chlenova masha (19 resultados)

Softcover, staple-bound, 28 pages, very good condition, clean and crisp; no internal marks.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Cloth. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st edition. 1st edition. A Near Fine copy in Near Fine dust jacket. Folio, 376 pp., illustrated with numerous b&w and color photographs of art. Bound in pink cloth in multi-colored dust jacket. The dust jacket is now protected in a mylar sleeve.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. second printing. Minor shelf wear to binding. Light soiling on edges of text block. The dust jacket shows some light handling, in a mylar cover.

Oversize Paper. First Printing. 30pg large catalog for an exhibition of printed works of the Russian Avant-garde including posters, books and ephemera with a look at work also of contemporary artists. Illustrated with b&w repros and detailed time lines with illustrations tracing various movements within the Russian society during and after the revolution. Press release and postcard laid in. Fine. Book.

Condición: Near Fine. Softcover. 4to. 264 pp. Illustrations in color and B&W. A clean and umarked copy.

Hardcover. Condición: Good.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Pink cloth cover is lightly bumped at bottom front corner. Boards and spine are straight. Binding is tight. Pages are clean and pristine. Dust jacket has light shelf rubbing at corners otherwise pristine. DJ protected by a brand new, clear, acid-free mylar cover. We add mylar covers to all books with DJs to preserve the DJs and add luster to magnify their beauty. (If pictured, shown without the mylar cover for an accurate representation of dust jacket. ) .

Hardback. Condición: New. The first publication of its kind, connecting a constellation of artists working at the forefront of abstraction in the early 20th centuryOrphism emerged among a cosmopolitan group of artists active in Paris in the early 1910s, as the innovations of modern life radically altered conceptions of time and space. Engaged with ideas of simultaneity in kaleidoscopic compositions, these artists investigated the transformative possibilities of color, form and motion. Often featuring disks of brilliant color, their work evoked multisensory experiences. When pushed to its limits, Orphism signaled total abstraction. The poet Guillaume Apollinaire, a contemporary, coined the term "Orphism" to describe this move away from Cubism, toward a physically and spiritually transcendent art. His concept referred back to the Greek mythological poet and lyre player Orpheus, whose music thwarted death.The first in-depth examination of the Orphist avant-garde, this revelatory exhibition catalog contextualizes Orphism, tracing its roots, exploring its cross-disciplinary reach and considering its transnational reverberations across 16 illustrated texts by a multigenerational group of authors from different fields. Incisive essays offer new perspectives, delineating Orphism's connection to music, dance and poetry, and investigating the historical and cultural circumstances that shaped its ethos. More than 90 artworks in multiple mediums are punctuated by micro-narratives that view select artists through the Orphist lens, presenting original scholarship on well-known figures such as Robert Delaunay, Sonia Delaunay, Frantisek Kupka and Francis Picabia while also illuminating lesser-known ones such as Mainie Jellett, Morgan Russell and Amadeo de Souza-Cardoso.

Soft cover. Condición: Very Good Plus. Soft cover. 30x24.5cm. 328 pages. Flat spine. Flat covers. Clean & tight book. No inscriptions. Flat pages. Dispatched ROYAL MAIL TRACKED 24 next working day or sooner securely boxed in cardboard. ref p207.

Hardcover. Condición: New. Estado de la sobrecubierta: New. Lavish survey of modern art in the Merrill C Berman Collection shown at the Museum of Modern Art. A large format well printed coffee table art book focused on eastern European Russian,German art from 1918 to present.

Hardback. Condición: New. The first publication of its kind, connecting a constellation of artists working at the forefront of abstraction in the early 20th centuryOrphism emerged among a cosmopolitan group of artists active in Paris in the early 1910s, as the innovations of modern life radically altered conceptions of time and space. Engaged with ideas of simultaneity in kaleidoscopic compositions, these artists investigated the transformative possibilities of color, form and motion. Often featuring disks of brilliant color, their work evoked multisensory experiences. When pushed to its limits, Orphism signaled total abstraction. The poet Guillaume Apollinaire, a contemporary, coined the term "Orphism" to describe this move away from Cubism, toward a physically and spiritually transcendent art. His concept referred back to the Greek mythological poet and lyre player Orpheus, whose music thwarted death.The first in-depth examination of the Orphist avant-garde, this revelatory exhibition catalog contextualizes Orphism, tracing its roots, exploring its cross-disciplinary reach and considering its transnational reverberations across 16 illustrated texts by a multigenerational group of authors from different fields. Incisive essays offer new perspectives, delineating Orphism's connection to music, dance and poetry, and investigating the historical and cultural circumstances that shaped its ethos. More than 90 artworks in multiple mediums are punctuated by micro-narratives that view select artists through the Orphist lens, presenting original scholarship on well-known figures such as Robert Delaunay, Sonia Delaunay, Frantisek Kupka and Francis Picabia while also illuminating lesser-known ones such as Mainie Jellett, Morgan Russell and Amadeo de Souza-Cardoso.

Hardcover. Condición: Brand New. 376 pages. 12.30x1.30x9.80 inches. In Stock.

Hardcover. Condición: Brand New. 368 pages. 12.25x9.75x1.25 inches. In Stock.

hardcover. Condición: Like New. Estado de la sobrecubierta: Like New. First Edition. Publisher: The Museum of Modern Art, New York, 2016. FINE hardcover book in FINE mylar-protected dust-jacket. First Edition, First Printing. As new. Pristine.

Hardcover. Condición: New.

4to., pp. 264, pictorial wrappers, b/w and colour illustrations; slight crease to spine, a near-fine copy.

Hardcover. Condición: Gut bis sehr gut. Estado de la sobrecubierta: Gut bis sehr gut. 1. Auflage. Fe : 368 Seiten, 461 farbige Abbildungen - Francis Picabia (1879-1953), der Appropriation-Künstler, bevor es dieses Wort überhaupt gab, der schneidige Rennfahrer, Salonlöwe und Frauenheld, der den Autoritäten spottete und sich mit Chuzpe der Kunstgeschichte »annahm«. Seine Kunst erscheint wie ein Spiegelbild seiner selbst: Sie bewegt sich zwischen Kitsch und Ambition, ist exzentrisch, ironisch und exzessiv zugleich. Der Katalog umfasst Texte namhafter Autoren, die die Position Picabias in die Dada-Bewegung einordnen und seinen Beitrag zur Kunst der Moderne kritisch hinterfragen. Nicht zuletzt der opulente Abbildungsteil macht das aufwendig ausgestattete Buch zu einem Lesevergnügen mit Langzeitwirkung, weit über den Ausstellungsbesuch hinaus.