Chin san long (8 resultados)

Softcover, 66 pages; in English and Chinese; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condición: Good. Text in English and Chinese. Softcover with dust jacket, dust jacket shows minor wear, tear, rubbing, and light tanning. Cover shows minor wear. Pages are very lightly tanned and clean.

( In englischer und chinesischer Sprache. Widmungsexemplar des Verfasser mit dreizeiliger Widmungs auf dem Titelblatt ) Mit ca. 150 n.n. Blättern mit zahlreichen, teils getönten Abbildungen und Illustrationen auf Tafeln. Goldgeprägter Original-Karton, 4° ( 29,5 x 23,5 cm ). Der Einband ist gering fleckig, gering berieben, obere rechte Ecke des Vorderdeckels gering angeknickt. Innen von guter Erhaltung. selten - ( Gewicht ca, 850 Gramm ) ( Lagerort KG )( Weitere Bilder auf Anfrage ) / Artikel 25578 /// 88 pages, including 79 photographic plates, red blind-embossed original canvas in the binding design by Bruno Karberg (the binding is signed *Karberg* on the front cover, lower left). The binding is minimally rubbed (the narrow spine is more severely rubbed), endpapers and text pages slightly foxed, the last plates slightly foxed. Otherwise, clean and in good condition, a decorative copy. (Weight: 750 grams). (More images upon request) / Item 6681.…

Softcover. Condición: vg. First edition. Folio (12 1/4 x 10"). [14]pp (Text), 120pp (Plates), 121-139, [1]pp (Text and advertisement). Original spiral bound decorative wrappers by Pierre Boucher. "Photographie" was an annual special issue of the magazine "Arts et Métiers Graphiques" entirely dedicated to modern photography, and which published the work of the leading photographers and photographic agencies of the period. This 1936 edition contains 120 striking photographs reproduced in heliogravure, and taken by the following photographers: Gaston Paris; George Hurrel; John Somerset Murray; Marcel Bovis; Mitsutaro Fuku; Kardas; Maurice Tabard; Harry Meerson; Herbert List; Hein Gorny; Cecil Beaton; Pierre Boucher; Thérèse Le Prat; George Platt Lynes; Erwin Blumenfeld; Willy Prager; Marianne Breslauer; Lucien Vogel; Bill Brandt; Chin San Long (Lang Jingshan), and many others. Minor shelf wear. Tip of lower front corner slightly bumped, thus slightly affecting pages throughout. Text and captions in French. Wrappers in overall good+ to very good, interior in very good condition.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. First Edition, 1972. Book measures 9.25 x 12 inches. Gilt stamped blue cloth in illustrated dust jacket. Text in English. A comprehensive collection of work by Chin-San Long which includes his landscapes, composite photographs, nude studies, color works, sill life, and other images. Includes a foreword and a long text about his work, both written by Long. At the back of the book are numerous articles reprinted from different photography magazines and publications about his work. These are in various languages and contain many additional reproductions. A valuable resource on this fascinating artist. SIGNED with an inscription by Chin-San Long on the title page. Very Good in solid binding. Dust jacket show light edge wear with a few closed ticks along top edge of cover. - Chin-san Long was a pioneering photographer and one of the first Chinese photojournalists. He led a prolific career, and has been called "indisputably the most prominent figure in the history of Chinese art photography", and the "Father of Asian Photography". His experiments in composite photography of printing multiple negatives is unique not only in its exploration of the photographic medium in its earlier stages, but also in his practice of photography rooted in the tradition of Chinese landscape painting. Signed by Author(s).…

Hardcover. Condición: Good. No Jacket. 1st Edition. Taipei: The Photographic Research Institute of College of Chinese Culture, 1971, 1971 First edition. Quarto, 31*24cm, 202pp. No dustjacket. Illustrated endpapers. Blue cloth boards with decorated front cover and gilt to spine. Gift inscription to half-title page. Illustrated with Black and White Photographs. Two colour plates to rear. Text in English & Chinese. Introduction by Col. Joe E. Kennedy, President of The Photographic Scoiety of America. Very slight water stain to bottom edge of some text pages, otherwise a very good hardcover. More photos available upon request. 1st Edition. Good/No Jacket.…

A collection of 4 striking black and white photographic reproductions taken at some time from high quality 1930s magazines with images on both sides. 34 x 26.2cm. Chin-San-Long was born in 1892 in the Huaiyin district of Jiangsu Province. Spanning the entire course of the development of photography in China, his photographic career began in 1904 at the early age of thirteen and did not cease until his passing in 1995 at the age of 104. Pierre Verger took up the career of journalistic photographer at the age of 30, after losing his family. Over the next 15 years, he travelled four continents, documenting many civilisations that would soon be effaced by progress. His destinations included Japan and China in 1934 and 1937, and the Philippines and Indochina in 1938. Arthur de Carvalho was an amateur photographer working in the Far East during the 1930s. He employed a moody, pictorialist style in the creation of his work. Therese le Prat was a French photographer and artist active from the 1930s to 1966.…

First edition. Numerous photographic plates. Text in English and Chinese. Folio. Original flexible boards, minor staining to cover, but overall a very good copy signed by Long on the title. Decorated endpapers. Unpaginated [256pp]. Taipei, Photographic Society of China,  "This collection represents a combined compilation of my previous works that have appeared in various publications in the past. But it does not include those of my works whose negatives are left behind on the Chinese mainland, nor those whose prints are no longer extant." (Foreword).   Long Chin-san (also Lang Jing-shan, 1892-1995) was a pioneering photographer and one of the first Chinese photo-journalists. He has been called ?indisputably the most prominent figure in the history of Chinese art photography?, and the ?Father of Asian Photography? He joined the Royal Photographic Society in 1937 and gained a Fellowship in 1942. He was one of the first Chinese photographer to take artistic nude shots, but became most famous for his misty landscapes where he tries to fuse the aesthetics of Chinese monochrome landscape paintings with pictorialist photography. To achieve the unique spatial concepts of a ink paintings he invented a method of ?composite photography? to great effect. After the Communist takeover Long moved to Taiwan (1949) where he became director of the Photographic Society of China. Rare.…