) | Buch | Gebunden | Englisch | 2020 | Snoeck | EAN 9783864423109 | Verantwortliche Person für die EU: Snoeck Verlagsgesellschaft mbH, Postfach:13 02 17, 50739 Köln, mail[at]snoeck[dot]de | Anbieter: preigu.

Condición: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condición: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condición: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Paperback. Condición: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.